Travel back in time with this collection of fables and legends set in medieval France. Famed folklorist Thomas Bulfinch brings together a carefully curated compendium of stories that are sure to delight. A bevy of damsels in distress and courageous knights populate these pages in tales that veer from action-adventure to romance and back again.

"There are few historical figures in the Middle Ages that cast a larger shadow than Charlemagne. This volume brings together a collection of studies on the Charlemagne legend from a wide range of fields, not only adding to the growing corpus of work on this legendary figure, but opening new avenues of inquiry by bringing together innovative trends that cross disciplinary boundaries. This collection expands the geographical frontiers, and extends the chronological scope beyond the Middle Ages from the heart of Carolingian Europe to Spain, England, and Iceland. The Charlemagne found here is one both familiar and strange and one who is both celebrated and critiqued. Contributors are Jada Bailey, Cullen Chandler, Carla Del Zotto, William Diebold, Christopher Flynn, Ana Grinberg, Elizabeth Melick, Jace Stuckey, and Larissa Tracy"--

The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton. The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years? This book offers the first full-length, in-depth study of the tradition as manifested in literature and culture. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason. PHILLIPA HARDMAN is Readerin Medieval English Literature (retired) at the University of Reading; MARIANNE AILES is Senior Lecturer in French at the University of Bristol.

Charles I, often known as Charlemagne, is one of the most extraordinary figures ever to rule an empire. Driven by unremitting physical energy and intellectual curiosity, he was a man of many parts, a warlord and conqueror, a judge who promised 'for each their law and justice', a defender of the Latin Church, a man of flesh-and-blood. In the twelve centuries since his death, warfare, accident, vermin, and the elements have destroyed much of the writing on his rule, but a remarkable amount has survived. Janet Nelson's wonderful new book brings together everything we know about Charles, sifting through the available evidence, literary and material, to paint a vivid portrait of the man and his motives. Charles's legacy lies in his deeds and their continuing resonance, as he shaped counties, countries, and continents, founded and rebuilt towns and monasteries, and consciously set himself up not just as King of the Franks, but as the head of the renewed Roman Empire. His successors--in some ways even up to the present day--have struggled to interpret, misinterpret, copy, or subvert his legacy.

Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne. The book provides a chronological listing of sources on the legend and man is split into three distinct sections, covering the history of Charlemagne, the literature of Charlemagne and the medieval biography and chronicle of Charlemagne.

Amidst the chaos and violence of Europe in the eighth century, Charlemagne became king of the Franks and established a large empire. As Charlemange's power grew, so did the stories attached to his name. This book explores the myths and legends of the great king Charlemagne, from the stories about his mother, Bertha Bigfoot, and his youthful adventures with the thief, Basin, to his fantastical journeys to Jerusalem and Constantinople. It also retells the stories of his most famous knights, the Paladins. These brave warriors were all heroes in their own right, and included many famous names such as Roland, Ogier the Dane, Oliver, Archbishop Turpin, and Guy of Burgundy. Together with his Paladins, Charlemagne established a court to rival Camelot and led the Christian kingdoms of Europe in their ongoing struggles with the armies of the East. Although this great ruler eventually passed away, quietly in his bed, the legends say that he now sits on his golden throne beneath the mountain, waiting until the need of his people calls him forth again.

Beginning shortly after Charlemagne's death in 814, the inhabitants of his historical empire looked back upon his reign and saw in it an exemplar of Christian universality - Christendom. They mapped contemporary Christendom onto the past and so, during the ninth, tenth, and eleventh centuries, the borders of his empire grew with each retelling, almost always including the Christian East. Although the pull of Jerusalem on the West seems to have been strong during the eleventh century, it had a more limited effect on the Charlemagne legend. Instead, the legend grew during this period because of a peculiar fusion of ideas, carried forward from the ninth century but filtered through the social, cultural, and intellectual developments of the intervening years. Paradoxically, Charlemagne became less important to the Charlemagne legend. The legend became a story about the Frankish people, who believed they had held God's favour under Charlemagne and held out hope that they could one day reclaim their special place in sacred history. Indeed, popular versions of the Last Emperor legend, which spoke of a great ruler who would reunite Christendom in preparation for the last battle between good and evil, promised just this to the Franks. Ideas of empire, identity, and Christian religious violence were potent reagents. The mixture of these ideas could remind men of their Frankishness and move them, for example, to take up arms, march to the East, and reclaim their place as defenders of the faith during the First Crusade. An Empire of Memory uses the legend of Charlemagne, an often-overlooked current in early medieval thought, to look at how the contours of the relationship between East and West moved across centuries, particularly in the period leading up to the First Crusade.

Charlemagne was the first emperor of medieval Europe and almost immediately after his death in 814 legends spread about his military and political prowess and the cultural glories of his court at Aix-la-Chapelle.

These essays take advantage of a new, exciting trend towards interdisciplinary research on the Charlemagne legend. Written by historians, art historians, and literary scholars, these essays focus on the multifaceted ways the Charlemagne legend functioned in the Middle Ages and how central the shared (if nonetheless fictional) memory of the great Frankish ruler was to the medieval West. A gateway to new research on memory, crusading, apocalyptic expectation, Carolingian historiography, and medieval kingship, the contributors demonstrate the fuzzy line separating "fact" and "fiction" in the Middle Ages.

Emperor of the World, traces the curious history of the story of the alliances forged by Charlemagne while visiting Jerusalem and Constantinople, revealing how the memory of the Frankish Emperor was manipulated to shape the institutions of kingship and empire in the High Middle Ages. The legend incorporates apocalyptic themes such as the succession of world monarchies at the End of Days and the prophecy of the Last Roman Emperor. Charlemagne's apocryphal journey to the East increasingly resembled the eschatological final journey of the Last Emperor, who was expected to end his reign in Jerusalem after reuniting the Roman Empire prior to the Last Judgment. Latowsky finds that the writers who incorporated this legend did so to support, or in certain cases to criticize, the imperial pretentions of the regimes under which they wrote. Latowsky removes Charlemagne's encounters with the East from their long-presumed Crusading context and shows how a story that began as a rhetorical commonplace of imperial praise evolved over the centuries as an expression of Christian Roman universalism.