An intriguing study of a unique and unsettling cultural phenomenon in Victorian England. WINNER of the 2013 Katharine Briggs Award NEW LOWER PRICE This book uses the nineteenth-century legend of Spring-Heeled Jack to analyse and challenge current notions of Victorian popular cultures. Starting as oral rumours, this supposedly supernatural entity moved from rural folklore to metropolitan press sensation, co-existing in literary and theatrical forms before finally degenerating into a nursery lore bogeyman to frighten children. A mercurial and unfixed cultural phenomenon, Spring-Heeled Jack found purchase in both older folkloric traditions and emerging forms of entertainment. Through this intriguing study of a unique and unsettling figure, Karl Bell complicates our appreciation of the differences, interactions and similarities between various types of popular culture between 1837 and 1904. The book draws upon a rich variety of primary source material including folklorist accounts, street ballads, several series of "penny dreadful" stories (and illustrations), journals, magazines, newspapers, comics, court accounts, autobiographies and published reminiscences. The Legend of Spring-Heeled Jack is impressively researched social history and provides a fascinating insight into Victorian cultures. It will appeal to anyone with an interest in nineteenth-century English social and cultural history, folklore or literature. Karl Bell is Senior Lecturer in History at the University of Portsmouth.

An extensive investigation of the origins and numerous sightings of the mysterious and terrifying figure known as Spring-Heeled Jack • Shares original 19th-century newspaper accounts of Spring-Heeled Jack encounters as well as 20th and 21st-century reports • Explains his connections to Jack the Ripper and the Slender Man • Explores his origins in earlier mythical beings from folklore, his Steampunk popularity, and the theory that he may be an alien from a high-gravity planet Spring-Heeled Jack--a tall, thin, bounding figure with bat-like wings, clawed hands, wheels of fire for eyes, and breath of blue flames--first leapt to public attention in Victorian London in 1838, springing over hedges and walls, from dark lanes and dank graveyards, to frighten and sometimes physically attack women. News of this strange and terrifying character quickly spread, but despite numerous sightings through 1904 he was never captured or identified. Exploring the vast urban legend surrounding this enigmatic figure, John Matthews explains how the Victorian fascination with strange phenomena and sinister figures paired with hysterical reports enabled Spring-Heeled Jack to be conjured into existence. Sharing original 19th-century newspaper accounts of Spring-Heeled Jack sightings and encounters, he also examines recent 20th and 21st-century reports, including a 1953 UFO-related sighting from Houston, Texas, and disturbing accounts of the Slender Man, who displays notable similarities with Jack. He traces Spring-Heeled Jack’s origins to earlier mythical beings from folklore, such as fairy creatures and land spirits, and explores the theory that Jack is an alien marooned on Earth whose leaping prowess is attributed to his home planet having far stronger gravity than ours. The author reveals how Jack the Ripper, although a different and much more violent character, chose to identify himself with the old, well-established figure of Spring-Heeled Jack. Providing an extensive look at Spring-Heeled Jack from his beginnings to the present, Matthews illustrates why the worldwide Steampunk community has so thoroughly embraced Jack.

The mysterious red-eyed man's plan succeeded: the dragon woke from its slumber and the mine collapsed, leaving but a few protected survivors. Following the trial of fire, Scrubby has now passed the trial of earth, and the trial of water is on the horizon. But Scrubby is not the only one whose life is in danger... With the police discovering a string of bloody murders, it seems a new killer is in town. But is he a man, or a demon?

