This extensively illustrated volume collects the varied, powerful work of Meinrad Craighead, an artist whose images find their beginnings in her Catholic roots (she was a nun for fourteen years) as well as in the traditions of Southwest Native American Culture, in which she has immersed herself since moving to New Mexico twenty years ago.Craighead has devoted her life to contemplation, prayer, and art. Her images are both figurative and abstract; she works in both black-and-white and color. Animals figure prominently in her work, as do dream figures and the artist herself in various manifestations. Oftentimes her images relate journeys she has taken, either on this earth or in waking or sleeping dreams. Many times, her paintings are accompanied by her own telling of these stories, and as a writer, Craighead has the ability to move us as deeply as her images do.This retrospective conveys Craighead's enormous body of work over the past forty years. It is a tribute to an important visionary, a fine artist, and an inspiring life. Essays by Rosemary Davies, a writer who first met Craighead at Stanbrook Abbey; Virginia Beane Rutter, a Jungian analyst and the author of Embracing Persephone and Celebrating Girls; and Eugenia Parry, an art historian and the author of numerous books and essays about art and photography, discuss Meinrad Craighead's work with subtlety and insight.

Buchanan has unlocked an interesting conflict that took place in Scripture and has important ethical implications that continue until today. There are only two passages in Scripture that report something that God reckoned to anyone as righteousness. One of these is the covenant made with Abraham that included the promises of prosperity, posterity, and the land if the people obeyed, but curses of famine, disease, wild beasts, and the sword, if they disobeyed. The other covenant was made with Phineas. It also expected to receive the promises but demanded different behavior. It was designed to repudiate the covenant made with Abraham. Buchanan has traced the results of these covenants as they were followed by the parties to the contracts from Abraham to Jesus, Paul, and Marcion in antiquity, and as far as Martin Luther King today. Originally these conflicts were played out within the borders of Palestine and according to the character of life that the contracts directed and the righteousness associated with their fulfillment.

In the Pacific Northwest, the river of dominance is the Columbia, and in ways both profound and mundane its history is the history of the region. In Great River of the West historians and anthropologists consider a range of topics about the river, from Indian rock art, Chinook Jargon, and ethnobotany on the Columbia to literary and family history, the creation of an engineered river, and the inherent mythic power of place. Since first contact between Euro-Americans and Native peoples during the late 18th century, the river's history has been characterized by dramatic demographic, social, and economic changes. The remarkable set of essays in Great River of the West investigate these changes by highlighting important episodes in the history of the river. Readers meet mariners who challenge the Columbia River bar, a family torn by insanity, Native people who preserve fishing traditions, and dam-builders who radically change the Columbia.

The Goddess Revival is a Christianity Today Book Award Winner, 1996. "All of the authors are clearly sympathetic to the problems women have faced in the church throughout its history. They empathize with women who shun the patriarchal oppression of their churches to turn to goddess spirituality. They are also solidly grounded in the Scriptures, Christian theology and church history. They recognize the bondage imposed by goddess worship. This book presents a scholarly and clear consideration of the issues involved and builds a strong case for Christianity as the most woman-friendly alternative. While providing a comprehensive study of goddess spirituality and examining the roots of the movement, the authors focus primarily on God and the way people have understood God through the centuries--in both paganism and the Judeo-Christian tradition--as both male and female. They demonstrate how the uniqueness of God contrasts with the multiplicity of gods and goddesses in pagan spiritualities, while comparing the values in both traditions that are similar (that is, a search for what is good, inner empowerment, unity, positive social change). In the process of building a clear Christian theology, they gently counter the arguments of their pagan opponents. In the end, the reader is left with a glorious picture of the one true God and a clear apologetic for those in nursing who insist that the Christian God is too oppressive and patriarchal to merit our allegience. The appendixes provide a powerful case study of a young woman drawn into witchcraft. She explains why it appealed to her, then how it enslaved her and destroyed her marriage and other relationships. . . The two final appendixes offer some excellent biblical studies on the issues raised in the book. The total package provides an outstanding resource" -- Journal of Christian Nursing

A unique study of lectionaries and graphic design as a site of biblical reception How artists portrayed the Bible in large canvas paintings is frequently the subject of scholarly exploration, yet the presentation of biblical texts in contemporary graphic designs has been largely ignored. In this book Amanda Dillon engages multimodal analysis, a method of semiotic discourse, to explore how visual composition, texture, color, directionality, framing, angle, representations, and interactions produce potential meanings for biblical graphic designs. Dillon focuses on the artworks of two American graphic designers—the woodcuts designed by Meinrad Craighead for the Roman Catholic Sunday Missal and Nicholas Markell’s illustrations for the worship books of the Evangelical Lutheran Church in America—to present the merits of multimodal analysis for biblical reception history.

Dirty, Sacred Rivers explores South Asia's increasingly urgent water crisis, taking readers on a journey through North India, Nepal and Bangladesh, from the Himalaya to the Bay of Bengal. The book shows how rivers, traditionally revered by the people of the Indian subcontinent, have in recent decades deteriorated dramatically due to economic progress and gross mismanagement. Dams and ill-advised embankments strangle the Ganges and its sacred tributaries. Rivers have become sewage channels for a burgeoning population. To tell the story of this enormous river basin, environmental journalist Cheryl Colopy treks to high mountain glaciers with hydrologists; bumps around the rough embankments of India's poorest state in a jeep with social workers; and takes a boat excursion through the Sundarbans, the mangrove forests at the end of the Ganges watershed. She lingers in key places and hot spots in the debate over water: the megacity Delhi, a paradigm of water mismanagement; Bihar, India's poorest, most crime-ridden state, thanks largely to the blunders of engineers who tried to tame powerful Himalayan rivers with embankments but instead created annual floods; and Kathmandu, the home of one of the most elegant and ancient traditional water systems on the subcontinent, now the site of a water-development boondoggle. Colopy's vivid first-person narrative brings exotic places and complex issues to life, introducing the reader to a memorable cast of characters, ranging from the most humble members of South Asian society to engineers and former ministers. Here we find real-life heroes, bucking current trends, trying to find rational ways to manage rivers and water. They are reviving ingenious methods of water management that thrived for centuries in South Asia and may point the way to water sustainability and healthy rivers.