Girolamo Savonarola, the fifteenth-century doom-saying friar, embraced the revolution of the Florentine republic and prophesied that it would become the center of a New Age of Christian renewal and world domination. This new biography, the culmination of many decades of study, presents an original interpretation of Savonarola's prophetic career and a highly nuanced assessment of his vision and motivations. Weinstein sorts out the multiple strands that connect Savonarola to his time and place, following him from his youthful rejection of a world he regarded as corrupt, to his engagement with that world to save it from itself, to his shattering confession—an admission that he had invented his prophesies and faked his visions. Was his confession sincere? A forgery circulated by his inquisitors? Or an attempt to escape bone-breaking torture? Weinstein offers a highly innovative analysis of the testimony to provide the first truly satisfying account of Savonarola and his fate as a failed prophet.

Born on 21 September 1452, the very same year that Leonardo Da Vinci was born, Girolamo Savonarola: The Renaissance Preacher tells the story of a man who believed so wholeheartedly in God and the message that He was giving, that he gave his life for it. The book is an introduction to the life and times of this infamous preacher, a man who was witness to the dramatic downfall of the Medici dynasty in fifteenth-century Florence, who instigated some of the most dramatic events in Florentine history and whose death is still commemorated today. ------------ 'Thoroughly well researched and enthusiastically written. It is clear that Samantha Morris has great care for her subject and this is reflected in the quality of this work. A great introduction to Florentine politics in the late 15th century and the life of one of the most infamous individuals of the Renaissance'. - Katharine Fellows, St Peter's College, University of Oxford AUTHOR INTERVIEW What makes the medieval history of Florence special? Florence, unlike the majority of Italy's city states during the Renaissance, was a Republic, but run by the Medici family who were kings in all but name. It was also the city that birthed the Renaissance, a city full of political intrigue, violence, art and religion. Who was Savonarola? Girolamo Savonarola was a Dominican friar who badly wanted to see Church reform not only within Florence but throughout the World. Unfortunately for Savonarola, despite his best intentions, the city turned against him and his hard lined ways, just as they had with the Medici family. Why should readers give your non-fiction history books a try? My books offer a well researched historical introduction to some of the most fascinating periods in both Italian and World history - a stepping stone, if you will, into the torrid history of the Renaissance. Within them you get to meet and learn about, personalities who lived and worked in this era - sex, violence, murder and religious fervour is only a little of what you will find within.

A gripping and beautifully written narrative that reads like a novel, Fire in the City presents a compelling account of a key moment in the history of the Renaissance, illuminating the remarkable man who dominated the period, the charismatic Girolamo Savonarola. Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in "the bonfire of the vanities." But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. Here, Savonarola emerges as a complex and subtle man, both a religious and a civic leader--who inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence. For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.

On 24 May 1497 Girolamo Savonarola was led out to a scaffold in the middle of the Piazza della Signoria. Crowds gathered around and watched as he was publically humiliated before being hanged and burned. But what did this man do that warranted such a horrendous death? Born on 21 September 1458 in Ferrara, Girolamo Savonarola would join the Dominican order of friars and find his way to the city of Florence. Run by the Medici family, the city was used to opulence and fast living but when the unassuming Dominican showed up, the people were unaware that he was about to take their world by storm. Preaching before the people of Florence to an increasingly packed out Cathedral, Savonarola came to be called a prophet. And when Charles VIII invaded Italy with his French army, one of his so called prophecies came true. It was enough for the people to sit up and take note, allowing this man to become the defacto ruler of Florence. Except Girolamo Savonarola made one very fatal mistake – he made an enemy of Alexander VI, the Borgia Pope, by preaching against his corruption and attempting to overthrow him. It would prove to be his ultimate undoing – the Pope turned the Florentines who had so loved the friar against him and he ended his days hanging above a raging inferno.

Five hundred years after his death at the stake, Girolamo Savonarola remains one of the most fascinating figures of the Italian Renaissance. This wide-ranging collection, with an introduction by historian Alison Brown, includes translations of his sermons and treatises on pastoral ministry, prophecy, politics, and moral reform, as well as the correspondence with Alexander VI that led to Savonarola’s silencing and excommunication. Also included are first-hand accounts of religio-civic festivities instigated by Savonarola and of his last moments. This collection demonstrates the remarkable extent of Savonarola’s contributions to the religious, political, and aesthetic debates of the late fifteenth century.