Using a broad array of historical and literary sources, this book presents an unprecedented detailed history of the superhero and its development across the course of human history. How has the concept of the superhero developed over time? How has humanity's idealization of heroes with superhuman powers changed across millennia—and what superhero themes remain constant? Why does the idea of a superhero remain so powerful and relevant in the modern context, when our real-life technological capabilities arguably surpass the imagined superpowers of superheroes of the past? The Evolution of the Costumed Avenger: The 4,000-Year History of the Superhero is the first complete history of superheroes that thoroughly traces the development of superheroes, from their beginning in 2100 B.C.E. with the Epic of Gilgamesh to their fully entrenched status in modern pop culture and the comic book and graphic novel worlds. The book documents how the two modern superhero archetypes—the Costumed Avengers and the superhuman Supermen—can be traced back more than two centuries; turns a critical, evaluative eye upon the post-Superman history of the superhero; and shows how modern superheroes were created and influenced by sources as various as Egyptian poems, biblical heroes, medieval epics, Elizabethan urban legends, Jacobean masques, Gothic novels, dime novels, the Molly Maguires, the Ku Klux Klan, and pulp magazines. This work serves undergraduate or graduate students writing papers, professors or independent scholars, and anyone interested in learning about superheroes.

This book uses the nineteenth-century legend of Spring-heeled Jack to analyse and challenge current notions of Victorian popular cultures. Drawing upon a rich variety of primary source material, 'The Legend of Spring-Heeled Jack' provides a fascinating insight into Victorian cultures and will appeal to anyone with an interest in nineteenth-century English cultural and social history, folklore and literature.

Spring-Heeled Jack: The name evoked awe from both criminals and upstanding citizens alike. Some thought he was the devil, but he was actually the original superhero—leaping over the buildings of Victorian England with the help of springs in the heels of his shoes. The story begins as three young innocents escape their orphanage one dark and stormy night. As they make their way through the treacherous streets of London danger lurks, for hiding in the shadows is Mack the Knife, the most villainous of villains. Enter Spring-Heeled Jack, the springiest of heroes. But will Jack’s powers be enough to save the orphans? Originally published in paperback, Spring-Heeled Jack is back—now as a hardcover with eye-catching new jacket art.

Jack the Ripper was a serial killer active in the Whitechapel district of London in 1888. There were five 'canonical' murders of an unusually brutal nature. What makes the grisly saga of Jack the Ripper so enduringly famous and fascinating is that the case was never solved. To this day people are still coming up with new suspects and trying to solve this most famous of cases. The Ripper was not only lethal but remarkably clever or lucky at remaining undetected. This killer was definitely not someone you would wish to meet on a dark and misty Whitechapel night. In the book that follows we'll take a look at Ripper suspects and attempt to gauge who is credible and who isn't to see if we can make any sense of this most puzzling (not to mention harrowing) unsolved true crime case.

MORE ESSENTIAL GOTHIC LITERATURE FOR DARKENED HEARTS. Dreadful fiction or terrible fact, Who in the name of God was that? Man, ghost, bear or bat? The terror o' London, Ol' Spring Heel'd Jack!Spring-Heeled Jack - the original London bogeyman: a character of immense strength, leaping great distances, garbed as a demonic bat, bear, or ghost. Jack has influenced not just the horror genre but also the realm of comic book and movie media. A legend born out of 19th century folk lore and gossip, was he fiction or fact? Nobleman or pauper? Was he dreamed up as an upper class lark, or the imagining of victorian drunks? Featuring the original 'penny dreadful' story of Spring-Heeled Jack this latest volume of Goth also features tales by Charles Dickens, Edgar Allan Poe, Arthur Conan Doyle, George Elliot, and more: The Return of the Soul, Each Man Kills, The Terror By Night, Chickamauga, A Victim of Higher Space, The Child, The Waif Woman, and The Door in the Wall. Step further down; down, down into darkness with GOTH!

By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.

Spring Man: A Belief Legend between Folklore and Popular Culture deconstructs the nationalistic myth of Spring Man that was created after the Second World War in visual culture and literature and presents his original form as an ambiguous, ghostly denizen of oral culture. Petr Janeček analyzes the archetypal character, social context, and cultural significance of this fascinating phenomenon with the help of dozens of accounts provided by period eyewitnesses, oral narratives, and other sources. At the same time, the author illustrates the international origin of the tales in the originally British migratory legend of Spring-heeled Jack that reaches back to the second-third of the nineteenth century, and Janeček also draws parallels between the Czech myth of Spring Man and similar urban phantom narratives popular in the 1910s Russia, 1940s United States and Slovakia, and 1950s Germany, as well as other parts of the world.