The combined events of the end of the American Civil War in 1865, the first transcontinental railroad opening in 1869, and the financial crash of 1873, found large numbers—including thousands of former soldiers well used to an outdoor life and tramping—thrown into a transient life and forced to roam the continent, surviving on whatever resources came to hand. For most, the life of the hobo was born out of necessity. For a few it became a lifestyle choice. Some of the latter group committed their adventures to print, both autobiographical and fictional, and together with their British and Irish counterparts, whose wanderlust was fueled by an altogether different genesis, they account for the fifteen tramp writers whose stories and ideas are the subject of this book. The lives of some, like Jack Everson, Jack Black and Tom Kromer, are told in a single volume, others, like Morley Roberts and Stephen Graham, have eighty and fifty published works to their credit respectively. Some remain completely unknown and their books are long since out of print, others, like Trader Horn and Jim Tully, were Hollywood celebrities. Others yet, such as Black, Tulley, Horn, Bart Kennedy, Leon Ray Livingstone, and Jack London, had their stories immortalized in film.

Jim Christy’s life and adventures began on the mobbed-up streets of South Philadelphia. Over his 73 years to date, Christy has asserted his freedom of spirit as a vagabond adventurer, latter-day hobo, journalist, private eye, actor, musician, and artist, in over 50 countries around the globe, and still found time to write over 30 books. His early adventures as a street fighter and child tramp provide a unique socio-cultural history of Philadelphia in the 50’s and 60’s before the book moves on to recount his later exploits from some of the most remote and random corners of the world.

Shortlisted for the Literary Encyclopedia Book Prize 2022, The Tramp in British Literature, 1850-1950 offers a unique account of the emergence of a new conception of homelessness in the mid-nineteenth century. After arguing that the emergence of the figure of the tramp reflects the evolution of capitalism and disciplinary society in this period, The Tramp in British Literature uncovers a neglected body of "tramp literature" written by memoir and fiction writers, many of whom were themselves homeless. In analysing these works, it presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a wider societal preoccupation with the need to be productive.

Cynicism began as a school of philosophy that was largely inspired by Socrates and often decried by popular commentators as a social pathology, a nihilistic rebellion against the foundations of civilization. Modern definitions of the cynic describe an individual who is negative and sarcastic, violently opposed to established authority and social convention, and dedicated to existentialism. This book attempts to vindicate cynicism, arguing that it is both a progressive approach to social dilemmas and an enlightened understanding of the human condition. Chapter One establishes the foundations of classical Greek cynicism, while later chapters illustrate the varied faces of the cynic phenomenon in the persons of such disparate characters as Machiavelli, Nietzsche, Diogenes, the Dadaists, George Bataille, Samuel Beckett, Auberon Waugh, the creators of South Park, and others. Nietzsche is portrayed as the most important representative of both classical and postmodern cynicism, as well as the pivotal link between the two. The book focuses on significant periods of historical change, such as the Renaissance, and the historical cynics responsible for several seminal social ideas, including cosmopolitanism (citizenship of the world), asceticism (personal growth through self-testing), and parrhesia (finding one's voice in the presence of tyrannical forces). The author claims that aspects of Greek cynicism are present in contemporary society, offering a positive strategy for living in a hostile world.

What is it about the desolate far North American wilderness that calls the intrepid traveler to uncover its sanctifying and deadly secrets? From Jack London (Call of the Wild) to Christopher McCandless (chronicled in Jon Krakauer’s Into the Wild) souls have found solace in the silent, frozen northern kingdom at the top of the world, the Ultima Thule. The forested flatlands give way to the frozen Rocky Mountains over millions of acres nominally in the dominion of both the United States and Canada and accessible by its 1532 mile shared umbilical cord—The Alcan Highway. Legendary vagabond, Jim Christy, a Canadian now but born an American travels this road throughout his life. First as a young man in the early 1960s hungry for rugged adventure then revisiting the journey every few years both observing and reflecting on the growth of Northwest in the Rough Road to the North. Christy vividly describes the history of the indigenous people and the hearty (and often foolhardy) pioneers who built the Alcan highway and opened the northern road. Christy’s lyrical text weaves fulsome magic about the siren call of the last unconquered land of North America. The forested flatlands give way to the frozen Rocky Mountains over millions of acres nominally in the dominion of both the United States and Canada and accessible by its 1532 mile shared umbilical cord—The Alcan Highway. Legendary vagabond, Jim Christy, a Canadian now but born an American travels this road throughout his life. First as a young man in the early 1960s hungry for rugged adventure then revisiting the journey every few years both observing and reflecting on the growth of Northwest in the Rough Road to the North.

There were eccentric characters in the hotel. The Paris slums are a gathering-place for eccentric people—people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behaviour, just as money frees people from work. Some of the lodgers in our hotel lived lives that were curious beyond words. There were the Rougiers, for instance, an old, ragged, dwarfish couple who plied an extraordinary trade. They used to sell postcards on the Boulevard St Michel. The curious thing was that the postcards were sold in sealed packets as pornographic ones, but were actually photographs of chateaux on the Loire; the buyers did not discover this till too late, and of course never complained. The Rougiers earned about a hundred francs a week, and by strict economy managed to be always half starved and half drunk. The filth of their room was such that one could smell it on the floor below. According to Madame F., neither of the Rougiers had taken off their clothes for four years.

James Mallery explores the implications of such social constructs as gender, race, and class for the development of San Francisco from the gold rush through World War I.

Waiting for Nothing, first published in 1935, is a sobering, first-hand account of the author's life as a homeless man during the Great Depression of the 1930s. The book, a classic portrayal of the brutality and inhumaness of the time, was written while author Tom Kromer (1906-1969) was working at a Civilian Conservation Corps camp in California, and was his only completed novel. Waiting for Nothing describes Kromer's travels on the rails, his encounters with small-time cooks, prostitutes and homosexuals, and the endless search for enough food to eat and a warm place to sleep. Throughout the book, Kromer describes the plight of a vast army of unemployed workers, left to fend for themselves in a largely uncaring society.