William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.

Writing lays bare the soul. All serious writers know that each word reveals something significant about themselves, granting outsiders a glimpse at their most cherished beliefs and foundational convictions. In this series of intimate reflections on life and writing, critically acclaimed and best-selling novelist Bret Lott explores the author's craft through five letters covering a range of fascinating topics, from exploring the value of literary fiction to discussing the humility of Flannery O'Connor. In the final and longest letter, Lott contemplates the death of his father and his struggle to convey his complicated thoughts and inexplicable emotions in words. Intensely personal and yet universally relatable, this powerful collection of essays will encourage and enrich writers and aspiring writers everywhere.

BAYARD RUSTIN POSTHUMOUSLY AWARDED THE 2013 PRESIDENTIAL MEDAL OF FREEDOM A master strategist and tireless activist, Bayard Rustin is best remembered as the organizer of the 1963 March on Washington, one of the largest nonviolent protests ever held in the United States. He brought Gandhi's protest techniques to the American civil rights movement and played a deeply influential role in the life of Martin Luther King, Jr., helping to mold him into an international symbol of nonviolence. Despite these achievements, Rustin often remained in the background. He was silenced, threatened, arrested, beaten, imprisoned and fired from important leadership positions, largely because he was an openly gay man in a fiercely homophobic era. Here we have Rustin in his own words in a collection of over 150 of his eloquent, impassioned letters; his correspondents include the major progressives of his day—including Eleanor Holmes Norton, A. Philip Randolph, Roy Wilkins, Ella Baker and, of course, Martin Luther King, Jr. Bayard Rustin's ability to chart the path "from protest to politics" is both timely and deeply informative. Here, at last, is direct access to the strategic thinking and tactical planning that led to the successes of one of America's most transformative and historic social movements. "Rustin was a life-long agitator for justice. He changed America—and the world—for the better. This collection of his letters makes his life and his passions come vividly alive, and helps restore him to history, a century after this birth. I Must Resist makes for inspiring reading."—John D'Emilio, author of Lost Prophet: The Life and Times of Bayard Rustin "A vital addition to the history of the civil rights movement by an exceptionally determined, vital and creative force who was invaluable to Martin Luther King, Jr., and A. Philip Randolph among many others."—Nat Hentoff "Bayard Rustin's courageously candid letters, most of which have never before been available to researchers, provide fascinating glimpses into the private life of one of history's most reticent public figures."—Clayborne Carson, Founding Director of the Martin Luther King, Jr., Research and Education Institute at Stanford University "These letters—poetic, incisive, passionate, and above all political in the broadest meaning of the word—span almost four decades not only of Bayard Rustin's life but of the emotional and spiritual life of America. There is hardly a social justice movement during this time in which Rustin was not involved from pacifism to ending poverty to battles for sexual freedom. Michael Long's brilliant editing has created a compelling historical narrative and reading these letters is to be witness to the ever-evolving conscience that guides our country's endangered, but surviving, commitment to freedom."—Michael Bronksi, author of A Queer History of the United States "Bayard Rustin was a committed but very complicated person. This marvelously annotated collection of letters explain the spirit, and evolution of the thoughts and actions of an often overlooked key figure in the 20th century civil and human rights movement."—Mary Frances Berry, Geraldine Segal Professor of American Social Thought, University of Pennsylvania, and former Chair United States Commission on Civil Rights "All aspects of Rustin's experiences are captured in these letters, including his struggles with opponents dedicated to silencing him as an international symbol of nonviolent protests against racial injustice. This remarkable and deeply moving publication is a must-read."—William Julius Wilson, Lewis P. and Linda L. Geyser University Professor, Harvard University

A vibrant self-portrait of an artist whose work was his life. In this new collection of F. Scott Fitzgerald's letters, edited by leading Fitzgerald scholar and biographer Matthew J. Bruccoli, we see through his own words the artistic and emotional maturation of one of America's most enduring and elegant authors. A Life in Letters is the most comprehensive volume of Fitzgerald's letters -- many of them appearing in print for the first time. The fullness of the selection and the chronological arrangement make this collection the closest thing to an autobiography that Fitzgerald ever wrote. While many readers are familiar with Fitzgerald's legendary "jazz age" social life and his friendships with Ernest Hemingway, Gertrude Stein, Edmund Wilson, and other famous authors, few are aware of his writings about his life and his views on writing. Letters to his editor Maxwell Perkins illustrate the development of Fitzgerald's literary sensibility; those to his friend and competitor Ernest Hemingway reveal their difficult relationship. The most poignant letters here were written to his wife, Zelda, from the time of their courtship in Montgomery, Alabama, during World War I to her extended convalescence in a sanatorium near Asheville, North Carolina. Fitzgerald is by turns affectionate and proud in his letters to his daughter, Scottie, at college in the East while he was struggling in Hollywood. For readers who think primarily of Fitzgerald as a hard-drinking playboy for whom writing was effortless, these letters show his serious, painstaking concerns with creating realistic, durable art.

Reflections on life from a perspicacious observer, the subjects ranging from love to murder. In Theme Park America, he writes: "it's interesting / he's not screaming now / he's doubled over / and we don't have to worry / what it means / nothing is supposed to mean / that will come later / when there's more information / about the information."

"During his first year without Kate, Carl writes himself into the life that comes after the life he loved. From days of grief in the darkness of a midwestern winter, to springtime, with a return to life in the garden and a memorial service for Kate on a sunny afternoon, to fall, with a pilgrimage to their favorite vacation spot in Hawaii, Carl documents his year-long experience of remembering, meditating, and evolving a new life."--Jacket.