This illustrated story depicts the life of the founder of one of the oldest religions in the world. Zoroastrianism, or more natively Mazdayasna, is one of the world's oldest religions, "combining a cosmogonic dualism and eschatological monotheism in a manner unique... among the major religions of the world." Ascribed to the teachings of the Iranian Prophet Zoroaster (or Zarathustra), he exalted their deity of wisdom, Ahura Mazda, (Wise Lord) as its Supreme Being. Leading characteristics, such as messianism, heaven and hell, and free will are said to have influenced other religious systems, including Second Temple Judaism, Gnosticism, Christianity, and Islam. With possible roots dating back to the second millennium BCE, Zoroastrianism enters recorded history in the 5th-century BCE, and including a Mithraic Median prototype and Zurvanist Sassanid successor it served as the state religion of the pre-Islamic Iranian empires from around 600 BCE to 650 CE. Zoroastrianism was suppressed from the 7th century onwards following the Muslim conquest of Persia. Recent estimates place the current number of Zoroastrians at around 2.6 million, with most living in India and Iran.

The Teachings of Zoroaster, And the Philosophy of the Parsi Religion by Shapurji Aspaniarji Kapadia, first published in 1913, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

The "Zartusht-Namah" is a unique account on the life and times of Zoroaster and his deeds. It was written by Zartusht Bahram Pazhdu - a Zoroastrian writer of the early 13th century. He was famous for his Persian poems "Zartusht-Namah" or "Zaratusht-Namah" ("The Book of Zoroaster") and "Ardaviraf-Namah" ("The Book of Ardaviraf"). Both poems were written based on old Pahlavi manuscripts. You can enjoy reading the first ever English translation of the "Zartusht-Namah", made by E. B. Eastwick in 1843. The edition is accompanied by full-color illustrations.

A survey of Zoroastrianism's role in the development of the world's religions. Explores Zoroaster's life and work, describes the sacred writings and religious documents of the faith, and analyzes the basic Zoroastrian beliefs and their influence on Judaism, Christianity, and Islam. Annotation copyright by Book News, Inc., Portland, OR

Religions in today’s culture seem to be multiplying. Have you ever wondered why certain religions believe and practice what they do? Or how they view the Bible? This volume delves into these and other engaging questions, such as: How can a Christian witness to people in these religions? Do these other religions believe in creation and a Creator? How do we deal with these religions from a biblical authority perspective? Many religions and cults discussed in this first volume openly affirm that the Bible is true, but then something gets in their way. And there is a common factor every time—man’s fallible opinions. In one way or another the Bible gets demoted, reinterpreted, or completely ignored. Man’s ideas are used to throw the Bible’s clear teaching out the window while false teachings are promoted. This book is a must for laymen, church leaders, teachers, and students to understand the trends in our culture and around the world where certain religions dominate, helping you discern truth and guard your faith. When you understand a religion’s origins and teachings, you are in a better position to know how to proclaim the gospel of Jesus Christ as you take the good news to those in false religions.

Magic, the occult, the mystical—is there anything behind those words? If there is, is it anything beyond horror-movie clichés? People the world over have always known and interacted with these hidden forces. But in our culture, there are very few ways to sort out truth from nonsense. In this book, Richard Smoley, an expert on the occult, delves into the world of mind power, magic, suggestion, and the realms of the unseen. He speaks simply and clearly, in common-sense terms, about these mysterious forces, how they can work for you, and what you need to avoid. This trip through unseen worlds could be most exciting adventure of your life, and possibly the most important, as you learn about: Meditation The Colors of Magic The Life Force The Astral Light Thought Power Prophecy Psychic Powers Astrology The Tarot Ghosts, Angels, and Spirits Life after Death Evil Witchcraft and Satanism Atlantis and Lost Civilizations The Last Judgment The Kingdom of God Healing Reincarnation The Brotherhood Psychedelics and Spirituality Richard Smoley is editor of Quest: Journal of the Theosophical Society and former editor of Gnosis: A Guide to the Western Inner Traditions. He has published eleven books, including Forbidden Faith: The Secret History of Gnosticism; Inner Christianity: A Guide to the Esoteric Traditions; and Supernatural: Writings on an Unknown History. He has spent over 40 years studying the world’s mystical traditions

A new translation of the foundation texts of the Zoroastrian religion, the Gathas (songs) composed by Zoraster himself, together with the Liturgy in seven chapters composed shortly after his death some 2600 years ago. After a substantial introduction to Zoroaster's religious thought, West presents the translations with facing page explanations of the meaning of each verse.

The Bundahisn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology. Compiled sometime in the ninth century CE, it is one of the most important surviving testaments to Zoroastrian literature in the Middle Persian language and to pre-Islamic Iranian culture. Despite having been composed some two millennia after the Prophet Zoroaster's revelation, it is nonetheless a concise compendium of ancient Zoroastrian knowledge that draws on and reshapes earlier layers of the tradition. Well known in the field of Iranian Studies as an essential primary source for scholars of ancient Iran's history, religions, literatures, and languages, the Bundahisn is also a great work of literature in and of itself, ranking alongside the creation myths of other ancient traditions. The book's thirty-six diverse chapters, which touch on astronomy, eschatology, zoology, medicine, and more, are composed in a variety of styles, registers, and genres, from spare lists and concise commentaries to philosophical discourses and poetic eschatological visions. This new translation, the first in English in nearly a century, highlights the aesthetic quality, literary style, and complexity and raises the profile of pre-Islamic Zoroastrian literature.

Zarathustra was Nietzsche's masterpiece, the first comprehensive statement of his mature philosophy, and the introduction of his influential and well-known (and misunderstood) ideas including the "overman" or "superman" and the "will to power." It is also the source of Nietzsche's famous (and much misconstrued) statement that "God is dead." Though this is essentially a work of philosophy, it is also a masterpiece of literature, a cross between prose and poetry. A considerable part and parcel of Nietzsche's genius is his ability to make his language dance, and this is what becomes extraordinarily difficult to translate. It has been almost 40 years since Hollingdale's version for Penguin and almost 50 since Kaufmann's. However, anyone who appreciates the German original knows that these translations are merely adequate. While earlier translators have smoothed out the rough edges, cut corners and sometimes omitted troublesome passages outright, this one honors and respects the original as no other. Kaufmann and others are guilty of the deplorable tendency to "improve" on the original. Much is lost by this means, to say nothing of the interior rhythms, the grace notes, the not always graceful but omnipresent and striking puns and wordplays. And in not a few instances the current translation improves on Kaufmann's use of English or otherwise clarifies what Nietzsche is really saying