The Bucktails turns British disdain for their crude, uncivilized former colonists against the effete representatives of the Old Order. The Lion of the West, written more than a decade and a half later, not only scored a great popular success on both sides of the Atlantic but also supplied a template for the conventional portrait of the Westerner and for the humor of the Old South West.

“[Does]an excellent job portraying General Hardin’s life in the context of a changing America . . . a definitive biography of a forgotten hero” (Civil War News). Nominated for the Gilder Lehrman Prize, this is the first biography devoted to the life of a remarkable young man who, in the words of Civil War historian Ezra Warner, “embarked upon a combat career which has few parallels in the annals of the army for gallantry, wounds sustained, and the obscurity into which he had lapsed a generation before his death.” From Hardin’s childhood in Illinois, where a slave girl implanted in him a fear of ghosts, to his attendance at West Point, along with other future luminaries, to his service on the frontier,where he took particular note of the bearing of the Cheyenne, Hardin’s life reveals the progress of a century. Made Brigadier General at age twenty-seven, Hardin fought with distinction at Malvern Hill, Second Manassas, Gettysburg, Grant’s Overland Campaign, and the July 1864 Rebel raid on Washington. He was wounded four times, nearly died on two occasions, and lost an arm during the war. On one occasion, he was ambushed on a road by Mosby’s Men, one of whom may have been Lincoln conspirator Lewis Paine. Hardin himself took part in the hunt for John Wilkes Booth after Lincoln’s assassination. Though General Hardin’s mother skillfully played upon her friendship with the President and the First Lady to advance her son’s career, his gallantry and leadership in combat sufficed to earn him renown. Lincoln’s Bold Lion “restores the man’s rightful position as an American hero” (Chicago Daily Herald).

First Published in 2004. From Philip Freneau to Walt Whitman, Herman Melville to Trumbull Stickney, this collection of two volumes, selected by John Hollander, gives an insight into the artform during the nineteenth century. This collection is sorted by author with focus on American Indian Poetry, Folk Songs and Spirituals. An extensive list of works with attention to their chronology and editor notes on the texts within.

The classic bucktails--Mickey Finn, Black Nose Dace--are some of the very first flies that anglers learn to tie, and they are the most well-traveled of all streamer types, from Maine to Washington, trout to salmon. With over 500 patterns, this is the only book to date written on bucktails as well as other hairwing streamers.

First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday). Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.

In later decades he played a continuing role in the cultural life of the young nation, numbering among his friends and associates a great many other writers, editors, and publishers.".