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George Grote’s (1794-1871) extensive publications on ancient Greek history and philosophy remain landmarks in the history of classical scholarship. Since the late 20thcentury, lively interest in the works of Grote has seen his profile revived and his ongoing significance highlighted: he has taken up his rightful place among the most celebrated nineteenth-century classical intellectuals. Grote’s critical engagement with Greek historiography and philosophy revolutionized classical studies in his day – a revolution set against both long-established interpretations and prevailing trends in German Altertumswissenschaft. Twenty-first-century scholarship shows that Grote’s works remain lively, sparkling and relevant, as they offers valuable insights that cut across the intellectual borders of the Victorian age. His diligent scholarship, fascination with evidence and sound judgement, intertwined with intriguing and insightful narrative prose, continue to captivate the attention of modern readers. In Brill’s Companion to George Grote and the Classical Tradition Kyriakos N. Demetriou leads a team of prominent scholars to contextualize, unravel and explore Grote’s works as well as provide a critical assessment of his posthumous legacy.

This is the passionate story of a true epistolatory love affair between a Victorian lady and a German prince. In the early 1830s, an unhappily married Englishwoman falls in love with a man she has never met - a German prince, author of the bestseller that she is translating into English. Using the German embassy couriers to carry their letters back and forth, they correspond ever more audaciously, right under the nose of her melancholy, preoccupied husband. Swept up by a storm of passion, she writes in an unveiled way about her disappointment in marriage, her hunger for affection, intimacy and love. Yet in reality she is anything but an unprincipled woman, and since divorce is out of the question her thoughts turn to adultery. This book reveals her dilemma in a fascinating and poignant journey into the mind and soul of a gifted woman who dared to circumvent the mores of the day.

Offering a unique cross-cultural study, this book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. Vasunia shows how classical culture pervaded the minds of the British colonizers, and highlights the many Indian receptions of Greco-Roman antiquity.

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Utilising a range of source material and a variety of theoretical and methodological approaches, this ground-breaking collection offers the reader new ways of assessing the uneven paths of mission endeavours, and examines the ways in which Indigenous peoples responded to -- and took ownership of -- aspects of Christian and Western culture and spirituality.