Throughout his life, Sir Kingsley Amis was a prolific, and outrageous correspondent. In his letters to friends such as Philip Larkin and Robert Conquest he was able to unbutton himself to an extent impossible in work intended for publication, and as a result the more than 700 letters contained in this volume contain some of his wittiest and most acerbic writings.

Throughout his life, Sir Kingsley Amis was a prolific, and outrageous correspondent. In his letters to friends such as Philip Larkin and Robert Conquest he was able to unbutton himself to an extent impossible in work intended for publication, and as a result the more than 700 letters contained in this volume contain some of his wittiest and most acerbic writings.

Booker Prize Winner A pub gathering of elderly married couples devolves into booze-inflected reminiscing—and complaining—in this “sharp and funny” English comedy about marriage, aging, and friendship (The Washington Post). Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon. Long-dormant rivalries and romances are rudely awakened, as life at the Bible and Crown, the local pub, is changed irrevocably. Considered by Martin Amis to be Kingsley Amis’s greatest achievement—a book that “stands comparison with any English novel of the [twentieth] century”—The Old Devils confronts the attrition of ageing with rare candor, sympathy, and moral intelligence.

At Tuppenny-hapenny Cottage in the English countryside, five elderly people live together in rancorous disharmony. Adela Bastable bosses the house, as her brother Bernard passes his days thinking up malicious schemes against the baby-talking Marigold and secret drinker Shorty, while kindly George lies bedridden upstairs. The mismatched quintet keep their spirits alive by bickering and waiting for grandchildren to visit at Christmas. But the festive season does not herald goodwill to all at Tuppenny-hapenny Cottage. Disaster and chaos, it seems, are just around the corner ... Told with Amis's piercing wit and humanity, Ending Up (1974) is a wickedly funny black comedy of the indignities of old age. With a new introduction by Helen Dunmore.

When Making Cocoa for Kingsley Amis was first published, it catapulted its author into the bestseller lists and established her as one of our funniest and most eloquent poets. There are so many kinds of awful men - One can't avoid them all. She often said She'd never make the same mistake again: She always made a new mistake instead. (from 'Rondeau Redoublé')

Here is the beloved, bestselling compendium of Kingsley Amis's wisdom on the cherished subject of drinking. Along with a series of well-tested recipes (including a cocktail called the Lucky Jim) the book includes Amis's musings on The Hangover, The Boozing Man's Diet, The Mean Sod's Guide, and (presumably as a matter of speculation) How Not to Get Drunk-all leavened with fun quizzes on the making and drinking of alcohol all over the world. Mixing practical know-how and hilarious opinionation, this is a delightful cocktail of wry humor and distilled knowledge, served by one of our great gimlet wits.

NATIONAL BESTSELLER • One of the most gifted and innovative writers of our time discloses a private life every bit as unique and fascinating as his bestselling novels. “Superb memoir...a moving account of [Amis’s] coming of age as an artist and a man.” —San Francisco Chronicle The son of the great comic novelist Kingsley Amis, Martin Amis explores his relationship with this father and writes about the various crises of Kingsley's life. He also examines the life and legacy of his cousin, Lucy Partington, who was abducted and murdered by one of Britain’s most notorious serial killers. Experience also deconstructs the changing literary scene, including Amis' portraits of Saul Bellow, Salman Rushdie, Allan Bloom, Philip Larkin, and Robert Graves, among others. Not since Nabokov's Speak, Memory has such an implausible life been recorded by such an inimitable talent. Profound, witty, and ruthlessly honest, Experience is a literary event.

The hero of One Fat Englishman, a literary publisher and lapsed Catholic escaped from the pages of Graham Greene to the campus of Budweiser College in provincial Pennsylvania, is philandering, drunken, bigoted, and very very fat, not to mention in a state of continuous spluttering rage against everything, not least his own overgrown self. In America, Roger Micheldene must deal with not so obliging suburban housewives, aspiring Jewish novelists who as good as clean his clock, stray deer, bad cigars, children who beat him at Scrabble (“It was no wonder that people were horrible when they started life as children”), and America itself, while making ever-more desperate and humiliating overtures to Helen, a Scandinavian ice queen. If only Roger would dare to show some real feeling of his own. This comic masterpiece—about the 1950s crashing drunkenly into the consumerist 1960s and a final scion of a disintegrating Old World empire encountering its upstart New World offspring—is one of Kingsley Amis’s greatest and most caustic performances.

Take a Girl Like You may well be Kingsley Amis’s most ambitious reckoning with the serious subject at the heart of his work: the sheer squalor—emotional, material, sexual, you name it—of modern life. It also introduces one of the rare unqualified good guys in Amis’s rogue-ridden world: Jenny Bunn, a girl from the (English) north country come south to teach school in a small smug town where she hopes to find love and fortune. Jenny is a beauty and men and women are crazy about her, most of all handsome Patrick Standish, who Jenny also likes. But Jenny and Patrick live in a world where it’s becoming ridiculously difficult—disastrously difficult—to sort out the claims of sex and the claims of love.