Masterpiece of medieval manuscript production and decoration, its Latin text glossed throughout in Old English, the Lindisfarne Gospels is a vital witness to the book culture, art, and Christianity of the Anglo-Saxons and their interactions with Ireland, Italy, and the wider world. The expert studies in this collection examine in turn the archaeology of Holy Island, relations between Ireland and Northumbria, early Northumbrian book culture, the relationship of the Lindisfarne Gospels to the Church universal, the canon table apparatus of the manuscript, the decoration of its Canon Tables, its systems of liturgical readings, the mathematical principles underlying the design of its carpet pages, points of comparison and contrast with the Book of Durrow, the Latin and Old English texts, the nature of the glossator’s ink, and the meaning of enigmatic words and phrases within the vernacular gloss. Approaching the material from a series of new perspectives, the contributors shed new light on numerous aspects of this magnificent manuscript, its milieux, and its significance.

Michelle Brown presenting the facsimile of the Lindisfarne Gospels at the shrine of St Cuthbert, Durham Cathedral. Cecil Brown --Book Jacket.

This lavishly illustrated book explores the early history and significance of the Lindisfarne Gospels, widely regarded as the finest surviving Anglo-Saxon manuscript of the early Christian era in England, and an unquestioned masterpiece of medieval calligraphy and illumination.

"First published 2003 by The British Library, London"--T.p. verso.

Published to coincide with a British Library exhibition of the same name, Painted Labyrinth: The World of the Lindisfarne Gospels looks at the background and history of this breathtaking artwork and symbol of Christian faith. Both illustrated and readable, the book is divided into short sections, each examining an aspect of the Anglo-Saxon world, the heritage of the people who lived and ruled at this time, and how and why this great book was created. There is a list of suggested further reading, and a complete list of artifacts and manuscripts in the accompanying exhibition.

Spirited history and comprehensive instruction manual covers 13 styles (ca. 4th–15th centuries). Excellent photographs; directions for duplicating medieval techniques with modern tools. "Vastly rewarding and illuminating." — American Artist.

For readers of H Is for Hawk, an intimate memoir of belonging and loss and a mesmerizing travelogue through the landscapes and language of Wales Hiraeth is a Welsh word that's famously hard to translate. Literally, it can mean "long field" but generally translates into English, inadequately, as "homesickness." At heart, hiraeth suggests something like a bone-deep longing for an irretrievable place, person, or time—an acute awareness of the presence of absence. In The Long Field, Pamela Petro braids essential hiraeth stories of Wales with tales from her own life—as an American who found an ancient home in Wales, as a gay woman, as the survivor of a terrible AMTRAK train crash, and as the daughter of a parent with dementia. Through the pull and tangle of these stories and her travels throughout Wales, hiraeth takes on radical new meanings. There is traditional hiraeth of place and home, but also queer hiraeth; and hiraeth triggered by technology, immigration, ecological crises, and our new divisive politics. On this journey, the notion begins to morph from a uniquely Welsh experience to a universal human condition, from deep longing to the creative responses to loss that Petro sees as the genius of Welsh culture. It becomes a tool to understand ourselves in our time. A finalist for the Wales Book of the Year Award and named to the Telegraph's and Financial Times's Top 10 lists for travel writing, The Long Field is an unforgettable exploration of “the hidden contours of the human heart.”

The Lindisfarne Gospels, a manuscript produced in the Northumbrian island monastery of Lindisfarne at the end of the seventh century, in honour of Saint Cuthbert, is one of the world's masterpieces of book painting. It is a precious relic of early Christianity in England, and one of the nation's greatest treasures. This is the first book to make the chief glories of the Lindisfarne Gospels accessible to a wide public. All the important illuminated pages are reproduced in colour from a new and accurate set of photographs.

The St Cuthbert Gospel (formerly known as the Stonyhurst Gospel) is the earliest intact European book and a landmark in the cultural history of western Europe. Now dated to the early eighth century, the manuscript contains a beautifully written copy of the Gospel of John in Latin and is famous for the craftsmanship and condition of its contemporary decorated leather binding. Found in Cuthbert's coffin when it was opened in Durham Cathedral in 1104, the Gospel was acquired for the national collection in 2012 after a major fundraising campaign. This new collection of essays is the most substantial study of the book since the 1960s. It includes detailed commentary on Cuthbert in his historical context; the codicology, text, script, and medieval history of the manuscript; the structure and decoration of the binding; the other relics found in Cuthbert's coffin; and the post-medieval ownership of the book.This book significantly revises the existing scholarship on one of the British Library's most recent acquisitions which is now one of its greatest treasures.

In this highly-illustrated account, Nicolas Barker reveals the history of the British Library's treasure house of books and manuscripts. The Library's holdings cover collections spanning almost three millennia, from the establishment of the British Museum, which brought together the libraries of Sir Hans Sloane, Sir Robert Cotton and Robert Harley, first Earl of Oxford, to the foundation of the British Library in 1973 and to some outstanding acquisitions of the present day.