Gain a better understanding of the past and cultures of Slavic and East European peoples with American archival collections! Russian and East European Books and Manuscripts in the United States, the first collection of its kind, offers perspectives from leading Slavic librarians, archivists and historians on the cultural history of Russian and East European exiles and immigrants to North America in the twentieth century. Editor Tanya Chebotarev—curator of the Bahkmeteff Archive at Columbia University—and a group of leading authorities document the concerted effort to preserve Russian and East European written culture outside the bounds of Communist power. This book is a vital addition to the collections of archivists, librarians, historians, and graduate students in Russian studies and American immigrations. Russian and East European Books and Manuscripts in the United States explores the role of Russian émigrés, librarians, and scholars in the United States in providing a haven for archival collections of Russian literature, art, and historical manuscripts at the height of panic during the Cold War. This essential resource celebrates the efforts made by archivists and librarians in collecting émigré materials. This book addresses many important related topics, such as: an introduction to the life and work of Boris Aleksandrovich Bakhmeteff—financial contributor to the Archive and the last Russian ambassador to the United States before the Bolsheviks’ seizure of power the Eurasianist movement—its roles and views on science, culture, and empire reflections of Russian émigrés on Soviet nationality policies during the 1920s and 1930s American collections on immigrants from the Russian Empire the New York Public Library—its role in collecting and describing vernacular Slavic and East European language and history materials to a diverse readership Columbia University Libraries’ Slavic and East European Collections—a historical overview of these extraordinarily rich collections of materials from or about the Russian Empire, the Soviet Union, and the countries and people of Eastern Europe the Hoover Institution’s Polish émigré collections and the Polish state archives Russian archives online—present status and future prospects This book also details recent efforts to “repatriate” archival collections and libraries abroad and return them to their countries of origin. Disagreements between countries are already emerging, and Russian and East European Books and Manuscripts in the United States discusses their implications and the future of America’s Slavic archives.

Anatolii Fomenko is a distinguished Russian mathematician turned popular history writer, founder of the so-called New Chronology school, and part of the explosion of alternative historical writing that has emerged in Russia since the collapse of the Soviet Union. Among his more startling claims are that the Old Testament was written after the New Testament, that Russia is older than Greece and Rome, and that the medieval Mongol Empire was in fact a Slav-Turk world empire, a Russian Horde, to which Western and Eastern powers paid tribute. While academic historians dismiss Fomenko as a dangerous ethno-nationalist or post-modern clown, Fomenko’s publications invariably outsell his conventional rivals. Just as Putin has restored Russia’s faith in its future, Fomenko and an army of fellow alternative historians are determined to restore Russia’s faith in its past. For Fomenko, the key to Russia’s greatness in the future lies in ensuring that Russians understand the true greatness of their past. Fomenko and other pseudo-historians have built upon existing Russian notions of identity, specifically the widespread belief in the positive qualities of empire and the special mission of Russia. He has drawn upon previous attempts to establish a Russian identity, ranging from Slavophilism through Stalinism to Eurasianism. While fantastic, Fomenko’s pseudo-history strikes many Russian readers as no less legitimate than the lies and distortions peddled by Communist propagandists, Tsarist historians and church chroniclers.

One of the great writers of the nineteenth century, Nikolai Gogol was born and raised in Ukraine before he was lionized and canonized in Russia. The ambiguities within his subversive, ironic works are matched by those that surround the debate over his national identity. This book presents a completely new assessment of the problem: rather than adopting the predominant "either/or" perspective – wherein Gogol is seen as either Ukrainian or Russian – it shows how his cultural identity was a product of negotiation with imperial and national cultural codes and values. By examining Gogol’s ambivalent self-fashioning, language performance, and textual practices, this book shows how Gogol played with both imperial and local sources of identity and turned his hybridity into a project of subtle cultural resistance. Ilchuk provides a comprehensive account of assimilation and hybridization of Ukrainians in the Russian empire, arguing that Russia’s imperial culture has depended on Ukraine and the participation of Ukrainian intellectuals in its development. Ilchuk also introduces innovative computer-assisted methods of textual analysis to demonstrate the palimpsest-like quality of Gogol’s texts and national identity.

