I have attended quite a few conferences and meetings devoted to the ideas of Kurt Lewin. Among these the 1984 conference at Temple was out standing for its high quality. What made it so successful? Several things. The conference included a stimulating mix of generations. The first generation of women who obtained their Ph. D. 's in psychology in Berlin in the 1920's strike me as a remarkable group. Now in their 80's, they are characterized by enormous vigor and energy. They are still professionally active. Two of them - Tamara Dembo and Maria Rickers Ovsienkina - joined us. Other participants in the Temple conference had been in Iowa in the 1930's and 1940's, or at MIT. Of course there were many who had learned about Lewin from their own teachers, and in some cases, their teachers' teachers. There was a good mixture of ap plied psychologists and academics. Father said on several occasions that he did not want to found a school of psychology as such. Rather he wanted to introduce the field theoretical viewpoint and approach. I think he would have been stimulated by and enthusiastic about the many diverse areas to which Lewinian analy ses, ideas, and concepts are applied today, as illustrated by this volume. He would have been pleased to see so many people applying basic theoreti cal concepts to important social problems. Father loved to discover new things about America.

A leading historian draws on an archive of previously unavailable material and guides us through the inner workings of Soviet power, from October 1917 to the final collapse in the early 1990s.

This monograph on the work of Gideon Lewin, master printer and assistant to Richard Avedon, revealsmoments never told, stories never heard, and a life that only a few ever experienced. It is a story of a close working relationship and collaboration with a master. Avedon: Behind the Scenes, 1964-1980 relates Lewin's personal experiences working with Richard Avedon for 16 years. It is about the hard work, the intrigues, the energy, the mysteries, the humor, and the commitment to creating images that were larger-than-life and will last for generations. This book illuminates many details about preparations for Avedon's major exhibitions, the master classes he was a part of, and many behind-the-scenes stories working on fashion collections in Paris and in New York for Harper's Bazaar and Vogue, photographing the world's most famous personalities and most beautiful women: Sophia Loren, Audrey Hepburn, Catherine Deneuve, Cher, Jean Shrimpton, Veruschka, Twiggy, Rene Russo, Patti Hansen, and Lauren Hutton. Finally, this book opens a window on the lighter side of Richard Avedon, as well as his total dedication to the art of photography in his determination to leave a legacy unlike that of any other photographer. With about 200 photographs Avedon: Behind the Scenes, 1964-1980 is a singular and remarkable journey.

Creating Effective Teams: A Guide for Members and Leaders, 3rd Edition is a practical guide for building and sustaining top performing teams. Based on the author’s many years of consulting experience with teams in the public and private sector, the Third Edition describes why teams are important, how they function, and what makes them productive. The author clearly illustrates the developmental nature of teams and describes what happens in each stage. Separate chapters are devoted to the responsibilities of team leaders and team members. Problems that occur frequently in groups are highlighted, followed by what-you-can-do sections that offer specific advice. Real-life examples and questionnaires are used throughout the book, giving readers the opportunity for self-evaluation. New to the Third Edition: Discussions of diversity within teams havebeen added throughout the text, focusing on how different ethnic or cultural groups may have differing perceptions of group interactions. Also provided will be specific strategies for ensuring that groups are respectful of these different beliefs while still being as effective as possible. References to the research the text is based on will be added, giving readers the theoretical and research background for the practical, application-based material in the text. More real-life examples and problem-solving skills will be added, including step-by-step directions for becoming a high-performing team. New checklists and self-evaluations will be added, building on those currently included in the text and providing even more information on what kind of leader or team member the reader is.

This book applies finance to the field of capital theory. While financial economics is a well-established field of study, the specific application of finance to capital theory remains unexplored. It is the first book to comprehensively study this financial application, which also includes modern financial tools such as Economic Value Added (EVA®). A financial application to the problem of the average period of production includes two discussions that unfold naturally from this application. The first one relates to the dual meaning of capital, one as a monetary fund and the other one as physical (capital) goods. The second concerns its implications for business-cycle theories. This second topic (1) provides a solid financial microeconomic foundation for business cycles and, also (2) makes it easy to compare different business-cycle theories across the average period of production dimension. By clarifying the obscure concept of average period of production, the authors make it easier to analyze the similarities with and differences from other business-cycle theories. By connecting finance with capital theory, they provide a new point of view and analysis of the long-standing problems in capital theory as well as other related topics such as the use of neoclassical production functions and theorizing about business cycles. Finally, they emphasize that the relevance of their application rests on both its policy implications and its contributions to contemporary economic theory.

Author, illustrator, printmaker, and natural historian John William Lewin was the first professional artist to arrive in Australia as a free man. Featuring more than 150 exquisite artworks, this record takes a fascinating look at Lewin's life and work, his place in colonial Australian society, and the enthusiasm for natural history that swept the world in the 1800s. Visually stunning, this biography is a testament to Lewin's artistic legacy, which includes the first ever illustrated book published in Australia-Birds of New South Wales in 1813.