In an age of increasing environmental problems, ecology has had to grow up fast from a discipline dealing with relatively simple interactions between species to one that tries to explain changes in global patterns of diversity and richness. The issues are complex. Every species may seem to have its own unique role, but if that is true, then why are there hundreds of species of plankton in an ecosystem with only a handful of niches? The tropics have a high biodiversity, but does anybody know why? And how can a single introduced tree species wreak havoc in Hawaii’s rainforests, when it is one of thousands of quietly coexisting tree species in its native continent, South America? The strength of this book is that it will help digest some of these more complex issues in the ecology of biodiversity. It will do this by zooming out from the local scale to the global scale in a number of steps, marrying community ecology with macroecology, and introducing unexpected nuggets of natural history along the way. The reader will notice that, the larger the scale, the more the familiar niche-concept appears to be overshadowed by exotic fields from fractal and complexity theory. However, scientists differ in opinion on the scale at which niches become irrelevant. These differences of opinion, but also the search for unified ecological theories, will form another force by which the story will be carried along to its conclusion. A conclusion which, surprisingly, seeks to find a glimpse of the globe's future in the traces from its past.

Author Harriet Robinson (1825-1911), born Harriet Jane Hanson in Boston, offers a first person account of her life as a factory girl in Lowell, Massachusetts in this 1898 work. Robinson moved with her widowed mother and three siblings to Lowell as the cotton industry was booming, and began working as a bobbin duffer at the age of ten for $2 a week. Her reflections of the life, some 60 years later, are unfailingly upbeat. She was educated, in public school, by private lesson, and in church. The community was tightly knit. She also had the opportunity to write poetry and prose for the factory girls' literary magazine The Lowell Offering. When mill girls returned to their rural family homes, she says, "...instead of being looked down upon as 'factory girls, ' they were more often welcomed as coming from the metropolis, bringing new fashions, new books, and new ideas with them."

Lydia, an old weaver slave, dreams of a better life, but she is torn when she has the opportunity to escape and pass as a white woman, but must leave the man she loves behind in the process.

The nine short stories in this collection reveal a portrait of three generations of Japanese-Americans trying to fit themselves into the fabric of American society. The author writes: "I wandered ghostlike amidst the mainstream of America, treading unaware of the cultural amnesia inflicted on my parents' generation by the internment and the atomic bomb." These tales chronicle the pains and hopes of family members reaching out in individual ways to understand themselves, their families, and their community. "Ruth Sasaki writes with great self-knowledge, with a sensitivity born of examined experience, and with a wonderfully humorous insight of the American ethnic experience."--Gus Lee, author of "China Boy"

With more than 120 beautiful color photos, this guide introduces how the simple art of weaving can help each of us--whether we are weavers or not--to build our inner life. The goal is to recognize, receive, and live in harmony with your own deepest truths. Using a system of seven "keyforms" that span cultures, ranging from an amulet to a mask to a belt of power, the growth process is explored in depth. Instructions for seven symbolic keyform projects help beginners to use tapestry weaving techniques, and help seasoned weavers to find new dimensions in their work. To put it in weaving terms, the inner life is like the vertical warp on a loom. The weft of our daily activities weaves through our inner values and beliefs with each moment. The Weaving a Life process has been used successfully by weavers and spinners, psychotherapists, nurses, hospice workers, educators, artists, and youth leaders, as well as by countless individuals who seek a deeper vision for their lives.

Using textiles to understand gender and economy in Norse societies In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic.  This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years. Through these garments and fragments, Hayeur Smith provides new insights into how the women of these island nations influenced international trade by producing cloth (vaðmál); how they shaped the development of national identities by creating clothing; and how they helped their communities survive climate change by reengineering clothes during the Little Ice Age. She supplements her analysis by revealing societal attitudes about weaving through the poem “Darraðarljoð” from Njál’s Saga, in which the Valkyries—Óðin’s female warrior spirits—produce the cloth of history and decide the fates of men and nations.  Bringing Norse women and their labor to the forefront of research, Hayeur Smith establishes the foundation for a gendered archaeology of the North Atlantic that has never been attempted before. This monumental and innovative work contributes to global discussions about the hidden roles of women in past societies in preserving tradition and guiding change.

Hailing from a renowned literary family, the writer Alec Waugh caused a scandal with the publication of his autobiographical novel/memoir, The Loom of Youth. The book treats the subject of homosexual relationships among British schoolboys with a degree of frankness that was unprecedented at the time, and due to its risque nature and keen insights, it went on to be a runaway bestseller.

Colorful and sometimes complex textiles are still produced in many parts of the world using only the simplest tools and equipment.The Art of the Loomfocuses on eight areas of special interest--Navaho weaving in North America; bedouin textiles in the Middle East; West African narrow-strip weaving; Indonesian textiles; "kasuri" resist dyeing in Japan; inlay weaving in Nepal; brocaded motifs from Guatemala; and Peruvian tapestry weaving--and describes the fibers used, the methods of spinning and dyeing, the types of loom and the techniques of weaving. Examples of the best textiles from each area are supplemented with numerous photographs of spinners, weavers, and dyers at work, and diagrams showing how the various effects are achieved. As well as providing students and anthropologists with a valuable insight into working methods in a wide variety of traditional communities, this book and the exciting textiles it illustrates will be an endless source of ideas and ispiration for practising weavers.

Ari lost everything she once loved when the Five Guilds' resistance fell to the Dragon King. Now, she uses her gift for clockwork machinery to earn a living on the black market. Cvareh would do anything to see his sister usurp the Dragon King's place on the throne, and the Alchemist Guild on Loom might hold the key. When Ari stumbles across a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit. He sees an opportunity to navigate Loom with the best person to get him where he wants to go. He offers Ari the one thing she can't refuse: a wish of her greatest desire, if she brings him to the Alchemists of Loom. --

Fiction. Corporate espionage in modern day Los Angeles. Satire.