"This volume presents a translation and critical edition of the letters between Dominican revolutionaries Minerva Mirabal Reyes and Manolo Tavárez Justo, which tell an intimate story of life and love under the brutal dictatorship of Rafael Trujillo"--

For the first time in English, the stories of two Dominican national icons in their own words The letters between Dominican revolutionaries Minerva Mirabal Reyes and Manolo Tavárez Justo tell an intimate story of life and love under the brutal dictatorship of Rafael Trujillo, who held power in the nation from 1930 to 1961. Leaders in the 14 of June Movement, Minerva and Manolo were imprisoned multiple times. Minerva—one of three Mirabal sisters known by the code name “Las Mariposas” (The Butterflies)—was assassinated with her sisters in 1960; Manolo was killed in 1963. This translation and critical edition of their correspondence brings their stories to the English-language readers of the world. Paired with commentary from the couple’s daughter, political activist Minou Tavárez Mirabal, these 117 letters and telegrams span from the first notes Minerva and Manolo exchanged while courting in law school to the last message Manolo sent to 7-year-old Minou before his murder. Translator Heather Hennes introduces the collection with a history of the Trujillo regime and its opposition, and the book includes a foreword by Michelle Bachelet, United Nations High Commissioner for Human Rights. Through this volume, readers will discover the human complexities of the iconic and much-mythologized “Butterfly” Minerva and will appreciate the importance of the couple’s legacy in the politics and democratic growth of the country today. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Celebrating its 30th anniversary in 2024, internationally bestselling author and literary icon Julia Alvarez's In the Time of the Butterflies is "beautiful, heartbreaking and alive ... a lyrical work of historical fiction based on the story of the Mirabal sisters, revolutionary heroes who had opposed and fought against Trujillo." (Concepción de León, New York Times) Alvarez’s new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now! It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas—the Butterflies. In this extraordinary novel, the voices of all four sisters--Minerva, Patria, María Teresa, and the survivor, Dedé--speak across the decades to tell their own stories, from secret crushes to gunrunning, and to describe the everyday horrors of life under Trujillo’s rule. Through the art and magic of Julia Alvarez’s imagination, the martyred Butterflies live again in this novel of courage and love, and the human costs of political oppression. "Alvarez helped blaze the trail for Latina authors to break into the literary mainstream, with novels like In the Time of the Butterflies and How the García Girls Lost Their Accents winning praise from critics and gracing best-seller lists across the Americas."—Francisco Cantú, The New York Times Book Review "This Julia Alvarez classic is a must-read for anyone of Latinx descent." —Popsugar.com "A gorgeous and sensitive novel . . . A compelling story of courage, patriotism and familial devotion." —People "Shimmering . . . Valuable and necessary." —Los Angeles Times "A magnificent treasure for all cultures and all time.” —St. Petersburg Times "Alvarez does a remarkable job illustrating the ruinous effect the 30-year dictatorship had on the Dominican Republic and the very real human cost it entailed."—Cosmopolitan.com

Relying on a rich supply of archives and primary sources, Manley demonstrates that Dominican women participated in national and transnational politics and employed current global political discourse to become a vital component of the successes and failures of the Dominican authoritarian regime.

"In this superb critical edition, Horan has collected, edited, and translated the various prose texts that Gabriela Mistral devoted to St. Francis, a figure of utmost importance to the deeply religious poet and to the spirituality of Latin American literature and art. The inspired translation of Mistral s idiosyncratic Spanish prose into English captures the rhythm and the delicate, lyrical quality of the original, a feat made even more admirable by the addition of an elucidating and comprehensive critical afterword. This is the definitive edition of a work that had yet to be presented in its entirety in such an organized and illuminating way." Santiago Dayd -Tolson, The University of Texas at San Antonio

In Verdun, English and French speakers lived side by side. Through their home-front activities as much as through enlistment, they proved themselves partners in the prosecution of Canada's war. Shared experiences and class similarities shaped responses based first and foremost in a sense of local identity. Fighting from Home paints a comprehensive, at times intimate, portrait of Verdun and Verdunites at war. Durflinger offers an innovative interpretive approach to wartime Canadian and Quebec social and cultural dynamics in this history of the Canadian home front during the Second World War.

In addition to sharing the Caribbean island of Hispaniola, Haiti and the Dominican Republic share a complicated and at times painful history. Yet Transnational Hispaniola shows that there is much more to the two nations' relationship than their perceived antagonism. Rejecting dominant narratives that reinforce opposition between the two sides of the island, contributors to this volume highlight the connections and commonalities that extend across the border, mapping new directions in Haitianist and Dominicanist scholarship.Exploring a variety of topics including European colonialism, migration, citizenship, sex tourism, music, literature, political economy, and art, contributors demonstrate that alternate views of Haitian and Dominican history and identity have existed long before the present day. From a moving section on passport petitions that reveals the familial, friendship, and communal networks across Hispaniola in the nineteenth century to a discussion of the shared music traditions that unite the island today, this volume speaks of an island and people bound together in a myriad of ways.Complete with reflections and advice on teaching a transnational approach to Haitian and Dominican studies, this agenda-setting volume argues that the island of Hispaniola and its inhabitants should be studied in a way that contextualizes differences, historicizes borders, and recognizes cross-island links.Contributors: Paul Austerlitz | Nathalie Bragadir | Raj Chetty | Anne Eller | Kaiama L. Glover | Maja Horn | Regine Jean-Charles | Kiran C. Jayaram | Elizabeth Manley | April Mayes | Elizabeth Russ | Fidel J. Tavárez | Elena ValdezPublication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. Cataloguing Culture examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this timely work shines a light on access to and return of cultural heritage.

"Everything you might want to know about the history and practice of feminist criticism in North America". -Feminist Bookstore News