Behind Lilys every move lies her greatest secret, her undying devotion to the child she was forced to abandon. The Confession of Lily Dare is the latest comic melodrama written by the legendary master of theatrical parody Charles Busch (Vampire Lesbians of Sodom, Die Mommie Die, The Divine Sister). The play celebrates the gauzy 'confession film' tearjerkers of early 1930s pre-code cinema, such as The Sin of Madelon Claudet, Frisco Jenny, and Madame X.

Up-and-coming dramatist Rajiv Joseph is an artist of original talent. --NY Times. Irresistibly odd and exciting...This darkly humorous drama is Rajiv Joseph's most satisfying work. --NY Daily News. This wondrous strange two-hander finds as much humor as

Catalog of the largest exhibition of the century to focus on Japanese the-ater, this extraordinary volume illustrates over 700 objects, covering the whole range of Japanese theater and its history.

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.

(Theatre World). Highlights of this new Theatre World , now in its 59th year, include the 8-Tony winning Hairspray with award winners Harvey Firestein and Marissa Jaret Winokur; the Tony-winning Best Play Take Me Out ; hot director David Leveaux's reimagining of Nine: The Musical , featuring the sensational Antonio Banderas and Jane Krakowski; the star-studded revival of Eugene O'Neill's Long Day's Journey into Night with Vanessa Redgrave, Brian Dennehy, Philip Seymour Hoffman and Robert Sean Leonard; and the groundbreaking Russell Simmons' Def Poetry Jam . Notable Off-Broadway and touring productions include the anti-death penalty play The Exonerated ; Kate Mulgrew as Katharine Hepburn in Tea at Five ; Dinner at Eight with the late John Ritter; Talking Heads with Lynn Redgrave, Christine Ebersole and Kathleen Chalfant; and the highly regarded Stephen Adly Guirgis' Our Lady of 121st St. Theatre World, the statistical and pictorial record of the Broadway, Off-Broadway, and Off-Off-Broadway seasons, touring companies, and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, and song titles. There are special sections with biographical data, obituary information, a longest-runs listing, an expanded theatrical awards section, and much more. Now featuring 16 pages of color photos! Over 600 photos in all. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World an addiction for theatre buffs." Playbill "If you're looking for an elaborate visual record of a theatrical season, you'll want to opt for Theatre World ... It's a keeper." Back Stage

This study analyzes the work of three prominent proletarian-revolutionary dramatists at the end of the Weimar Republic. The work of Bertolt Brecht, Friedrich Wolf, and Gustav von Wangenheim is looked at against the backdrop of debates among Marxist intellectuals and artists. Through a discussion of theatrical theory and close readings of individual plays, this work examines the authors' unique aesthetics and their enactment of a critical appropriation of the German literary heritage. It also investigates their attempts to transform the audience's relationship to the theatrical production from a passive-receptive to an active-critical one. This volume offers insights into larger questions of political and cultural continuity that characterized the Weimar and the postwar periods.

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.