John Polidori’s novella The Vampyre (1819) is perhaps ‘the most influential horror story of all time’ (Frayling). Polidori’s story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori’s Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori’s vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. The essays emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.

In the spring of 1816, Lord Byron was the greatest poet of his generation and the most famous man in Britain, but his personal life was about to erupt. Fleeing his celebrity, notoriety, and debts, he sought refuge in Europe, taking his young doctor with him. As an inexperienced medic with literary aspirations of his own, Doctor John Polidori could not believe his luck.That summer another literary star also arrived in Geneva. With Percy Bysshe Shelley came his lover, Mary, and her step-sister, Claire Clairmont. For the next three months, this party of young bohemians shared their lives, charged with sexual and artistic tensions. It was a period of extraordinary creativity: Mary Shelley started writing Frankenstein, the gothic masterpiece of Romantic fiction; Byron completed Childe Harold’s Pilgrimage, his epic poem; and Polidori would begin The Vampyre, the first great vampire novel.It was also a time of remarkable drama and emotional turmoil. For Byron and the Shelleys, their stay by the lake would serve to immortalize them in the annals of literary history. But for Claire and Polidori, the Swiss sojourn would scar them forever.

What happens when writers vacation together ... And challenge each other to write ghost stories? On a stormy night in 1816, the writers Mary Shelley, John William Polidori, and Lord Byron undertook a challenge that would change history and create the gothic genre. The result is three chilling tales of monsters, vampires, and murder. Lord Byron's A Fragment is of historical importance as it is one of the very first vampire stories. Does it stand the test of time? The Vampyre, by John Polidori, recounts the story of Aubrey and Lord Ruthven. What dark secret lies between them? In Frankenstein, a university student unleashes a monster upon the world. Or is he the real monster? If you love gothic horror, you'll love One Stormy Night. Get it now.

"[Markovits] leaves us wanting, in the most delicious way, more." —Kirsty Gunn, The Observer Lord Byron was the greatest writer and the most notorious, scandalous lover of his age—an irresistible attraction for a sheltered, bookish, and passionate young woman like Eliza Esmond. Eliza believes she’s met Byron on the doorstep of his publisher, and that her dreams have come true when he arranges to meet her in secret. But what if the man she believes to be Byron is someone else—a look-alike named John Polidori, who once toured Europe as Byron’s doctor?

Why have vampires become such a feature of modern culture? Can vampire-like conditions be explained by medical research? Is there a connection between vampirism and Freud? The Psychology of Vampires presents a captivating look at the origins of vampires in myth and history, and the psychological theories which try to explain why they fascinate us. It traces the development of vampires from the first ever vampire tale, written by John Polidori in 1819, to their modern cultural legacy. Together with historical detail about Polidori’s eventful life, the book also examines the characteristics of vampires, and explores how and why people might identify as vampires today. From sanguinarians who drink blood, to psychic vampires who suck the energy from those around them, The Psychology of Vampires explores the absorbing connections between vampirism and psychology, theology, medicine and culture.

A secretary finds herself psychically bound to her boss in this supernatural thriller from one of the leading luminaries of twenieth-century esoteric thought. The Demon Lover was first published in 1927, the same year as H.P. Lovecraft’s The Call of Cthulhu. Dion Fortune was among a generation of occult horror writers that formed popular culture’s obsession with secret societies, vampires, demons, ritual magic, and dark powers lurking in the shadows. What sets Fortune apart from so many of her contemporaries is her deep knowledge of the inner workings of magical orders, rites, and practices, and her own freethinking on occult subjects, demonstrated in the classic Psychic Self-Defense and The Mystical Qabalah. When young Veronica Mainwaring is hired by Justin Lucas as his secretary, she has no idea that she will soon find herself being used as his own personal trance medium. With an invisible collar keeping her bound to Lucas, her every attempt at escape is foiled by a yank on the unseen chain. Veronica soon finds herself trapped in Lucas’ quest for power and knowledge beyond the earthly plane as a story of past lives, hidden evils, and a twisted love affair come to life in this occult thriller. “A convincingly unsettling book. Fortune evokes a world of powers that can threaten you; that are both part of a coherent moral mythology, and also cloaked in mystery. Things are unpredictable, though there is an order to them . . . It’s not a book for every taste, maybe. But it’s worth a look, for a distinctive handling of magic and its overlap with the everyday world.” —Black Gate