In 1996 a series of exquisite Roman mosaic floors was accidentally uncovered during highway construction in the modern Israeli town of Lod. The mosaics featured elegant and superbly crafted animals, fish, birds and other creatures, dating to around AD 300. They probably belonged to a private house and served as a series of reception or audience halls, where visitors would have been met and entertained. The mosaic has just completed a world tour that included the Metropolitan Museum in New York, the Field Museum in Chicago, the Louvre in Paris, the Altes Museum in Berlin, Waddesdon Manor in England and the Hermitage in St Petersburg, among other prominent venues. It will now be based at its new home at The Shelby White and Leon Levy Lod Mosaic Archaeological Centre in Lod, Israel. Published with the Israel Antiquities Authority to celebrate the new museum's opening, this lavishly illustrated volume will be the only book on this exceptional archaeological find. Featuring sumptuous photography and an accessible and informative text, this captivating volume will be essential for all those interested in Roman mosaics and the fascinating history of the region.

In the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East—maps, historical images and religious scenes constituting a treasure of new testimony from antiquity. In them, Bowersock finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride.

Damqatum is a journal dedicated to the history and archaeology of the Near East, oriented to the general public.

The mosaics in the collection of the J. Paul Getty Museum span the second through the sixth centuries AD and reveal the diversity of compositions found throughout the Roman Empire during this period. Elaborate floors of stone and glass tesserae transformed private dwellings and public buildings alike into spectacular settings of vibrant color, figural imagery, and geometric design. Scenes from mythology, nature, daily life, and spectacles in the arena enlivened interior spaces and reflected the cultural ambitions of wealthy patrons. This online catalogue documents all of the mosaics in the Getty Museum’s collection, presenting their artistry in new color photography as well as the contexts of their discovery and excavation across Rome's expanding empire—from its center in Italy to provinces in southern Gaul, North Africa, and ancient Syria. The free online edition of this open-access catalogue, available at www.getty.edu/publications/romanmosaics/, includes zoomable high-resolution photography, embedded glossary terms and additional comparative images, and interactive maps drawn from the Digital Atlas of the Roman Empire. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, CSV and JSON downloads of the object data from the catalogue, and JPG and PPT downloads of the main catalogue images.

This volume discusses crucial aspects of the period between the two revolts against Rome in Judaea that saw the rise of rabbinic Judaism and of the separation between Judaism and Christianity. Most contributors no longer support the ‘maximalist’ claim that around 100 CE, a powerful rabbinic regime was already in place. Rather, the evidence points to the appearance of the rabbinic movement as a group with a regional power base and with limited influence. The period is best seen as one of transition from the multiform Judaism revolving around the Second Temple in Jerusalem to a Judaism that was organized around synagogue, Tora, and sages and that parted ways with Christianity.

In Gardens of the Roman Empire, the pioneering archaeologist Wilhelmina F. Jashemski sets out to examine the role of ancient Roman gardens in daily life throughout the empire. This study, therefore, includes for the first time, archaeological, literary, and artistic evidence about ancient Roman gardens across the entire Roman Empire from Britain to Arabia. Through well-illustrated essays by leading scholars in the field, various types of gardens are examined, from how Romans actually created their gardens to the experience of gardens as revealed in literature and art. Demonstrating the central role and value of gardens in Roman civilization, Jashemski and a distinguished, international team of contributors have created a landmark reference work that will serve as the foundation for future scholarship on this topic. An accompanying digital catalogue will be made available at: www.gardensoftheromanempire.org.

The Dead Sea Scrolls at Qumran and the Concept of a Library presents twelve articles by renowned experts in the Dead Sea Scrolls and Qumran studies. These articles explore from various angles the question of whether or not the collection of manuscripts found in the eleven caves in the vicinity of Khirbet Qumran can be characterized as a “library,” and, if so, what the relation of that library is to the ruins of Qumran and the group of Jews that inhabited them. The essays fall into the following categories: the collection as a whole, subcollections within the overall corpus, and the implications of identifying the Qumran collection as a library.

In recent years, funding for the conservation of cultural heritage has become increasingly difficult to obtain, and this trend shows no sign of changing significantly in the foreseeable future. The twelfth triennial meeting of the International Committee for the Conservation of Mosaics, held in Sardinia in October 2014, focused on the theme of cost, broadly considered, relating specifically to the preservation and presentation of the world’s mosaic heritage. This handsome, abundantly illustrated volume provides a comprehensive record of the conference. The volume’s sixty-seven papers and posters, comprising contributions from more than one hundred leading experts in the field, reflect the conference’s principal themes: cost, methods of survey and documentation, conservation and management, education and training, backing materials and techniques, presentation and display, and case studies. Papers are presented either in English, French, or Italian; there are abstracts in English and either French or Italian for all entries. The volume will be of interest to conservators, site managers, and others responsible for conserving the mosaic heritage, especially in these challenging times.