To live, every being must put out a line, and in life these lines tangle with one another. This book is a study of the life of lines. Following on from Tim Ingold's groundbreaking work Lines: A Brief History, it offers a wholly original series of meditations on life, ground, weather, walking, imagination and what it means to be human. In the first part, Ingold argues that a world of life is woven from knots, and not built from blocks as commonly thought. He shows how the principle of knotting underwrites both the way things join with one another, in walls, buildings and bodies, and the composition of the ground and the knowledge we find there. In the second part, Ingold argues that to study living lines, we must also study the weather. To complement a linealogy that asks what is common to walking, weaving, observing, singing, storytelling and writing, he develops a meteorology that seeks the common denominator of breath, time, mood, sound, memory, colour and the sky. This denominator is the atmosphere. In the third part, Ingold carries the line into the domain of human life. He shows that for life to continue, the things we do must be framed within the lives we undergo. In continually answering to one another, these lives enact a principle of correspondence that is fundamentally social. This compelling volume brings our thinking about the material world refreshingly back to life. While anchored in anthropology, the book ranges widely over an interdisciplinary terrain that includes philosophy, geography, sociology, art and architecture.

The study of biography has leaped from surveys of biographical writing and statements of biographical practice to semiotic and post-structuralist discussions of the modality of biography without adequate consideration of what has already been done in the theory of the genre. Professor Novarr has closed that gap with this comprehensive and judicious historical survey and assessment of all the major (and many of the minor) statements made about biography in the crucial period 1880-1970. It traces, in the work of writers like David Cecil, Leon Edel, Mark Schorer, Paul Murray Kendall, and others, the nature of the relation between biographer and subject, the concept that biography is essentially the interpretation of one mind by another, and the idea that the biographer's angle of vision is both inevitable and important.

An insider's account of the wild and wacky teams that created cartoon classics for Warner Bros. and MGM Animation

Winner of the VCU Cabell First Novelist Award Winner of the American Library Association's Sophie Brody Medal Finalist for the National Jewish Book Award A singularly talented writer makes his literary debut with this provocative, soulful, and sometimes hilarious story of a failed journalist asked to do the unthinkable: Forge Holocaust-restitution claims for old Russian Jews in Brooklyn, New York. Yevgeny Gelman, grandfather of Slava Gelman, “didn’t suffer in the exact way” he needs to have suffered to qualify for the restitution the German government has been paying out to Holocaust survivors. But suffer he has—as a Jew in the war; as a second-class citizen in the USSR; as an immigrant to America. So? Isn’t his grandson a “writer”? High-minded Slava wants to put all this immigrant scraping behind him. Only the American Dream is not panning out for him—Century, the legendary magazine where he works as a researcher, wants nothing greater from him. Slava wants to be a correct, blameless American—but he wants to be a lionized writer even more. Slava’s turn as the Forger of South Brooklyn teaches him that not every fact is the truth, and not every lie a falsehood. It takes more than law-abiding to become an American; it takes the same self-reinvention in which his people excel. Intoxicated and unmoored by his inventions, Slava risks exposure. Cornered, he commits an irrevocable act that finally grants him a sense of home in America, but not before collecting a price from his family. A Replacement Life is a dark, moving, and beautifully written novel about family, honor, and justice.

In this new book, renowned dog trainer Kathy Sdao reveals how her journey through life and her decades of experience training marine mammals and dogs led her to reject a number of sacred cows including the leadership model of dog training.

In 1979, someone asked humorist Erma Bombeck, "If you had your life to live over, would you change anything'" Her immediate answer was no, but once she thought about it, she changed her mind. The result was a classic column full of Bombeck"s signature wit and warmth. Now the beloved column that has hung on hundreds of refrigerator doors has been cheerily illustrated and designed as a handsome gift book, Eat Less Cottage and More Ice Cream. In it, Bombeck gently reminds us of what is really important in life:"If I had my life to live over again I would have waxed less and listened more."I would have cried and laughed less while watching television . . . and more while watching real life."But mostly, given another shot at life, I would seize every minute of it . . . look at it and really see it . . . try it on . . . live it . . . exhaust it . . . and never give that minute back until there was nothing left of it. . . . "Long-time fans of Erma Bombeck will be thrilled to have this favorite column in the form of a beautiful keepsake. Readers discovering Bombeck for the first time will become fans instantly. Eat Less Cottage and More Ice Cream offers wisdom to inspire all of us.

NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.

The story begins with a parting of the sands - the construction of the Suez Canal that united the Mediterranean with the Arabian Sea. It opened the door of opportunity for people living insecurely on the fringes of a turbulent Europe. The Middle East is understood today through the lens of unending conflict and violence. Lost in the litany of perpetual strife and struggle are the layers of culture and civilisation that accumulated over centuries, and which give the region its cosmopolitan identity. It was once a region known poetically as the Levant - a reference to the East, where the sun rose. Amid the bewildering mix of races, religions and rivalries, was above all an affinity with the three monotheistic religions: Judaism, Christianity and Islam. Today any mixing of this trinity of faiths is regarded as a recipe for hatred and prejudice. Yet it was not always this way. There was a time, in the last century, when Arabs and Jews rubbed shoulders in bazaars and teashops, worked and played together, intermarried and shared family histories. Michael Vatikiotis's parents and grandparents were a product of this forgotten pluralist tradition, which spanned almost a century from the mid-1800s to the end of the Second World War in 1945. The Ottoman empire, in a last gasp of reformist energy before it collapsed in the 1920s, granted people of many creeds and origins generous spaces to nestle into and thrive. The European colonial order that followed was to reveal deep divisions. Vatikiotis's family eventually found themselves caught between clashing faiths and contested identity. Their story is of people set adrift, who built new lives and prospered in holy lands, only to be caught up in conflict and tossed on the waves of a violent history. Lives Between the Lines brilliantly recreates a world where the Middle East was a place to go to, not flee from, and the subsequent start of a prolonged nightmare of suffering from which the region has yet to recover.

The legendary icon tells his story—a tale of art, passion, commitment, addiction, as intense and hypnotic as the man himself. In a career spanning five decades, Nick Nolte has endured the rites of Hollywood celebrity. Rising from obscurity to leading roles and Oscar nominations, he has been both celebrated and vilified in the media; survived marriages, divorces, and a string of romances; was named the “Sexiest Man Alive” by People magazine; and suffered public humiliation over his drug and alcohol issues, including a drug-fueled trip down a “long road of nothingness” that ended in arrest. Despite these ups and downs, Nolte has remained true to the craft he loves, portraying a diverse range of characters with his trademark physicality and indelible gravelly voice. Already 35 when his performance in the 1976 miniseries Rich Man, Poor Man launched him to stardom, Nolte never learned to play by Hollywood’s rules. A rebel who defies expectations, an obsessive method actor who will go to extremes for a role (he lived among the homeless to prepare for Down and Out in Beverly Hills), Nolte is motivated more by edgier, more personal projects than by box office success. Today he is clean yet still driven, juggling a number of upcoming works and raising his young daughter. A man who refuses to hide his mistakes, Nolte now delivers his most revealing performance yet. His revealing memoir, filled with sixteen pages of color photos, offers a candid, unvarnished close-up look at the man, the career, the loves, and the life.

This is Shahilla Shariff's first collection of poetry. Drawing on her life experiences, it explores themes of love, grief, dislocation, and transition. Her work addresses the vast and unruly dimensions of loss and probes the raw and uncertain trajectory of mourning along with the complex interplay of memory, faith, and fate.