This fascinating biography explores the life of Bartolomé E Murillo through the writings of various authors. The book offers a unique insight into the artist's life and work, and is essential reading for anyone interested in the history of art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From the Golden Age to Goya. This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated. Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velázquez, Ribera, Zurbarán, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations. NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London. HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT

This volume has been published to celebrate the recent and extensive conservation of the National Gallery of Ireland?s 'Prodigal Son series', a cycle of six paintings by master storyteller of the Spanish Golden Age, Bartolomé Esteban Murillo. Recounting the life story of these six remarkable canvases from their creation in the 1660s to the present day, the book describes their astounding journey through eminent Spanish collections, a royal household, and into the hands of the Vatican, before making their way to Russborough, County Wicklow, and finally to the National Gallery of Ireland in 1987.0The volume is rich with full-colour images by NGI photographer Roy Hewson who documented the dramatic transformation of the paintings during the conservation project, and accompanied by essays by Aoife Brady and Muirne Lydon, as well as detailed entries and technical notes on each painting.00Exhibition: National Gallery of Ireland, Dublin (29.02-30.08.2020).

"Illustrated, this important book offers a new look at the career of one of the central figures of the Spanish golden age. It will be an indispensable addition to the libraries of scholars, students, and lovers of Spanish painting alike."--BOOK JACKET.

One of the most celebrated painters of the Baroque era, Bartolomé E. Murillo's life was as colorful as his art. This biography, compiled from a variety of historical sources, provides a detailed portrait of one of Spain's greatest artists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.