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Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.

Miracle-worker or man of straw? Count Alessandro Cagliostro was a cult figure of European society in the tumultuous years leading to the French Revolution. An alchemist, healer and Freemason, he inspired both wild devotion and savage ridicule – as well as novels by Alexandre Dumas, a drama by Goethe and Mozart’s opera The Magic Flute. Count Alessandro Cagliostro’s sincere belief in the magical powers, including immortality, conferred by his Egyptian Rite of Freemasonry won him fame, but made him dangerous enemies, too. His celebrated travels through the Middle East and the capitals of Europe ended abruptly in Rome in 1789, where he was arrested by the Inquisition and condemned to death for heresy.The Masonic Magician tells Cagliostro’s extraordinary story, complete with the first English translation of his Egyptian Rite of Freemasonry ever published. The authors examine the case made against him, that he was an impostor as well as a heretic, and find that the Roman Church, and history itself, have done him a terrible injustice. This engaging account, drawing on remarkable new documentary evidence, shows that the man condemned was a genuine visionary and true champion of Freemasonry. His teachings have much to reveal to us today, not just of the secrets of the movement, but of the mysterious hostility it continues to attract.