Writing situation comedies isn’t really that hard. So much of what you need to know is already defined for you. You know that your script needs to be a certain short length, with a certain small number of characters. You know that your choice of scenes is limited to your show’s standing sets and maybe one or two swing sets or outside locations. You know how your characters behave and how they’re funny, either because you invented them or because you’re writing for a show where these things are already well established. Sitcom is easy and sitcom is fun. Sitcom is the gateway drug to longer forms of writing. It’s a pretty good buzz and a pretty good ride, a great way to kill an afternoon, or even six months. And now, thanks to comedy writing guru John Vorhaus (author of THE COMIC TOOLBOX: HOW TO BE FUNNY EVEN IF YOU'RE NOT), writing situation comedy is easier than ever. In THE LITTLE BOOK OF SITCOM, you'll find a whole trove of tools, tricks and problem-solving techniques that you can use -- now, today -- to be the sitcom writer of your wildest dreams. Ready to write? Ready to have fun? THE LITTLE BOOK OF SITCOM is the big little book for you.

This book finally casts a spotlight on some short-lived and almost forgotten sitcoms--those which aired for only one single season. Many books have already been written about situation comedies that enjoyed long and storied runs on television but this volume focuses upon the others. Overflowing with fresh facts, interviews, photographs, and stories, nearly 300 short-lived sitcoms over a 32 year span are presented A-to-Z, whether network or syndicated, prime time or Saturday morning.

Describes the writing method called premise-driven comedy, examines how comedy affects character development and story structure, discusses guidelines on script layouts, and offers advice on establishing a career

Like all of John Vorhaus's books on writing (The Comic Toolbox, Creativity Rules; that list goes on), Comedy Writing 4 Life makes the creative process easy, fun and accessible to absolutely everyone. Whether you're into stand-up, sketch or improv, situation comedies or comic screenplays, cartoons, video, blogging, whatever, you're going to find so much value in this slim volume that your head will literally explode. Literally. Pieces of it will be found for miles around. You'll learn the fundamental secret of comedy (no secret; comedy is cruelty), how to use filters to create comic characters, simple storytelling shortcuts, and just tons more. With pithy advice like, "Fail big!" and plenty of entertaining exercises that you can do as you go, CW4L presents a simple, effective guide to success in comedy writing and beyond. If you're serious about being frivolous, this little book will change your comedy writing for life.

In this humorous work, Brook explores the cultural significance of the recentunprecedented explosion in "Jewish" sitcoms.

AN INSTANT NEW YORK TIMES BESTSELLER The untold stories behind The Office, one of the most iconic television shows of the twenty-first century, told by its creators, writers, and actors When did you last hang out with Jim, Pam, Dwight, Michael, and the rest of Dunder Mifflin? It might have been back in 2013, when the series finale aired . . . or it might have been last night, when you watched three episodes in a row. But either way, long after the show first aired, it’s more popular than ever, and fans have only one problem—what to watch, or read, next. Fortunately, Rolling Stone writer Andy Greene has that answer. In his brand-new oral history, The Office: The Untold Story of the Greatest Sitcom of the 2000s, Greene will take readers behind the scenes of their favorite moments and characters. Greene gives us the true inside story behind the entire show, from its origins on the BBC through its impressive nine-season run in America, with in-depth research and exclusive interviews. Fans will get the inside scoop on key episodes from "The Dundies" to "Threat Level Midnight" and "Goodbye, Michael," including behind-the-scenes details like the battle to keep it on the air when NBC wanted to pull the plug after just six episodes and the failed attempt to bring in James Gandolfini as the new boss after Steve Carell left, spotlighting the incredible, genre-redefining show created by the family-like team, who together took a quirky British import with dicey prospects and turned it into a primetime giant with true historical and cultural significance. Hilarious, heartwarming, and revelatory, The Office gives fans and pop culture buffs a front-row seat to the phenomenal sequence of events that launched The Office into wild popularity, changing the face of television and how we all see our office lives for decades to come.

The phenomenon that is Ted Lasso is not going away any time soon. This super-funny show about an American coach who comes to England to run a Premier League football team has captured the hearts of television watchers around the world – as well as caught the eye of critics and prize-givers worldwide. Perhaps it is the feel-good nature of the show and its timing that has seen it awarded Emmy awards aplenty, as well as many others. But it's more likely that such a funny, sharply scripted, brilliantly delivered comedy of manners, nationality, rationality, relationships and inspiration about someone who is so fundamentally decent and willing to help others, has mass appeal and critical acclaim. The third series is much anticipated, with Apple TV+ declaring that it will be out in 2022. Believe contains amusing quotes from the show, including many classic one-liners from Ted and the rest of the brilliant cast, as well as fun facts and stats about the actors, characters, writers and producers. Not to mention tea, scones and soccer. So let's quit goofing around and get on with it... Whistle! Whistle! SAMPLE QUOTE: 'I think I literally have a better understanding of who killed Kennedy than what is offside.' - Ted Lasso SAMPLE FACT: Ted Lasso first appeared in a series of short NBC Sports promos featuring Jason Sudeikis in 2013.

This is a definitive guide on how to write and, more importantly, sell scripts for situation comedies. It provides tips on character development, sub-plots, manuscript formats and comedy and timing.