'A thrilling account' The Times 'As heroic as Digby himself, Moshenska has defied the tyranny of genre and made his own absorbing account' Observer 'A master storyteller. Full of exquisite details, but with the grandest themes... this is a gripping adventure story' Zia Haider Rahman 'A brilliant account of one of the seventeenth century's most dashing lives' Ruth Scurr 'Gripping and extraordinary' Ann Wroe On the 16th of August 1628, five battle-scarred English ships sailed into the harbour of the Greek island of Milos. Dropping anchor, the 25-year-old captain banqueted with the local lord before sitting down to write an account of his journey - an account that would transform him entirely. Sir Kenelm Digby was one of the most remarkable Englishmen who ever lived: a trusted advisor to the King, but the sworn enemy of the all-powerful Duke of Buckingham; a pioneering philosopher and scientist, but committed to the occult arts of alchemy and astrology; a friend not only of Ben Jonson, Thomas Hobbes and van Dyck, but even Oliver Cromwell. He was also widely known as the 'son of a traytor and husband of a whore': a man who witnessed his father's gruesome execution for high treason as a Gunpowder Plotter, and the lover of the most celebrated beauty of the age, Venetia Stanley. In an attempt to clear his name, and on a quest for personal glory, Digby assembled a fleet and set sail for the Mediterranean: a world of pirate cities and ancient ruins where people, ideas and exotic goods moved freely between languages and nations. His journey - encompassing fevers, mutiny, piracy, daring rescues and heroic sea battles - is a great and terribly overlooked adventure, and a prism through which to view England, and all of Europe, during one of the most pivotal periods in its history. A Stain in the Blood is the story of an extraordinary life, and of a journey that helped to shape a nation. It is a revelatory first work of non-fiction by one of the brightest young writers and thinkers of today.

“Using an alchemy all of her own, Eyre’s postmodern take on the 17th century renders it dazzlingly fresh and contemporary.” —Guardian (UK) Venetia Stanley was the great beauty of her day, so dazzling she inspired Ben Jonson to poetry and Van Dyck to painting. But now she is married, the adoration to which she has become accustomed has curdled to scrutiny, and she fears her powers are waning. Her devoted husband, Sir Kenelm Digby—explorer, diplomat, philosopher, alchemist— refuses to prepare a beauty tonic for her, insisting on her continued perfection. Venetia, growing desperate, secretly engages an apothecary to sell her “viper wine”—a strange potion said to bolster the blood and invigorate the skin. The results are instant, glorious, and addictive, and soon the ladies of the court of Charles I are looking unnaturally youthful. But there is a terrible price to be paid, as science clashes with magic, puritans rebel against the decadent monarchy, and England slides into civil war. Based on real events and written with anachronistic verve, Viper Wine is an intoxicating brew of love, longing and vanity, where the 17th and 21st centuries mix and mingle in the most enchanting and mind-bending ways.

This volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early modern period. Broad in temporal and geographical scope, it challenges traditional notions of periodisation, highlighting continuities as well as change. Rather than focusing on individual senses, the volume’s organisation emphasises the multisensoriality and embodied nature of religious practices and experiences, refusing easy distinctions between asceticism and excess. The senses were not passive, but rather active and reactive, res-ponding to and initiating change. As the contributions in this collection demonstrate, in the pre-modern era, sensing the sacred was a complex, vexed, and constantly evolving process, shaped by individuals, environment, and religious change. The volume will be essential reading not only for scholars of religion and the senses, but for anyone interested in histories of medieval and early modern bodies, material culture, affects, and affect theory.

An ambitious new history of philosophy in English that broadens the canon to include many lesser-known figures Ludwig Wittgenstein once wrote that “philosophy should be written like poetry.” But philosophy has often been presented more prosaically as a long trudge through canonical authors and great works. But what, Jonathan Rée asks, if we instead saw the history of philosophy as a haphazard series of unmapped forest paths, a mass of individual stories showing endurance, inventiveness, bewilderment, anxiety, impatience, and good humor? Here, Jonathan Rée brilliantly retells this history, covering such figures as Descartes, Locke, Kant, Hegel, Marx, Nietzsche, Mill, James, Frege, Wittgenstein, and Sartre. But he also includes authors not usually associated with philosophy, such as William Hazlitt, George Eliot, Darwin, and W. H. Auden. Above all, he uncovers dozens of unremembered figures—puritans, revolutionaries, pantheists, feminists, nihilists, socialists, and scientists—who were passionate and active readers of philosophy, and often authors themselves. Breaking away from high-altitude narratives, he shows how philosophy finds its way into ordinary lives, enriching and transforming them in unexpected ways.