Instrumental in the conversion of many, including Augustine, The Life of Antony provided the model for subsequent saints' life and constituted, in the words of patristics scholar Johannes Quasten, 'the most important document of early monasticism.'

The biographic text of St. Anthony is presented complete in this edition for the reader's absorption and contemplation. First published in the 4th century A.D., Anthony the Great's biography was authored by Christian Saint Athanasius of Alexandria. Since its release, the book has helped spread the beliefs, practices and arduous faith of Anthony the Great. A significant progenitor of the monastic tradition, Saint Anthony lived an ascetic lifestyle in the arid lands of Egypt. Although not the earliest of religious figures committed to this tradition, through actions and preaching Anthony helped popularise and spread principles that would contribute heavily to the establishment of Christian monasteries in Europe and beyond. One event in St. Anthony's life was his encounter with the supernatural in the remote Egyptian desert. This occurrence, where the otherworldly presence tried to tempt him from his spartan philosophy of living, is much recreated in Western art and literature.

Athanasius, one of the most influential church fathers in history, records in his Life of Antony of Egypt the story of another extremely influential figure of early Christianity. Albert Haase's paraphrase of this important work gives us access to a masterwork of spiritual formation, that we too might know God as richly as Athanasius did.

The most important document of early monasticism, written in 357, this is a biography of the recognized founder and father of monasticism. +

This edition will be of interest to all Greek scholars, ancient historians, and also the students of English literature since the relevant discussions require no knowledge of Greek.

The classic, fascinating and almost fabulous life of St. Antony of the Desert, the Father of Monasticism, both East and West, all as recorded by St. Athanasius, his friend. Filled with miracles, wisdom and revelations. St. Antony revealed that there are swarms of devils everywhere, but that they are powerless to harm us when we use the Holy Name of Jesus and sacramentals to ward them off. Will touch the heart of every reader! Impr. 106 pgs, PB

This book revolutionizes our understanding of the life and thought of the great anchorite father of the Egyptian desert. It is a signal contribution to our knowledge of Egyptian Christianity in the third and fourth centuries.—Birger Pearson, Institute for Antiquity and Christianity Samuel Rubenson, by means of a fresh analysis of the letters of St. Antony, exposes the distortion of the picture of early Christian monks as unlettered and primitive. Rubenson describes the desert monasteries as centers of theological reflection in Egypt, showing how they combined the speculative philosophy of the Greeks and the biblical tradition. Included in this volume is a new translation of the letters themselves, which are shown to be authentic and an important source for the study of the desert fathers and the early monastic tradition. The later image of Antony is demonstrated to be influenced by church politics of the latter part of the fourth century. Samuel Rubenson is Associate Professor at Lund University, Lund, Sweden.

THE biography of Mark Antony.

The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.