A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.

New York Times bestselling author Tana French, author of the forthcoming novel The Searcher, is “the most important crime novelist to emerge in the past 10 years” (The Washington Post) and “inspires cultic devotion in readers” (The New Yorker). “Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting.” —The New York Times Now airing as a Starz series. In the “compellingˮ (The Boston Globe) and “pitch perfectˮ (Entertainment Weekly) follow-up to Tana French’s runaway bestseller In the Woods, Cassie Maddox has transferred out of the Dublin Murder Squad—until an urgent telephone call brings her back to an eerie crime scene. The victim looks exactly like Cassie and carries ID identifying herself as Alexandra Madison, an alias Cassie once used as an undercover cop. Suddenly, Cassie is back undercover, to find out not only who killed this young woman, but, more importantly, who she was. The Likeness is a supremely suspenseful story exploring the nature of identity and belonging.

Twenty years after witnessing the violent disappearances of two companions from their small Dublin suburb, detective Rob Ryan investigates a chillingly similar murder that takes place in the same wooded area, a case that forces him to piece together his traumatic memories.

'One of the best crime writers working today' Guardian 'The Likeness isn't just a good page-turner, but a skilfully written modern novel' Sunday Independent Still traumatised by her brush with a psychopath, Detective Cassie Maddox transfers out of the Murder Squad and starts a relationship with fellow detective Sam ONeill. But she's too badly shaken to commit to him, or to her career. When Sam calls her to the scene of his new case, she is shocked to find that the murdered girl is her double. What's more, her ID says she is Lexie Madison - the identity Cassie used, years ago, as an undercover detective. With no leads, no suspects and no clues to Lexie's real identity, Cassie's old boss spots the opportunity of a lifetime: send Cassie undercover in the dead girl's place, to tempt the killer out of hiding to finish the job.

In the ancient disciple-rabbi relationship, the disciple would follow the rabbi so closely that he would be covered in the dust kicked up from his rabbi's feet. Thousands of years later, though we walk on roads of pavement and not dust, we are still called to be disciples—to follow our Rabbi, Jesus Christ, so closely that we are covered with his life, changed, and made new. Into His Likeness provides an approachable but in-depth exploration of how to live as a disciple and experience the transformation Jesus wants to work in our lives. We might desire to live more like Christ, but we know we fall short. This book simply helps us follow those initial promptings of the Holy Spirit, so that we may more intentionally encounter Jesus anew each day and be more disposed to his grace changing us ever more into his likeness.

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

The Likeness is a close ethnographic study of subjectivity in the former Yugoslav republic of Slovenia. In this highly imaginative work, the author argues that much of what matters in Slovenia plays out on surfaces—of people and things, systems and locations—rendering the complexity of expression external and legible, but rarely unique or original. Here likenesses are everywhere in bloom and powerfully deployed. Moving blithely from Slovenia’s most famous thinkers to its most confounding artists, from grammatical categories of number to the particularities of history, The Likeness explores alternative modes of self-expression as postsocialist Slovenia gains visibility on the world stage.

A Ready reference of seventy-five topics ecumenical in scope foundational in nature evangelistic in impact scripturally based Use as a daily devotional a catalyst for contemplative prayer a group Bible-study program a resource to develop exegetical, theological, pastoral and homiletical messages. LOVE * FREEDOM * JUSTICE * SPIRIT * POWER * LIFE LIGHT * LIBERTY * JOY * BEAUTY *HOPE * PEACE HEALTH * CHRIST * GRACE * HONOR * CHURCH

Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.