Essays about the literary history of Saskatchewan.

"The three volumes of this literary history constitute a bringing together of the best, the most influential, the most significant writing in our province... Many of our best books are nurtured by the history and the life of this province, but they spring into literature roughly in proportion to their applications and their immemorial responses to the human condition."Volume 3 shifts its focus to Regina's literary culture and to the coming generation of younger writers, but it continues to examine the best work from Saskatchewan. The impact, the relevance, the illuminations of our best writers' work tend to move well beyond the borders of our province. This work transcends the regional sources of its inspiration. Just as Marilynne Robinson has much to say to Canadians about the disruptions and the graces of family life, Dianne Warren has much to say to Americans about the omnipresence of the past, the shadows it casts on people's lives in the present. Many of our best books are nurtured by the history and the life of this province, but they spring into literature roughly in proportion to their applications and their immemorial responses to the human condition.

In Happyland, Curtis McManus contends that the "Dirty Thirties," actually began much earlier and were connected only peripherally to the Depression itself.

Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.

Volume 3 shifts its focus to Regina’s literary culture and to the coming generation of younger writers, but it continues to examine the best work from Saskatchewan. The impact, the relevance, the illuminations of our best writers’ work tend to move well beyond the borders of our province. This work transcends the regional sources of its inspiration. Just as Marilynne Robinson has much to say to Canadians about the disruptions and the graces of family life, Dianne Warren has much to say to Americans about the omnipresence of the past, the shadows it casts on people’s lives in the present. Many of our best books are nurtured by the history and the life of this province, but they spring into literature roughly in proportion to their applications and their immemorial responses to the human condition.

Sometime during the summer of 1690, in east-central Saskatchewan, Englishmen Henry Kelsey and his Indian escorts walked out of the boreal forest and into a new world -- the northern great plains of western Canada. It was a landscape never encountered before by another European. Kelsey has been lauded as "first in the west" and the "discoverer of the Canadian prairies." But these accolades overlook the simple fact that any European and later Canadian activity in what would become the future province of Saskatchewan was entirely dependent on the goodwill and cooperation of the indigenous peoples of the region. After all, Kelsey had to be taken inland. He was a passenger, not a pathfinder. A World We Have Lost examines the early history of Saskatchewan through an Aboriginal and environmental lens. Indian and mixed-descent peoples played leading roles in the story -- as did the land and climate. Despite the growing British and Canadian presence, the Saskatchewan country remained Aboriginal territory. The region's peoples had their own interests and needs and the fur trade was often peripheral to their lives. Indians and Metis peoples wrangled over territory and resources, especially bison, and were not prepared to let outsiders control their lives, let alone decide their future. Native-newcomer interactions were consequently fraught with misunderstandings, sometimes painful difficulties, if not outright disputes. By the early nineteenth century, a distinctive western society had emerged in the North-West -- one that was challenged and undermined by the takeover of the region by a young dominion of Canada. Settlement and development was to be rooted in the best features of Anglo-Canadian civilization, including the white race. By the time Saskatchewan entered confederation as a province in 1905, the world that Kelsey had encountered during his historic walk on the northern prairies had become a world we have lost.

When Candace Savage and her partner buy a house in the romantic little town of Eastend, she has no idea what awaits her. At first she enjoys exploring the area around their new home, including the boyhood haunts of the celebrated American writer Wallace Stegner, the backroads of the Cypress Hills, the dinosaur skeletons at the T. Rex Discovery Centre, the fossils to be found in the dust-dry hills. She also revels in her encounters with the wild inhabitants of this mysterious land -- two coyotes in a ditch at night, their eyes glinting in the dark; a deer at the window; a cougar pussy-footing it through a gully a few minutes' walk from town. But as Savage explores further, she uncovers a darker reality -- a story of cruelty and survival set in the still-recent past -- and finds that she must reassess the story she grew up with as the daughter, granddaughter, and great-granddaughter of prairie homesteaders.

The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.

As Joseph Burbidge comes to discover, finding gold in Canada's North is less than half the battle.