In 1612, Shakespeare gave evidence in a court case at Westminster-and it is the only occasion on which his actual spoken words were recorded. In The Lodger Shakespeare, Charles Nicholl applies a powerful biographical magnifying glass to this fascinating but little-known episode in the Bard's life. Drawing on evidence from a wide variety of sources, Nicholl creates a compellingly detailed account of the circumstances in which Shakespeare lived and worked amid the bustle of early seventeenth-century London. This elegant, often unexpected exploration presents a new and original look at Shakespeare as he was writing such masterpieces as Othello, Measure for Measure, and King Lear.

In 1612 Shakespeare gave evidence at the Court of Requests in Westminster – it is the only occasion his spoken words are recorded. The case seems routine – a dispute over an unpaid marriage-dowry – but it opens up an unexpected window into the dramatist’s famously obscure life-story. Charles Nicholl applies a powerful biographical magnifying glass to this fascinating episode in Shakespeare’s life. Marshalling evidence from a wide variety of sources, including previously unknown documentary material on the Mountjoys, he conjures up a detailed and compelling description of the circumstances in which Shakespeare lived and worked, and in which he wrote such plays as Othello, Measure for Measure and King Lear.

This volume presents a study of the changing images and differing ways that the life of English poet and playwright William Shakespeare (1564-1616) has been interpreted throughout history. The author takes readers on a tour of the countless myths and legends which have arisen to explain the great dramatist's life and work, bringing the story right up to 1989. He reconstructs as much of the elusive author's life as possible, considering his family history, his economic standing, and his reputation with his peers; the Shakespeare who emerges may not always be the familiar one.

The debate over the true author of the Shakespeare canon has raged for centuries. Astonishingly little evidence supports the traditional belief that Will Shakespeare, the actor and businessman from Stratford-upon-Avon, was the author. Legendary figures such as Mark Twain, Walt Whitman and Sigmund Freud have all expressed grave doubts that an uneducated man who apparently owned no books and never left England wrote plays and poems that consistently reflect a learned and well-traveled insider's perspective on royal courts and the ancient feudal nobility. Recent scholarship has turned to Edward de Vere, 17th Earl of Oxford-an Elizabethan court playwright known to have written in secret and who had ample means, motive and opportunity to in fact have assumed the "Shakespeare" disguise. "Shakespeare" by Another Name is the literary biography of Edward de Vere as "Shakespeare." This groundbreaking book tells the story of de Vere's action-packed life-as Renaissance man, spendthrift, courtier, wit, student, scoundrel, patron, military adventurer, and, above all, prolific ghostwriter-finding in it the background material for all of The Bard's works. Biographer Mark Anderson incorporates a wealth of new evidence, including de Vere's personal copy of the Bible (in which de Vere underlines scores of passages that are also prominent Shakespearean biblical references).

The Lodger is the first known novelization of the Jack the Ripper story. It follows the lives of Mr. and Mrs. Bunting, a maid and butler. An eccentric lodger, Mr. Sleuth, arrives at their lodging-house just as a wave of horrific murders begins to sweep London. The Buntings become engrossed in the newspaper sensationalism as well the detailed accounts of their young friend, a Scotland Yard detective. Lowndes first wrote The Lodger as a short story published in McClure’s Magazine, then later published the novelization in the Daily Telegraph as a serial. It was very successful, with over a million copies sold within a few decades. Writers like Ernest Hemingway and Gertrude Stein praised it, with one contemporary reviewer calling it “the best novel about murder written by any living author.” It has since been adapted to other media, notably as one of Alfred Hitchcock’s first movies. Today the novel is still considered the best fictional adaptation of the Jack the Ripper legend. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

In these wonderfully stylish and eclectic essays, Charles Nicholl pursues the fugitive traces of the past with the skill and relish that have earned him a reputation as one of the finest literary and historical detectives of our time.His subjects range from a murder-case in Renaissance Rome to the disappearance of Jim Thompson in 1960s Malaya, from the boyhood of Christopher Marlowe to the crimes of Jack the Ripper, from the remnants of a lost Shakespeare play to the last days of the poet-boxer Arthur Cravan in a Mexican fishing port.Full of insights, curiosities and unexpected discoveries, these thirty pieces written over two decades show the author of The Lodger and Leonardo da Vinci at his inquisitive best.

In 1986, Charles Nicholl travels through Thailand to learn about the spiritual traditions of forest Buddhism in the north of the country. But interesting things have a habit of getting in the way. When Nicholl meets Harry, an old French Indochina hand, on the night train north with his tales of Kachin jade and Shan opium, it leads to a journey along the banks of the Mekong, into the Golden Triangle, and then across the border into Burma, in the company of the book's Thai heroine, Kitai.Often alarming but also sensual, it is beautifully told and a reminder that adventures still exist - among shaman spirit-summoners, in rebel hideouts, or in opium dens - for those prepared to cross borders, real, imaginary, or imposed.

In 1593 the brilliant but controversial young playwright Christopher Marlowe was stabbed to death in a Deptford lodging house. The circumstances were shady. Nicholls penetrates four centuries of obscurity to reveal a complex story of entrapment and betrayal. Winner of the Crime Writer's Gold Dagger Award for a nonfiction thriller.

Forensic Shakespeare illustrates Shakespeare's creative processes by revealing the intellectual materials out of which some of his most famous works were composed. Focusing on the narrative poem Lucrece, on four of his late Elizabethan plays (Romeo and Juliet, The Merchant of Venice, Julius Caesar and Hamlet) and on three early Jacobean dramas, (Othello, Measure for Measure and All's Well That Ends Well), Quentin Skinner argues that major speeches, and sometimes sequences of scenes, are crafted according to a set of rhetorical precepts about how to develop a persuasive judicial case, either in accusation or defence. Some of these works have traditionally been grouped together as 'problem plays', but here Skinner offers a different explanation for their frequent similarities of tone. There have been many studies of Shakespeare's rhetoric, but they have generally concentrated on his wordplay and use of figures and tropes. By contrast, this study concentrates on Shakespeare's use of judicial rhetoric as a method of argument. By approaching the plays from this perspective, Skinner is able to account for some distinctive features of Shakespeare's vocabulary, and also help to explain why certain scenes follow a recurrent pattern and arrangement. More broadly, he is able to illustrate the extent of Shakespeare's engagement with an entire tradition of classical and Renaissance humanist thought.

'One Mr Shakespeare that laye in the house . . . ' In 1612 Shakespeare gave evidence at the Court of Requests in Westminster - it is the only occasion his spoken words are recorded. The case seems routine - a dispute over an unpaid marriage-dowry - but it opens up an unexpected window into the dramatist's famously obscure life-story. Some eight years earlier, we learn, Shakespeare was lodging in the house of a French immigrant family, the Mountjoys, in the Cripplegate area of London. And while there he was called on by his landlady to 'persuade' the family's former apprentice to marry their daughter. Charles Nicholl applies a powerful biographical magnifying glass to this fascinating but little-known episode in Shakespeare's life. In The Lodger, one of the celebrated literary detectives of our day has created something all too rare - a fresh and original book about Shakespeare.