The fourth volume of Rudyard Kipling's letters, now collected and edited for the first time, continues the story of his life from the end of the Edwardian era through the Great War, a crisis in Kipling's life as well as in that of the world. The years before the war saw the publication of Rewards and Fairies and Songs from Books. In politics, the great issue was Irish home rule and the fate of Ulster. At the outbreak of the war Kipling devoted himself to the struggle. He wrote patriotic verse, made recruiting speeches, and traveled as a correspondent to the French and Italian fronts. He published no new fiction, only what he wrote as correspondent and propagandist: France at War, The Fringes of the Fleet, and The Eyes of Asia. In 1915 his only son, John, was killed in the Battle of Loos; at the same time Kipling began to suffer from the undiagnosed ulcer that would torment him for the rest of his life. His last volume of poems, The Years Between, published in 1919, embodies the suffering and bitterness of these years.

Despite Kipling's popularity as an author and his standing as a politically controversial figure, much of his work has remained relatively unexamined due to its characterization as 'children's literature'. Sue Walsh challenges the apparently clear division between 'children's' and 'adult' literature, and poses important questions about how these strict categories have influenced critical work on Kipling and on literature in general. For example, why are some of Kipling's books viewed as children's literature, and what critical assumptions does this label produce? Why is it that Kim is viewed by critics as transcending attempts at categorization? Using Kipling as a case study, Walsh discusses texts such as Kim, The Jungle Books, the Just-So Stories, Puck of Pook's Hill, and Rewards and Fairies, re-evaluating earlier critical approaches and offering fresh readings of these relatively neglected works. In the process, she suggests new directions for postcolonial and childhood studies and interrogates the way biographical criticism on children's literature in particular has tended to supersede and obstruct other kinds of readings.

A century after his death, Theodore Roosevelt remains one of the most recognizable figures in U.S. history, with depictions of the president ranging from the brave commander of the Rough Riders to a trailblazing progressive politician and early environmentalist to little more than a caricature of grinning teeth hiding behind a mustache and pince-nez. Theodore Roosevelt’s Ghost follows the continuing shifts and changes in this president’s reputation since his unexpected passing in 1919. In the most comprehensive examination of Roosevelt’s legacy, Michael Patrick Cullinane explores the frequent refashioning of this American icon in popular memory. The immediate aftermath of Roosevelt’s death created a groundswell of mourning and goodwill that ensured his place among the great Americans of his generation, a stature bolstered by the charitable and political work of his surviving family. When Franklin Roosevelt ascended to the presidency, he worked to situate himself as the natural heir of Theodore Roosevelt, reshaping his distant cousin’s legacy to reflect New Deal values of progressivism, intervention, and patriotism. Others retroactively adapted Roosevelt’s actions and political record to fit the discourse of social movements from anticommunism to civil rights, with varying degrees of success. Richard Nixon’s frequent invocation led to a decline in Roosevelt’s popularity and a corresponding revival effort by scholars endeavoring to give an accurate, nuanced picture of the 26th president. This wide-ranging study reveals how successive generations shaped the public memory of Roosevelt through their depictions of him in memorials, political invocations, art, architecture, historical scholarship, literature, and popular culture. Cullinane emphasizes the historical contexts of public memory, exploring the means by which different communities worked to construct specific representations of Roosevelt, often adapting his legacy to suit the changing needs of the present. Theodore Roosevelt’s Ghost provides a compelling perspective on the last century of U.S. history as seen through the myriad interpretations of one of its most famous and indefatigable icons.

Kipling's letters, never before collected and edited and largely unpublished, are now presented in an annotated edition based on the more than 6,000 letters preserved in public and private collections all over the world. Planned in an edition of four volumes, the Letters reveal Kipling with a fullness and immediacy of detail unmatched by any other source. The first two volumes present the first half of Kipling's life, down to the end of the nineteenth century. They show the remarkable transformation of the young schoolboy into the seasoned Indian journalist, and the even more remarkable transformation of the Indian journalist into the famous writer, the most dazzling literary success of the 1890s. Kipling's hard years of apprenticeship, his restless travels and eager encounters with cities and men, his triumphant struggles in the literary wars, are all vividly set forth. The Letters also take Kipling through his marriage and the births of his children, through the mingled happiness and distress of his American years, to the tragedy of his daughter's death at the very highest moment of his literary fame.

'The letters bring the man marvellously alive...a perfect bedside book and an important contribution to Kipling scholarship.' - Ian McIntyre, Times Volume 3 of Kipling's Letters covers the decade 1900-10, the years in which Kipling published Kim, Just So Stories, The Five Nations, Traffics and Discoveries, Puck of Pook's Hill, Actions and Reactions, and Rewards and Fairies. The narrative of his life includes the years in South Africa during and after the Boer War, his move to Bateman's in Sussex, his increasing involvement in the politics of preparedness and the growing record of his honours, culminating in the Nobel Prize.

Macphail's writing - characterized by clarity of expression and support for unpopular positions - allowed him to develop and document many of the important political, social, and intellectual themes of his time. He argued for the reorganization of the British Empire to reflect the growing importance of Canada and against such modern trends and movements as utilitarian education, feminism, industrialization, and urbanization. A strong advocate for the rejuvenation of rural life, he carried out agricultural experiments on his native Prince Edward Island. When it became apparent that it was impossible to return to rural ideals, Macphail celebrated the world of his rural past in his most memorable work - the posthumously published The Master's Wife.

This book traces how iconic writers - including Arthur Conan Doyle, J.M. Barrie, Rudyard Kipling, Virginia Woolf, Wilfred Owen, and Aldous Huxley - shaped their response to the loss of loved ones in the First World War through their embrace of mysticism.

Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

True Raiders is The Lost City of Z meets The Da Vinci Code, from critically acclaimed author Brad Ricca. This book tells the untold true story of Monty Parker, a British rogue nobleman who, after being dared to do so by Ava Astor, the so-called “most beautiful woman in the world,” headed a secret 1909 expedition to find the fabled Ark of the Covenant. Like a real-life version of Raiders of the Lost Ark, this incredible story of adventure and mystery has almost been completely forgotten today. In 1908, Monty is approached by a strange Finnish scholar named Valter Juvelius who claims to have discovered a secret code in the Bible that reveals the location of the Ark. Monty assembles a ragtag group of blueblood adventurers, a renowned psychic, and a Franciscan father, to engage in a secret excavation just outside the city walls of Jerusalem. Using recently uncovered records from the original expedition and several newly translated sources, True Raiders is the first retelling of this group’s adventures– in the space between fact and faith, science and romance.