In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

Hill-walking was Shepherd's great love; her single collection of poetry, 'In the Cairngorms', expresses an intensity of deep kinship with nature. They are poems written with the perception of one who has climbed the mountains and truly knows them.

Edited and introductions by Roderick Watson. The Quarry Wood, although published well before Sunset Song, inhabits a similar world; the progress of its heroine could almost be the alternative story of a Chris Guthrie who did go to university. Compassionate and humorous, the grace and style of Shepherd’s prose is heightened by a superb ear for the vigorous language of the north-east. The Weatherhouse, Shepherd’s masterpiece, is an even more substantial achievement which belongs to the great line of Scottish fiction dealing with the complex interactions of small communities, and especially the community of women – a touching and hilarious network of mothers, daughters, spinsters and widows. It is also a striking meditation on the nature of truth, the power of human longing and the mystery of being. The third and final novel, A Pass in the Grampians, describes Jenny Kilgour’s coming of age as she has to choose between the kindly harshness of her grandfather’s life on a remote hill farm, and the vulgar and glorious energy of Bella Cassie, a local girl who left the community to pursue success as a singer, and has now returned to scandalise them all. The Living Mountain is a lyrical testament in praise of the Cairngorms. It is a work deeply rooted in Shepherd’s knowledge of the natural world, and a poetic and philosophical meditation on our longing for high and holy places. This is the first omnibus edition of Shepherd’s prose works – her sensitivity and powers of observation raise her work far above the status of regional literature and into the front rank of Scottish writing.

"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book

In the 1930s, the writer and poet, Nan Shepherd was one of North-East Scotland's best known literati. Her image now graces the new Scottish £5 note; The Living Mountain has become a classic and sells in its thousands. Nan Shepherd lived all her life in Deeside, yet few people, even in Scotland, seem to have heard of her. But then, indifferent to celebrity, Nan Shepherd had a talent for silence. Long overdue, this first biography, unravels some of the mysteries, dispels some of the rumours and gives insight into the life and work of this perceptive and intensely private woman.

Fifty writers on life, art and writing from twenty-two years of Brick, A Literary Journal. Founded in 1977, Brick, A Literary Journal features a great many of the world’s best-loved writers, and has readers in every corner of the planet. The magazine prizes the personal voice and celebrates opinion, passion, revelation, and the occasional bad joke. This anthology, which collects some of the very best work to appear in Brick over the last twenty-two years, is an essential collection of some of the finest writers at work today including, John Berger, Fanny Howe, Don DeLillo, Elizabeth Hay, Colm Tóibín, A.L. Kennedy, Alistair McLeod, Tim Lilburn, Jane Rule and Jeffrey Eugenides to name but a few. Full of invigorating and challenging literary essays, interviews, memoirs, travelogues, belles lettres, and unusual musings, The New Brick Reader is the perfect introduction for those new to Brick and an ideal treasury for the magazine’s many fans. Contributors include Rob Fyfe, Alistair Macleod, Michael Ondaatje (interview with Malouf), Annie Proulx, Brand, Creeley, Rushdie, CD Wright, Atwood, Gibson, Russell, Banks (what I'd be if not a writer), Peter Harcourt, Jane Rule, James Wood (interviews W G Sebald), Helen Garner, Elizabeth Hay, Michael Helm, Jeffrey Eugenides, Roo Borson, Jonathan Lethem, Tim Lilburn, Robert Creeley, Michelle Orange, Fanny Howe, A. L. Kennedy, Semi Chellas, Don DeLillo, Alistair Bland, Dionne Brand, Esta Spalding (interviews David Sedaris), John Berger, Clark Blaise, Jim Harrison, Clayton Ruby, Robert Hass, George Toles, Stephan Bureau (interview with Mavis Gallant), Roberto Bolano & Forrest Gander, Leon Edel (Craig Howes), Paule Anglim (interview with Gabrielle Buffet-Picabia), Colm Toibin, Don Paterson, Albert Nussbaum, W.S. Merwin, Sean Michaels, Charles Foran, Colum McCann & R. Chandran Madhu, Melora Wolff, and Eleanor Wachtel (with Anne Carson).

