The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N003849 London: printed for A. Bettesworth, 1723. vi,282p.; 12°

The prose fiction of Penelope Aubin, including the two texts included in this edition—The Life of Madam de Beaumount (1721) and The Life of Charlotta Du Pont (1723), offers a delightful and provocative challenge to many of our standard ways of thinking about both the “rise of the novel” in eighteenth-century Britain and about women writers in that era. Aubin’s fast-paced highlights the persistence and vitality of romance as a form of storytelling, and the centrality of teenaged girls to tales that extend far beyond the domestic and amatory modes with which women writers have traditionally been associated. Aubin’s resourceful heroines and the often spectacular violence they engage in in order to defend their lives and bodily integrity against threats allow us a more expansive and exciting view of early eighteenth-century fiction than the current classroom canon often permits. In narratives spanning the globe and featuring pirates, North African corsairs, Jacobites, shipwrecks, and seraglios, Aubin delivers a form of fiction with roots that go back to antiquity and commitments that often feel far more modern than most other texts from the eighteenth century.

The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.

The reception and construction of the image of India by the Western, in particular French, German and English travellers, writers and thinkers is the theme of this volume, a collection of twelve essays by academics from sundry parts of the globe. Giving a new twist to Indological, philological or postcolonial understanding of travel narratives, the authors here attempt to give fresh impetus to the discovery of India story from perspectives of cultural history, historiography, ethnography, material culture, economic modes of production, fictional travel, epistolary discourse, theatrical representation of widowhood, women in the Mutiny, feminist reading of the Mughal court, colonial painting and classical music. Circumscribed by the dates of the arrival of Ralph Fitch, the first English traveller and the Mutiny, the first War of Indian Independence this anthology revives an interest in the early modern to the colonial appropriation of India in the Western imaginary.