A story of the Nativity. Zia is a little hunchback orphan living with an old woman who makes him beg. His wonderful, luminous eyes fill her with fear, but they attract nearly everyone else who sees him. How Zia is finally driven forth an outcast, how he sees Joseph and Mary and later the Christ-child, and what happens then is excitingly told.

Complete and unabridged paperback edition.

A story of the Nativity. Zia is a little hunchback orphan living with an old woman who makes him beg. His wonderful, luminous eyes fill her with fear, but they attract nearly everyone else who sees him. How Zia is finally driven forth an outcast, how he sees Joseph and Mary and later the Christ-child, and what happens then is excitingly told.

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frances Hodgson Burnett (1849-1924) was an English- American playwright and author. She was best known for her children's stories, in particular The Secret Garden (1911) and Little Lord Fauntleroy (1886). Her first story was published in Godey's Lady's Book in 1868. Her main writing talent was combining realistic detail of workingclass life with a romantic plot. Her first novel was published in 1877; That Lass o' Lowrie's was a story of Lancashire life. After moving to Washington, D.C., Burnett wrote the novels Haworth's (1879), Louisiana (1880), A Fair Barbarian (1881), and Through One Administration (1883), as well as a play, Esmeralda (1881), written with William Gillette. Her later works include Sara Crewe, or, What Happened at Miss Minchin's (1888) - later rewritten as A Little Princess (1905); and A Lady of Quality (1896) - considered one of the best of her plays. The Lost Prince was published in 1915, and The Head of the House of Coombe was published in Canada in 1922. During World War I, Burnett put her beliefs about what happens after death into writing with her novella The White People (1917).

Musaicum Books presents to you a meticulously edited Frances Hodgson Burnett collection. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Introduction: Frances Hodgson Burnett from Children's Stories in American Literature by H. C. Wright Children's Books: The Secret Garden A Little Princess Little Lord Fauntleroy The Lost Prince Two Little Pilgrims' Progress Barty Crusoe and His Man Saturday Sara Crewe or What Happened at Miss Minchin's Editha's Burglar In the Closed Room The Land of the Blue Flower The Good Wolf The Little Hunchback Zia Little Saint Elizabeth, and Other Stories: Little Saint Elizabeth The Story of Prince Fairyfoot The Proud Little Grain of Wheat Behind the White Brick Queen Crosspatch's Stories: Racketty-Packetty House The Cozy Lion The Spring Cleaning Two Days in the Life of Piccino The Captain's Youngest Little Betty's Kitten Tells Her Story How Fauntleroy Occurred Novels: That Lass o' Lowrie's Theo: A Sprightly Love Story Haworth's Miss Crespigny Louisiana A Fair Barbarian Through One Administration Vagabondia The Pretty Sister of José A Lady of Quality His Grace of Osmonde In Connection with the De Willoughby Claim Emily Fox-Seton The Shuttle T. Tembarom The White People The Head of the House of Coombe Robin Short Stories: Surly Tim Esmeralda Mère Girauds Little Daughter Lodusky Seth One Day at Arle Le Monsieur de la Petite Dame The Woman's Way The Dawn of a Tomorrow My Robin

Santa's Christmas Library' is a literary mosaic encompassing a wide range of styles and themes, curated with a discerning eye for storytelling excellence and thematic profundity. The anthology brilliantly showcases the diversity of its impressive roster, with contributions from luminaries such as Shakespeare, Dickens, Twain, and Tolstoy, weaving through the realms of drama, poetry, fiction, and philosophy. Its rich tapestry promises readers an exploration of Christmas through various lenses - from the joyously celebratory to the introspectively reflective, making significant inroads into understanding the multifaceted nature of the holiday season and its impact on the human spirit. The contributing authors, a veritable who's who of literary history, bring to the collection an unparalleled depth of cultural, historical, and philosophical insights. Figures such as Harriet Beecher Stowe and Booker T. Washington provide narrative gravitas, infusing the anthology with themes of social justice and the transformative power of kindness and generosity. Through their collective works, one discerns the nuanced tapestry of Christmas, touching upon its religious, societal, and emotive resonances. This cross-disciplinary anthology is emblematic of diverse historical and cultural iterations of the holiday season, tracing its evolution across time and geographies. 'Santa's Christmas Library' is thus an essential volume for both aficionados of literature and students of cultural history, offering a unique prism through which to examine the essence of Christmas. It invites readers to journey across epochs and borders, to rediscover the quintessence of Christmas through a symphony of literary greats. Each story, poem, and essay enriches the reader's understanding, rendering this collection a treasured compendium for those seeking to delve deeper into the yuletide spirit, its historical roots, and its myriad expressions across the globe.

This book is the study of a religious metaphor: the idea of God as a mother, in British and US literature 1850–1915. It uncovers a tradition of writers for whom divine motherhood embodied ideals felt to be missing from the orthodox masculine deity. Elizabeth Gaskell, Josephine Butler, George Macdonald, Frances Hodgson Burnett and Charlotte Perkins Gilman independently reworked their inherited faith to create a new symbol that better met their religious needs, based on ideal Victorian notions of motherhood and ‘Mother Nature’. Divine motherhood signified compassion, universal salvation and a realised gospel of social reform led primarily by women to establish sympathetic community. Connected to Victorian feminism, it gave authority to women’s voices and to ‘feminine’ cultural values in the public sphere. It represented divine immanence within the world, often providing the grounds for an ecological ethic, including human–animal fellowship. With reference also to writers including Charlotte Brontë, Anna Jameson, Charles Kingsley, Elizabeth Charles, Theodore Parker, Harriet Beecher Stowe, Mary Baker Eddy and authors of literary utopias, this book shows the extent of maternal theology in Victorian thought and explores its cultural roots. The book reveals a new way in which Victorian writers creatively negotiated between religious tradition and modernity.