In 1986, when her mother died at the age of sixty-four, Eleanor Reissa went through all of her belongings. In the back of her mother’s lingerie drawer, she found an old leather purse. Inside that purse was a large wad of folded papers. They were letters. Fifty-six of them. In German. Written in 1949. Letters from her father to her mother, when they were courting. Just four years earlier, he had fought to stay alive in Auschwitz and on the Death March while she had spent the war years suffering in Uzbekistan. Thirty years later, Eleanor—a theatre artist who has been on the forefront of keeping Yiddish alive—finally had the letters translated. The particulars of those letters send her off on an unimaginable adventure into the past, forever changing her and anyone who reads this book. “‘The Holocaust,’ Eleanor Reissa writes in this unforgettable and courageous book, ‘is attached to me like my skin and I would be formless without it.’ A very personal story that is also a fundamental one of a woman trying to make sense of her life and family and of the shadows that go back before she was born. There is plenty of feeling and sentiment but it never feels sentimental. Her inimitable wit leavens the sadder scenes. This journey of discovery is riveting, told with tender insight, at times heartbreaking and at times heartwarming just like the Yiddish songs that have delighted Ms. Reissa’s audiences.” —Joseph Berger is a New York Times reporter and author of Displaced Persons: Growing Up American After the Holocaust “Among the great number of personal takes on the Holocaust, Eleanor Reissa’s book really stands out, both for its intelligence and courage and for the unique way she braids the inter-generational stories together. In this brutal, poignant, and searingly honest book, Reissa simultaneously pieces together the unfathomable story of her Holocaust survivor father, reckons with the guilt she came to feel as his uncomprehending American daughter, and manages somehow to find insight and purpose in the ashes. This extraordinary account of two parallel journeys will stick with anyone privileged enough to read it.” —David Margolick, a former reporter for The New York Times, author of several books, including, most recently, The Promise and the Dream: The Untold Story of Martin Luther King, Jr. And Robert F. Kennedy “The Letters Project is a wonderful book—funny, heartbreaking, and ultimately transcendent. Eleanor Reissa’s journey back into her family’s past makes for a gripping—and very human—international mystery. I highly recommend it.” —Tony Phelan, TV Showrunner for: Grey’s Anatomy, Doubt, and Council of Dads “Eleanor Reissa has written a gritty, fearless yet funny memoir about herself, her family, and the Holocaust. Once I began reading it, I was completely swept away until the journey ended. I was moved by the power of this uniquely personal yet universal story.” —Julian Schlossberg is an American motion pictures, theatre, and television producer

We write letters to express what we struggle to say aloud. We put pen to paper to voice the secret sides of ourselves, and often, the letters don't need to be sent to set us free. Through guided prompts and interactive questions, The Secret Letters Project offers a safe space for writers to explore relationships, deal with difficult situations, and embrace the joy around them. This journal will help you: Find peace with past relationships Give thanks for new opportunities Experience personal growth Project and celebrate positivity Broken down into letters addressed to different recipients (Dear Ex, Dear Soul Mate, Dear Stranger, Dear Me), this journal helps you create the life you've always wanted through the healing art of letter writing.

New York Times bestseller Now with a new Epilogue, containing letters of response from Palestinian readers. "A profound and original book, the work of a gifted thinker."--Daphne Merkin, The Wall Street Journal Attempting to break the agonizing impasse between Israelis and Palestinians, the Israeli commentator and award-winning author of Like Dreamers directly addresses his Palestinian neighbors in this taut and provocative book, empathizing with Palestinian suffering and longing for reconciliation as he explores how the conflict looks through Israeli eyes. I call you "neighbor" because I don’t know your name, or anything personal about you. Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other’s dream, violators of each other’s sense of home. We are incarnations of each other’s worst historical nightmares. Neighbors? Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy." In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East. This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide. Halevi’s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.

With the first publication, in this edition, of all the surviving letters of Ernest Hemingway (1899-1961), readers will for the first time be able to follow the thoughts, ideas and actions of one of the great literary figures of the twentieth century in his own words. This first volume encompasses his youth, his experience in World War I and his arrival in Paris. The letters reveal a more complex person than Hemingway's tough guy public persona would suggest: devoted son, affectionate brother, infatuated lover, adoring husband, spirited friend and disciplined writer. Unguarded and never intended for publication, the letters record experiences that inspired his art, afford insight into his creative process and express his candid assessments of his own work and that of his contemporaries. The letters present immediate accounts of events and relationships that profoundly shaped his life and work. A detailed introduction, notes, chronology, illustrations and index are included. CLICK HERE to follow 'The Hemingway Letters' on Facebook CLICK HERE to watch Patrick Hemingway, Ernest's second son, discusses the letters and the writer's private persona with editor Sandra Spanier.

