For decades, Newark and its environs have been lit up by the bright neon lights of grand movie palaces and theaters. In the early 20th century, stages that were originally built for vaudeville acts were turned over to silver screens and the flickering images from motion-picture projectors. This new technology ushered Hollywood movies to the East Coast and made cinema accessible for locals to enjoy. Movie houses and palaces provided moviegoers a new type of viewing experience. With ornate interiors and rich architecture, these institutions offered their patrons a beautiful setting to watch classic films. Over time, these establishments evolved and began hosting burlesque shows and rock concerts. Today, many of these downtown landmarks have been demolished, replaced, or adaptively renovated into the modern multiplexes of today. Images of the Paramount and the Mosque Theater help Movie Houses of Greater Newark tell the story of an era when going to the movies was an event.

Fred Wesley Wentworth and the Wentworth era span from the 1890s to the 1940s. Starting out as a local architect designing homes, commercial buildings and institutions for leading citizens in Paterson, New Jersey, his career quickly transformed by way of a Jewish entrepreneur, Jacob Fabian, into the archetect of grand movie palaces throughout New Jersey and the movie palace prototype nationwide. In addition, he was well know of his designs of institituions of Jewish life. These buildings shaped generations of immigrants and their chidlren and created a place that offered a sophisticated urban life.

In this practical guide, Emmy Award-winning public broadcasting anchor Steve Adubato teaches readers to be self-aware, empathetic, and more effective leaders at work and at home. His powerful case studies spotlighting dozens of leaders—from Pope Francis to New Jersey governor Chris Christie—are complemented by concrete tips and tools based in real-life scenarios. With Lessons in Leadership, readers can learn to steer others through difficult economic times, to mentor rising leaders, to provide straight talk to underperforming employees, and even how to lead a company through a significant change.

Samuel Edward Weir Q.C. (1898-1981), a man both loved and reviled with scorn, was born in London, Ontario. Descended from pioneer stock, with roots in both Ireland and Germany, Samuel Weir possessed incisive wit, exceptional intelligence and a passionate zest for any subject that caught his eye. Over a period of sixty years he built an extraordinary collection of approximately one thousand works of outstanding art and sculpture. This extensively researched biography of a talented yet quixotic lawyer who contributed much to Canada's heritage begins in the early 19th century and covers well over a hundred years of our nation's growth, until his death at his home, River Brink, in Queenston, Ontario. Today, River Brink is the gallery in which The Weir Collection is exhibited and housed.

Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.

V. 3-5 biographical.

Artwork by Vanessa Beecroft.