On February 16 2016, motorcycle adventurer Charley Boorman suffered a major road traffic accident in Portugal. Having spent the better part of his life on some form of motorbike, his world came crashing down after he was knocked off a Triumph Tiger Explorer, smashing his right ankle and causing severe damage to his left fibia and tibia. It was unclear if he would ever walk properly again, let alone ride a motorbike. Moving between past and present, Long Way Back recounts Charley's journey back of recovery, the ambulance ride, the numerous operations in a Portuguese hospital, the medivac aircraft flight back to London. In alternating chapters, as his inability to walk for several months provokes introspection, Boorman recounts his childhood, where his passion for motorbikes began, and the formative influences in his life - from his father, a touring film director, to his long-time friend Ewan McGregor, and Sean Connery's son Jason, who first introduced him to bikes. As Charley struggles to cope with this potentially life-changing situation, it is these touchstones who will give him strength on the long way back to health.

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A multigenerational family story of modern Iraq

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

'Compelling . . . An original voice' PETER JAMES 'Penny twists and turns the plot, expertly tripping the reader up just at the moment you think you might have solved the mystery' DAILY EXPRESS There is more to solving a crime than following the clues. Welcome to Chief Inspector Gamache's world of facts and feelings. Clara Morrow's husband is missing. When he fails to come home on the first anniversary of their separation, as promised, Clara asks the only person she trusts to try and find him: former Chief Inspector of Homicide, Armand Gamache. As Gamache journeys further into the case, he is drawn deeper into the tortured mind of Peter Morrow, a man so desperate to recapture his fame as an artist that he would sell his soul. As Gamache gets closer to the truth, he uncovers a deadly trail of jealousy and deceit. Can Gamache bring Peter, and himself, home safely? Or in searching for answers, has he placed himself, and those closest to him, in terrible danger? Millions of readers worldwide. One inimitable Chief Inspector Gamache.

Black soldiers thought to be killed in action mysteriously reappear in Cu Chi, Vietnam. A curious war correspondent uncovers an illegal army mission gone awry.

A powerful new novel about divided loyalties and the realities of war from “master storyteller” (Wall Street Journal) Sebastian Barry, author of Old God's Time In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined and sustains his spirit with only the words on the pages from home and the camaraderie of the mud-covered Irish boys who fight and die by his side. Dimly aware of the political tensions that have grown in Ireland in his absence, Willie returns on leave to find a world split and ravaged by forces closer to home. Despite the comfort he finds with his family, he knows he must rejoin his regiment and fight until the end. With grace and power, Sebastian Barry vividly renders Willie’s personal struggle as well as the overwhelming consequences of war.

NEW YORK TIMES BESTSELLER They met over their dogs. Gail Caldwell and Caroline Knapp (author of Drinking: A Love Story) became best friends, talking about everything from their love of books and their shared history of a struggle with alcohol to their relationships with men. Walking the woods of New England and rowing on the Charles River, these two private, self-reliant women created an attachment more profound than either of them could ever have foreseen. Then, several years into this remarkable connection, Knapp was diagnosed with cancer. With her signature exquisite prose, Caldwell mines the deepest levels of devotion, and courage in this gorgeous memoir about treasuring a best friend, and coming of age in midlife. Let’s Take the Long Way Home is a celebration of the profound transformations that come from intimate connection—and it affirms, once again, why Gail Caldwell is recognized as one of our bravest and most honest literary voices.

Eighteen-yearr-old Charlie Ross does the one thing you should never so before going off to war - he falls in love. Before he is drafted to fight in Vietnam. Charlie falls head-over-heels for a beautiful girl named Anna Cochran. They spend the summer on the banks of the river where they fish, laugh, talk, and dream about the future. But as their magical summer draws to a close, and their time together slips away, they wonder of love will be enough to carry them through the trying times ahead -- Back cover.

Christopher Alexander was sent to Afghanistan in 2003, charged with supporting the NATO-led International Security Assistance Force, part of the global response to 9/11. Primarily covering the years 2001 to 2011, The Long Way Back tells the story of the historic achievements and bitter disappointments encountered on the road to political stability in Afghanistan. But this is much more than a first-hand account of recent events: it is a clear-eyed take on what has been achieved, the triumphs and failings of Afghans and foreigners alike, and why the country is still mired in conflict. Alexander guides us through the intricacies of the cross-border insurgency—showing that Pakistan continues the campaign begun under the British frontier policy and scaled up by the U.S. for jihad against the Soviets. With Alexander’s direct access to and experience with the country’s leaders, the international players and ordinary Afghan citizens, a unique portrait of Afghanistan is revealed and an argument is made for what it will take for the country to achieve a lasting peace.