A collection of letters written by people who have made panels for the Quilt--a loving memorial to those who died of AIDS--reveals a variety of individuals whose words are funny, heartwarming, tender, and moving

Unwritten Letters Project is a copulation of over 100 heartwritten letters expressing from the heart, what the mouth could not say. Alex Boles, author and creator, has compiled some of the sweetest along with some of the most gut wrenching letters from her many followers, to be shared in book form. Ms. Boles continues to collect and post letters everyday. Please visit her website at unwrittenlettersproject.wordpress.com and maybe you'll be enticed to write that letter that you've been holding onto.

We intend this Collection of Letters to be a Supplement to the "Life of Charles Dickens," by John Forster. That work, perfect and exhaustive as a biography, is only incomplete as regards correspondence; the scheme of the book having made it impossible to include in its space any letters, or hardly any, besides those addressed to Mr. Forster.

Winner of 5 national awards including the Mom’s Choice Award, The Legacy Letters is an inspirational bestseller that the The Huffington Post calls, "A Must-Read Book of Wisdom for Life...exquisite, intimate, passionate, humorous, and genuine..." “Live Life to the Fullest” becomes a father’s passionate plea to his family throughout the letters—and to all of us desiring to live the same way. Woman’s World Magazine writes, “This inspirational classic is the perfect comfort book for people hungry to find meaning in their lives.” The Legacy Letters—In a race against time and separated from his loved ones through tragic circumstances, a dying father discloses to us his most intimate and hopeful thoughts about life and love through private letters to his wife and his children. Ultimately revealed within the letters is the father’s extraordinary emotional and spiritual journey. In his race with death, writing with inspired clarity and passion, the father transforms his words of self-discovery and wisdom, interwoven between deeply moving personal stories and poignantly-told memories, into the practical, moral, and spiritual guidebook for his children he’d never live to see, and for his wife, his redemptive act of love. The Legacy Letters, though fictional, has also won acclaim as a life lessons book for all ages, gaining the distinction of being the only book in publishing history to win awards in both fiction and non-fiction categories. Combining the best elements of such popular bestsellers as Tuesdays with Morrie, The Last Lecture, and Chicken Soup for the Soul, author Carew Papritz creates with his award winning book, The Legacy Letters, a timeless gift, filled with a hopeful, positive, and powerful message for all generations . . . . . . for all parents and children of any age; for spiritual seekers and the perpetually curious; for lovers of the written word and lovers of the passionate heart . . . . . . for all those who long to be reconnected with universally important values that keep our hopes alive, defends our big dreams and our belief that we can reach them, and gives us the courage we need to change our own lives . . . The Legacy Letters is for you . . .

Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together. In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends.

“Swede Hazlett was one of the people to whome I ‘opened up.’”—Dwight D. Eisenhower Dwight D. Eisenhower and E. E. (“Swede”) Hazlett grew up together in Abilene, Kansas, and remained close, corresponding regularly from 1941 until Hazlett’s death in 1958. The letters collected in this volume, many of them surprisingly revealing, contain Eisenhower’s views on a wide range of diplomatic, military, and political issues. Taken together they constitute a remarkable inner history of Eisenhower’s public career. Robert Griffith’s introductory essay is a masterful account of the Eisenhower-Hazlett relationship and of the insights provided by their correspondence for understanding the Eisenhower years. Griffith’s substantial headnotes give additional detail and context where necessary and provide a sense of narrative continuity to the correspondence. The Eisenhower who emerges from these pages bears little resemblance to the bumbling caricature produced by journalists in the 1950s.But neither does he fit the role assigned to him by so many people today, whether liberal critics of the Cold War, conservative opponents of Democratic fiscal policy, or White House aides attempting to “Eisenhowerize” Ronald Reagan. He is, rather, a complex and multidimensional historical figure whom we must study, on his own terms, if we are to fully understand our recent past.