The legendary mountaineer describes his adventures in such ranges as the Alps and Himalayas, and provides details of what really happened during a controversial 1954 Italian expedition that made the first ascent of K2.

In the tradition of A Civil Action—this true story of a North Carolina outdoorsman who teams up with his Appalachian neighbors to save treasured land from being destroyed will “make you want to head for the mountains” (Raleigh News & Observer). LIVING ALONE IN HIS WOODED MOUNTAIN RETREAT, Jay Leutze gets a call from a whip-smart fourteen-year-old, Ashley Cook, and her aunt, Ollie Cox, who say a local mining company is intent on tearing down Belview Mountain, the towering peak above their house. Ashley and her family, who live in a little spot known locally as Dog Town, are “mountain people,” with a way of life and speech unique to their home high in the Appalachians. They suspect the mining company is violating North Carolina’s mining law, and they want Jay, a nonpracticing attorney, to stop the destruction of the mountain. Jay, a devoted naturalist and fisherman, quickly decides to join their cause. So begins the epic quest of “the Dog Town Bunch,” a battle that involves fiery public hearings, clandestine surveillance of the mine operator’s highly questionable activities, ferocious pressure on public officials, and high-stakes legal brinksmanship in the North Carolina court system. Jay helps assemble a talented group of environmental lawyers to contend with the well-funded attorneys protecting the mining company’s plan to dynamite Belview Mountain, which happens to sit next to the famous Appalachian Trail, the 2,184- mile national park that stretches from Maine to Georgia. As the mining company continues to level the forest and erect the gigantic crushing plant on the site, Jay’s group searches frantically for a way to stop an act of environmental desecration that will destroy a fragile wild place and mar the Appalachian Trail forever.

The women of the tiny town of Fetter-Rothnie have grown used to a life without men, and none more so than the tangle of mothers and daughters, spinsters and widows living at the Weatherhouse. Returned from war with shellshock, Garry Forbes is drawn into their circle as he struggles to build a new understanding of the world from the ruins of his grief. In The Weatherhouse Nan Shepherd paints an exquisite portrait of a community coming to terms with the brutal losses of war, and the small tragedies, yearnings and delusions that make up a life.

*One of NPR's "Books We Love 2021"* "'I came to see the mountains as an outpouring of our modern lives,' Roy writes, 'of the endless chase for our desires to fill us.' Readers of Behind the Beautiful Forevers will be drawn to this harrowing portrait." —Publishers Weekly "Castaway Mountain deserves every accolade. A stunning achievement." —Kiran Desai, Booker Prize Winner, author of Inheritance of Loss. All of Mumbai’s possessions and memories come to die at the Deonar garbage mountains. Towering at the outskirts of the city, the mountains are covered in a faint smog from trash fires. Over time, as wealth brought Bollywood knock offs, fast food and plastics to Mumbaikars, a small, forgotten community of migrants and rag-pickers came to live at the mountains’ edge, making a living by re-using, recycling and re-selling. Among them is Farzana Ali Shaikh, a tall, adventurous girl who soon becomes one of the best pickers in her community. Over time, her family starts to fret about Farzana’s obsessive relationship to the garbage. Like so many in her community, Farzana, made increasingly sick by the trash mountains, is caught up in the thrill of discovery—because among the broken glass, crushed cans, or even the occasional dead baby, there’s a lingering chance that she will find a treasure to lift her family’s fortunes. As Farzana enters adulthood, her way of life becomes more precarious. Mumbai is pitched as a modern city, emblematic of the future of India, forcing officials to reckon with closing the dumping grounds, which would leave the waste pickers more vulnerable than ever. In a narrative instilled with superstition and magical realism, Saumya Roy crafts a modern parable exploring the consequences of urban overconsumption. A moving testament to the impact of fickle desires, Castaway Mountain reveals that when you own nothing, you know where true value lies: in family, community and love. Interior map illustration copyright (c) Jake Coolidge