London Review of Books: An Incomplete History invites readers behind the scenes for the first time, reproducing a fascinating selection of artefacts and ephemera from the paper's archives, personal collections and forgotten filing cabinets. Letters, notebooks, drawings, postcards, fieldnotes and typescripts, many of them never previously published, bring an idiosyncratic slice of Bloomsbury's heritage to life. Fragments by legendary contributors - from Alan Bennett to Angela Carter, Oliver Sacks to Edward Said, Ted Hughes to Christopher Hitchens, Richard Rorty to Jenny Diski, plus the occasional prime minister or Nobel prize-winner - are contextualised with captions and backstories by LRB writers and editors. The result is an intimate account of forty years of intellectual life, which sheds new light on great careers, famous incidents and some of the history going on in the background: a testament to the power of print - and well-edited sentences - in the new information age.

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

A New Statesman Book of the Year London. A city apart. Inimitable. Or so it once seemed. Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.

With original artworks throughout, an extraordinary fusion of memoir and artistic biography from the acclaimed artist and author of Self-Portrait. Dearest Gwen, I know this letter to you is an artifice. I know you are dead and that I’m alive and that no usual communication is possible between us but, as my mother used to say, “Time is a strange substance” and who knows really, with our time-bound comprehension of the world, whether there might be some channel by which we can speak to each other, if we only knew how. Celia Paul’s Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John’s reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John’s life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public’s reception of their work. Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters (including full-color plates of both artists’ work), and a writer/artist’s daybook, describing Paul’s first exhibitions in America, her search for new forms, her husband’s diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life.

Anna has a taste for perverse sex involving an older man and a ventriloquist's dummy. Her sex life revolves around the stone circles in Aberdeen. The grandeur of the stones provides a backdrop against which she can act out her psychodramas.

Winner of the International Prize for Arabic Fiction, this novel weaves together a series of devastating confessions about life in contemporary Arab society “Barakat isn't writing about ‘the immigrant.’ She's writing about the human.”—Rumaan Alam, 4columns “Spare and deep, Voices of the Lost captivates. Hoda Barakat is one of Lebanon's greatest gifts to literature, and Booth allows her English audience to explore this painful and irresistible present.”—Amy Bloom, author of White Houses In an unnamed country torn apart by war, six strangers are compelled to share their darkest secrets. Taking pen to paper, each character attempts to put in writing what they can’t bring themselves to say to the person they love—mother, father, brother, lost love. Their words form a chain of dark confessions, none of which reaches the intended recipient. Profound, troubling, and deeply human, Voices of the Lost tells the moving story of characters living on the periphery, battling with displacement, devastating poverty, and the demons within themselves. From one of today’s most talented Arabic writers, Voices of the Lost is an urgent story of lives intimately woven together in a society that is tearing itself apart.

A stunning collection of essays and memoir from twice Booker Prize winner and international bestseller Hilary Mantel, author of The Mirror and the Light

Erudite, witty and often controversial, The London Review of Books informs and entertains its readers with a fortnightly dose of the best and liveliest of all things cultural. This anthology brings together some of the most memorable pieces from recent years, includes Alan Bennett’s Diary, Christopher Hitchens on Bill Clinton’s presidency, Terry Castle’s hotly-debated reading of Jane Austen’s letters, Jerry Fodor taking issue with Richard Dawkins on evolution, Victor Kiernan on treason, Jenny Diski musing on death, Stephen Frears’ adventures in Hollywood, Linda Colley on Nancy Reagan, Frank Kermode on Paul de Man and much much more.

The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. "Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review

"A woman receives an unexpected call from a former classmate asking for help deciphering a puzzling interaction, and from there, Smith spins out a broader story about loneliness, refuge and freedom.” —The New York Times Book Review “Lyrical and timely…Smith’s novel will push readers to consider what it means to let people into your life, even when you don’t want to.” —TIME A story is never an answer. A story is always a question. A day spent locked in a room by border officials without any explanation as to why. A riddle that seemingly has no answer: curlew or curfew, you choose. A phone call from a college friend who hasn't been in touch in years. And all of it is somehow inextricably linked to the life of a young blacksmith hounded from her trade and branded a vagrant nearly 500 years ago. Award-winning author Ali Smith shines a guiding light through the nightmarish now with a provocative novel that intertwines our atomized present and the uncannily parallel era of the Black Plague. In the hope that our medieval past may unlock the answers we seek to understand our hazy future, Companion Piece is a kaleidoscope of human history and experience, and a stunning addition to Smith's gorgeous canon.