With the body count rising, the London press is having a field day with "Spring-Heeled Jack," the terrifying killer of the East End. But Scrubby knows this wave of terror is not an isolated phenomenon... The upper crust of this huge industrial city has given in to its basest desires and has awoken an ancient evil. It won't be long until Scrubby is forced to confront the person responsible for his father's death. He'll need all the help he can get to defeat this man with the soul as black as coal.

The six oathmates, sworn to each other and to the completion of a quest, search for four powerful faerie treasures that open a lost gateway back to Arcadia. Backed by the forces of the Unseelie Shadow Court, the Forsworn Prince also seeks the way back to Arcadia, for his own dark purposes.

A "must read" debut collection of poetic, linked essays investigating the past and present state of California, its conflicting histories and their impact on a writer's family and life (Los Angeles Times). California has been advertised as a destiny manifested for those ready to pull up their bootstraps and head west across to find wealth on the other side of the Sierra Nevada since the 19th century. Across the seven essays in the debut collection by José Vadi, we hear from the descendants of those not promised that prize. Inter State explores California through many lenses: an aging obsessed skateboarder; a self-appointed dive bar DJ; a laid-off San Francisco tech worker turned rehired contractor; a grandson of Mexican farmworkers pursuing the crops they tilled. Amidst wildfires, high speed rail, housing crises, unprecedented wealth and its underlying decay, Inter State excavates and roots itself inside those necessary stories and places lost in the ever-changing definitions of a selectively golden state.

From the very first moment he meets "Sentence" Sykes, young Jim Starret instantly recognizes a legend of the Old West, just like in the comic books he learned to read with. But his new hero is nowhere to be seen when the fearsome Clayton gang murders his mother before his very eyes. From that moment on, the now-orphaned Jim becomes obsessed with a sole objective: joining Sykes to track down his mother's killers. But what he doesn't yet realize is that legends of the Old West are forged by their demons.

“[Ballingrud's] evocative and strangely beautiful.”—Publishers Weekly (starred review) “Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.”—Victor LaValle, award–winning author of The Changeling “Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back.”—Paul Tremblay, award-winning author of The Cabin at the End of the World and A Head Full of Ghosts “Nathan Ballingrud is one of my favorite short fiction writers.” —Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne “Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. “The Butcher’s Table” reminds me of the first time I read Clive Barker’s “In the Hills, the Cities.” It’s horrifying, but there’s beauty.” —The New York Times “In only two slender collections, Nathan Ballingrud has emerged as one of the field’s most accomplished short story writers.” —The Washington Post “Ballingrud’s work isn’t like any other.”—Cory Doctorow, Boing Boing “One of the most disquieting and memorable short story collections to come out this year.”—The New York Review of Books “Wounds: Six Stories from the Border of Hell is without a doubt one of the best, most accomplished horror collections in recent memory.”—Hellnotes “Wounds will no doubt be remembered as one of the most disquieting and memorable short story collections to come out this year.”—New York Journal of Books “There’s enough nightmare fuel here to inspire weeks of insomnia — all told with an even hand with a penchant for precise storytelling. How else do you chart the furthest reaches of the uncanny?”—Tobias Carroll, Vol. 1 Brooklyn A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

Nalini Singh returns to the Psy/Changeling world and its “breathtaking blend of passion, adventure, and the paranormal”* as a woman without a past becomes the pawn of a man who controls her future… Dev Santos discovers her unconscious and battered, with no memory of who she is. All she knows is that she’s dangerous. Charged with protecting his people’s most vulnerable secrets, Dev is duty-bound to eliminate all threats. It’s a task he’s never hesitated to complete…until he finds himself drawn to a woman who might yet prove the enemy’s most insidious weapon. Stripped of her memories by a shadowy oppressor, and programmed to carry out cold-blooded murder, Katya Haas is fighting desperately for her sanity itself. Her only hope is Dev. But how can she expect to gain the trust of a man who could very well be her next target? For in this game, one must die…

The gates to Arcadia, the original paradise, are closed. Only the world of humanity remains. Without any awareness of our true nature, humankind crushes us beneath its banal heel. Joy and laughter are gone; only the Dreaming remains. We are changelings, the forgotten ones, neither fully fae nor wholly mortal. The last of our kind on Earth, we have built ourselves an invisible kingdom. We are everywhere, yet you have never seen us. We hide, not behind some fragile Masquerade, but in plain sight with the power of our Glamour. We exist within a real world of make-believe where "imaginary" things can kill and" "pretend" monsters are real. Journey to a land of ancient magic and hidden wonders -- the isle of Great Britain!

After returning to Fairyland, September discovers that her stolen shadow has become the Hollow Queen, the new ruler of Fairyland Below, who is stealing the magic and shadows from Fairyland folk and refusing to give them back.