Canonical articles, most unexcerpted, explore postcolonialism's key themes--power and knowledge--while articles by contemporary scholars expand the discipline to include discussions of the discovery of the New World, Native American and indigenous identities in Latin America and the Pacific, settler colonies in Africa and Australia, English colonialism in Ireland, and feminism in Nigeria and Egypt. The inclusion of a broad sampling of histories and theories attests to multiple, even competing postcolonialisms, while the skillful organization of the volume provides a useful map of the field in terms of recognizable patterns, shared family resemblances, and common genealogies.

Dotyczy m. in. Kresów wschodnich Rzeczypospolitej.

The Encyclopedia of Historians and Historical Writing contains over 800 entries ranging from Lord Acton and Anna Comnena to Howard Zinn and from Herodotus to Simon Schama. Over 300 contributors from around the world have composed critical assessments of historians from the beginning of historical writing to the present day, including individuals from related disciplines like Jürgen Habermas and Clifford Geertz, whose theoretical contributions have informed historical debate. Additionally, the Encyclopedia includes some 200 essays treating the development of national, regional and topical historiographies, from the Ancient Near East to the history of sexuality. In addition to the Western tradition, it includes substantial assessments of African, Asian, and Latin American historians and debates on gender and subaltern studies.

Throughout most of Russian history, two views of who the Russians are have dominated the minds of Russian intellectuals. Westerners assumed that Russia was part of the West, whilst Slavophiles saw Russia as part of a Slavic civilization. At present, it is Eurasianism that has emerged as the paradigm that has made attempts to place Russia in a broad civilizational context and it has recently become the only viable doctrine that is able to provide the very ideological justification for Russia's existence as a multiethnic state. Eurasians assert that Russia is a civilization in its own right, a unique blend of Slavic and non-Slavic, mostly Turkic, people. While it is one of the important ideological trends in present-day Russia, Eurasianism, with its origins among Russian emigrants in the 1920s, has a long history. Placing Eurasianism in a broad context, this book covers the origins of Eurasianism, dwells on Eurasianism's major philosophical paradigms, and places Eurasianism in the context of the development of Polish and Turkish thought. The final part deals with the modern modification of Eurasianism. The book is of great relevance to those who are interested in Russian/European and Asian history area studies.

The concept of a 'return to Europe' has been integral to the movement for Ukrainian national rebirth since the nineteenth century. While the goal of a more fully reformed politics remains elusive, numerous expressions of Ukrainian culture continue to develop in the European spirit. This wide-ranging book explores Ukraine's European cultural connection, especially as it has been reestablished since the country achieved independence in 1991. The contributors discusses many aspects of Ukraine's contemporary culture - history, politics, and religion in Part I; literary culture in Part II; and language, popular culture, and the arts in Part III. What emerges is a fascinating picture of a young country grappling with its divided past and its colonial heritage, yet asserting its voice and preferences amid the diverse and at times conflicting realities of the contemporary political scene. Europe becomes a powerful point of reference, a measure against which the situation in post-independence Ukraine is gouged and debated. This framework allows for a better understanding of the complexities deeply ingrained in the social fabric of Ukrainian society.

Ukraine is a country caught in a political tug of war: looking East to Russia and West to the European Union, this pivotal nation has long been a pawn in a global ideological game. And since Russia’s annexation of Crimea in March 2014 in response to the Ukrainian Euromaidan protests against oligarchical corruption, the game has become one of life and death. In Ukraine: A Nation on the Borderland, Karl Schlögel presents a picture of a country which lies on Europe’s borderland and in Russia’s shadow. In recent years, Ukraine has been faced, along with Western Europe, with the political conundrum resulting from Russia’s actions and the ongoing Information War. As well as exploring this present-day confrontation, Schlögel provides detailed, fascinating historical portraits of a panoply of Ukraine’s major cities: Lviv, Odessa, Czernowitz, Kiev, Kharkov, Donetsk, Dnepropetrovsk, and Yalta—cities whose often troubled and war-torn histories are as varied as the nationalities and cultures which have made them what they are today, survivors with very particular identities and aspirations. Schlögel feels the pulse of life in these cities, analyzing their more recent pasts and their challenges for the future.