Haunting and atmospheric, this debut novel portrays the heartbreak, hardship and moments of surprising grace in the life of a man struggling to realize his destiny. A young man of astonishing promise when he emigrated from Ghana in 1955, Samuel Tyne was determined to accomplish great things. Fifteen long years later, he’s an insignificant government employee who hates his job when he unexpectedly inherits his uncle’s crumbling mansion in Aster, Alberta. Despite his wife’s resistance and the sullen complaints of his thirteen-year-old twin daughters, Samuel quits his job and moves his family to the town. For here, he believes, is that fabled second chance, and he is determined not to fail again. At first, Aster seems perfect — to Samuel, the formerly all-black town represents the return to a communal, idyllic way of life. But he soon discovers the town’s problems: a history of in-fighting, a strict town council and a series of mysterious fires that put all the townsfolk on edge. When his daughters cease speaking and refuse to explain their increasingly strange behaviour, Samuel turns more and more to the refuge of his electronics shop. As his ambitions intensify, the life he has struggled so hard to improve begins to disintegrate around him, and a dark current of menace in the town is turned upon the Tyne family.

At last we have a serious and enchanting book which approaches the story of these extraordinary people in a historical and critical light. The clarity of Rima Handley's careful and fascinating research allows us to see homeopathy as its founders saw it, from within their own time and without the dogma or interpretations of the gurus which have colored it since. This book is a must for any lover of biography as well as anyone interested in the history of medicine or homeopathy.

A devotee of the great visionary William Blake, Samuel Palmer became the lynchpin of the first British art movement. Leading a band of fellow artists - the brotherhood of Ancients - out of London to the village of Shoreham in Kent, he set out to create a new rural ideal. His paintings of slumbering shepherds and tumbling blossoms, of mystical cornfields and bright sickle moons, capture a world in which landscape and politics, religion and culture all meet. They reflect the concerns of the nineteenth century which his life spanned. In his day, like his mentor Blake, Samuel Palmer was much neglected. He did not attempt the grand dramas of J.M.W. Turner or follow John Constable's profoundly naturalistic path. But he belongs in their pantheon of great British Romantics as much for the numinous visions that are embodied in his loveliest paintings as for the vagaries of a life story in which he so often failed. If English tradition had ever encompassed the making of icons they would not have been so different from Palmer's enchanted landscapes. Mysterious Wisdom offers for the first time in more than thirty-five years a vivid and intimate portrait of Palmer who, over the course of the past century, has become increasingly treasured as one of the most extraordinarily talented and quirkily eccentric figures of the British art world, or - as the art historian Kenneth Clark believed - an English Van Gogh.