Bibliographical guide to the Old French narrative lay, listing editions, translations, critical studies and reviews. This volume presents an analytical bibliography of twenty narrative lays written in French in the late twelfth or early thirteenth centuries - Aristote, Conseil, Cor, Desiré, Doon, Espervier, Espine, Graelent, Guingamor, Haveloc, Ignaure, Lecheor, Mantel, Melion, Nabaret, Oiselet, Ombre, Trot, Tydorel and Tyolet -seeking to provide a complete list of the editions, translations, and substantial studies which have been devoted to them over theyears. The choice of the 20 poems corresponds to Donovan's The Breton Lay, the only synthesis so far available on this topic in English. Most references are accompanied by a summary which analyses their contribution to thetopic under discussion, covering the item's significance and interest, and items found in works of reference and briefer studies forming part of books or articles are included where appropriate. Each individual bibliography is intended to stand independently, with full references given in each case for editions and translation; cross-references to important items found in other parts of the volume are given at the end of each bibliography. The twenty partsare preceded by a general section which lists contributions to more than one lay. Professor GLYN BURGESSteaches in the Department of French at the University of Liverpool.

The history of the Goldsborough Family, it’s contributing family lines, and it’s descendants, from Anglo-Saxon England through the 17th century, are a fascinating study of the history of Eng- land and the associated family lines. This one family has its roots in families who signed the Magna Charta (de Clare, d’Albini), Sir William Marshal, Lord Protector of England and the “Greatest Knight that ever lived”, the Plantagenet Kings of England, the Earls of Warwick, and Rollo the Dane (Hrolf Ganger), First Duke of the Normans. This first volume of the massive six volume work was originally written by Eleanora Goldsborough in the 1920’s and 30’s, and remained un-published until now. The original has been verified and expanded where possible beyond the works of Eleanora Goldsborough. Modern references have been added to supplement the original research. One hundred percent of the original text has been retained, with all notes and expansions clearly noted.