Ambrose has extensive experience designing and cutting costumes. She has discovered some time-saying and simple methods for building hats and period clothing and is sharing her knowledge in this charming minibook series. Each book is extensively illustrated and is 4 x 6, paper, saddle stitched, with a four-color cover.

"[An] uncanny Gothic mystery... Satisfying."—New York Times Book Review "A romping read with a deliciously dark conceit at its center... Reminded me of Alias Grace."—Kiran Millwood Hargrave From the author of The Silent Companions, a thrilling Victorian gothic horror story about a young seamstress who claims her needle and thread have the power to kill Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea: that it is possible to kill with a needle and thread--because Ruth attributes her crimes to a supernatural power inherent in her stitches. The story Ruth has to tell of her deadly creations—of bitterness and betrayal, of death and dresses—will shake Dorothea's belief in rationality, and the power of redemption. Can Ruth be trusted? Is she mad, or a murderer? For fans of Shirley Jackson, The Poison Thread is a spine-tingling, sinister read about the evil that lurks behind the facade of innocence.

Jill G. Hall, bestselling author of The Black Velvet Coat and The Silver Shoes brings readers another dual tale of two vibrant women from different eras trying to discover their true identities. Anne McFarland, a modern-day, thirty-something San Francisco artist in search of spiritual guidance, buys a corset in a Flagstaff resale boutique—a purchase that results in her having to make a decision that will change her life forever. One hundred and thirty-five years earlier, in 1885, naïve Sally Sue Sullivan, a young woman from the Midwest, is kidnapped on a train by a handsome but dangerous bank robber. Held prisoner on a homestead in Northern Arizona’s Wild West, Sally Sue discovers her own spunk and grit as she plots her escape. Ultimately, both Anne and Sally Sue face their fears and find the strength to journey down their designated paths and learn the true meaning of love and family . . . with a little push from the same green lace corset.

On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset—ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment—not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman—and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.

"The first of Miss Waugh's important books on historic costume, 'Corsets and crinolines,' set a new standard of accuracy and lively interest. Showing that the silhouette of women's dress has been in a state of continuous change, allied to economic and architectural evolution as well as changing ideas of sexual attractiveness, she itemizes three cycles in the last 400 years in which women's silhouette was blown up to the utmost limit, by artificial means, and then collapsed again to a long straight line. At these points the extremes were invariably considered absurdities and the corsets and hoops were discarded by their users, so that in actuality very few specimens from the earlier periods at least have come down to us. This book is a study of these shapes and how they were produced, how simple laced bodices became corsets of cane, whalebone, and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Since paintings, prints and photographs of these props are not sufficient to convey their three-dimensional form, Miss Waugh has provided structural drawings and patterns, always made from existing specimens. Each period is enlivened by quotations from contemporary sources -- from letters, diaries, satiric poems, tailors' and dressmakers' bills, as well as journalists' accounts, often very amusing in themselves. These describe the garments and their under-structures and show how they were viewed by the people who saw them. Added are an index, a glossary of terms and materials, appendices on the repair and manufacture of corsets and crinolines, on whalebone and the whale fishery that supported it." --

Progressing through almost two centuries of corset-making, this fascinating collection showcases an astonishing range of period pieces, from the 1750 whale-boned corsets, through the invention of the sewing machine and mass-produced corsets of the 1850s to the makeshift corsets of World War I. Reflecting the changing fashions and attitudes of women throughout the centuries, the collection includes corsets for pregnancy, riding corsets for sportswomen and hard-wearing corsets for housemaids. There are even corsets for small children and their dolls. The book is packed with practical information on how to recreate these stunning period pieces for yourself. Each corset features an annotated pattern, a detailed drawing and close-up photography so historical detail can be captured accurately by the maker. A brief overview places the corset within its historical context and explains any features or alterations necessary for making up the patterns. For those new to dressmaking there are two step-by-step projects - one for a hand-stitched, pre-1850 corset and one for a post-1850 corset made using the sewing machine. There is also invaluable advice on a range of corset-making techniques, from cutting and fitting the patterns to adding historical detail. Information on lacing the corsets, inserting eyelets, gussets and split busks and on stitching and flossing is all included.

'Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can't get them out of your head even if you wanted to' Stacey Halls, author of The Familiars 'The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece' Sarah Hilary Is prisoner Ruth Butterham mad or a murderer? Victim or villain? Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea's charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress – and self-confessed murderess – who nurses a dark and uncanny secret. A secret that is leading her straight to the gallows. As Ruth reveals her disturbing past to Dorothea, the fates of these two women entwine, and with every revelation, a new layer of doubt is cast... Can Ruth be trusted? Is she mad, or a murderer? *Laura Purcell's spine-chilling new novel, The Whispering Muse is out now*

Learn to love your body—for real this time Women in touch with the wisdom of their bodies are the single greatest threat to societal systems of domination, oppression, and control. We are also the greatest possibility to bring healing, peace, and restoration to our world. —Lauren Geertsen No matter how much we try to tell ourselves to love our bodies and accept our flaws, most women can’t quite get there. Even though we know the beauty standard is unrealistic, we secretly feel like it would be so much easier if our stomach were just a little flatter, or our skin a little smoother, or a million other little things. As a result, we sacrifice our health, heritage, sanity, and lives on the altar of beauty culture. Why is it so hard to feel confident about our bodies, or even just accept them? Because willpower alone isn’t enough to undo generations of brainwashing intended to repress women’s confidence and power. In The Invisible Corset, Geertsen carefully illustrates the psychological gaslighting that leads women to internalize the belief that their appearance makes them not only unworthy of love, but incapable of fulfilling their actual destiny. By highlighting each restricting string of the invisible corset all women wear, Geertsen helps us reclaim our bodies for ourselves, discovering newfound confidence, power, joy, and pleasure as we do. You’ll explore: How the invisible corset cuts you off from your body’s wisdom and nature’s intelligence—the true sources of your intuition, pleasure, and powerHow beauty culture is the most recent form of patriarchal oppression — and why women are both responsible and able to free ourselvesWhy the body positivity movement often makes self-criticism even worseThe racist history of beauty culture, and how it still perpetuates racism todayJournaling prompts, rituals, meditations, and other exercises to help unravel the toxic beliefs that keep the invisible corset in placeA variety of practices to help you reconnect with your body—to tune into your intuition, set healthy boundaries, align with your True Self, and more For any woman who is ready to go from struggle, discomfort, control, and shame to pleasure, confidence, freedom, and soul-fulfilling purpose, The Invisible Corset is an essential guide.

Think of a corset as a blank canvas. Linda Sparks' The Basics of Corset Building: A Handbook for Beginners is a comprehensive guide to building your first corset, including: Section One: Tools and Materials for Corset Building Discusses the tools you'll need, plus types of steel, plastic, and textiles. Section Two: Building a Corset Everything you need to know about working with bones and busks, setting grommets and eyelets, and creating a beautifully finished corset. Section Three: Construction Techniques Covers all the steps, including making a modesty panel, making a mock-up, and building single layer, double layer, and fashion fabric corsets. Section Four: Alterations and Fit Discusses commercial corset patterns, as well as how to fit and style a corset for exactly the look you want.

Sensuous, glamorous, flattering, alluring: a gorgeously presented book that explores corsets past and present.