Holloway (American Studies, U. of Derby, UK) employs the tools of contemporary theorists, particularly Fredric Jameson and his notion of transcoding, in this analysis of the writer and playwright. Among other issues, Holloway discusses the importance of class and capitalism for the theme of existential alienation experienced by McCarthy's characters. c. Book News Inc.

This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.

This book addresses the religious scope of Cormac McCarthy’s fiction, one of the most controversial issues in studies of his work. Current criticism is divided between those who find a theological dimension in his works, and those who reject such an approach on the grounds that the nihilist discourse characteristic of his narrative is incompatible with any religious message. McCarthy’s tendencies toward religious themes have become increasingly more acute, revealing that McCarthy has adopted the biblical language and rhetoric to compose an "apocryphal" narrative of the American Southwest while exploring the human innate tendency to evil in the line of Herman Melville and William Faulkner, both literary progenitors of the writer. Broncano argues that this apocryphal narrative is written against the background of the Bible, a peculiar Pentateuch in which Blood Meridian functions as the Book of Genesis, the Border Trilogy functions as the Gospels, and No Country for Old Men as the Book of Revelation, while The Road is the post-apocalyptic sequel. This book analyzes the novels included in what Broncano defines as the South-Western cycle (from Blood Meridian to The Road) in search of the religious foundations that support the narrative architecture of the texts.

Since World War II, the American West has become the nation’s military arsenal, proving ground, and disposal site. Through a wide-ranging discussion of recent literature produced in and about the West, Dirty Wars explores how the region’s iconic landscapes, invested with myths of national virtue, have obscured the West’s crucial role in a post–World War II age of “permanent war.” In readings of western—particularly southwestern—literature, John Beck provides a historically informed account of how the military-industrial economy, established to protect the United States after Pearl Harbor, has instead produced western waste lands and “waste populations” as the enemies and collateral casualties of a permanent state of emergency. Beck offers new readings of writers such as Cormac McCarthy, Leslie Marmon Silko, Don DeLillo, Rebecca Solnit, Julie Otsuka, and Terry Tempest Williams. He also draws on a variety of sources in history, political theory, philosophy, environmental studies, and other fields. Throughout Dirty Wars, he identifies resonances between different experiences and representations of the West that allow us to think about internment policies, the manufacture of atomic weapons, the culture of Cold War security, border policing, and toxic pollution as part of a broader program of a sustained and invasive management of western space.

"Professing Darkness: Cormac McCarthy's Catholic Critique of American Enlightenment establishes the centrality of Catholic thought, imagery, and sacrament both to the spiritual outlook of the McCarthy corpus and, more specifically, to its critique of Enlightenment values and their realization in American history. To this end, D. Marcel DeCoste surveys McCarthy's fiction from both his Tennessee and southwestern periods, with chapters devoted to eight of his published novels-from Outer Dark to The Road-and an introduction and coda that offer analyses of two of his dramatic works, along with his final novels, The Passenger and Stella Maris. The argument advanced by DeCoste is twofold. First, his readings demonstrate that McCarthy's work mounts a sustained critique of core Enlightenment values and their bloody results in the American context. Second, he establishes that this critical engagement with American Enlightenment is one enabled by, and articulated through, specifically Catholic teachings on such topics as sacraments, ethics, and material creation. Though other studies trace how McCarthy's fiction dissects such American myths as radical individualism and Manifest Destiny, they do not, at the same time, take up the question of how the fiction's spiritual interests and obtrusive Christian symbolism relate to this critical project. More than merely calling attention to McCarthy's own religious background or his drawing on sacramental language, DeCoste examines the significance of Catholicism to the author's depictions not just of religion and ethics, but of the modernity many critics see McCarthy as critiquing. Throughout Professing Darkness, DeCoste offers extended analysis of McCarthy's engagement with American history and myth, early modern and Enlightenment thought, and Catholic theology, ethics, and sacramentalism"--

Increasing specialization within the discipline of English and American Studies has shifted the focus of scholarly discussion toward theoretical reflection and cultural contexts. These developments have benefitted the discipline in more ways than one, but they have also resulted in a certain neglect of close reading. As a result, students and researchers interested in such material are forced to turn to scholarship from the 1960s and 1970s, much of which relies on dated methodological and ideological presuppositions. The handbook aims to fill this gap by providing new readings of texts that figure prominently in the literature classroom and in scholarly debate − from James’s The Ambassadors to McCarthy’s The Road. These readings do not revert naively to a time “before theory.” Instead, they distil the insights of literary and cultural theory into concise introductions to the historical background, the themes, the formal strategies, and the reception of influential literary texts, and they do so in a jargon-free language accessible to readers on all levels of qualification.

A roadmap to the dark and mythic topography of McCarthy's fiction Named by Harold Bloom as one of the most significant American novelists of our time, Cormac McCarthy has been honored with the National Book Award and the National Book Critics Circle Award for All the Pretty Horses, the James Tait Black Memorial Prize and the Pulitzer Prize for The Road, and the coveted MacArthur Fellowship. Steven Frye offers a comprehensive treatment of McCarthy's fiction to date, dealing with the author's aesthetic and thematic concerns, his philosophical and religious influences, and his participation in Western literary traditions. Frye provides extensive readings of each novel, charting the trajectory of McCarthy's development as a writer who invigorates literary culture both past and present through a blend of participation, influence, and aesthetic transformation. Understanding Cormac McCarthy explores the early works of the Tennessee period in the context of the "romance" genre, the southern gothic and grotesque, as well as the carnivalesque. A chapter is devoted to Blood Meridian, a novel that marks McCarthy's transition to the West and his full recognition as a major force in American letters. In the final two chapters, Frye explores McCarthy's Border Trilogy and his later works— specifically No Country for Old Men and The Road—addressing the manner in which McCarthy's preoccupation with violence and human depravity exists alongside a perpetual search for meaning, purpose, and value. Frye provides scholars, students, and general readers alike with a clearly argued foundational examination of McCarthy's novels in their historical and literary contexts as an ideal roadmap illuminating the author's work as it charts the dark and mythic topography of the American frontier.

This collection offers a fresh approach to the work of Cormac McCarthy, one of the most important contemporary American authors. Essays focus on his work across the genres and/or in constellation with other writers and artists, presenting not only a different "angle" on the work, but setting him within a broader literary and artistic context. Such an approach offers a view of McCarthy that is strikingly different to previous collections that have dealt with the work in an almost exclusively "single author" and/or "single genre" mode. McCarthy’s novels are increasingly regarded as amongst the most rich, the most complex, and the most insightful of all recent literary responses to prevailing conditions in both the USA and beyond, and this collection recognizes the intertextual and interdisciplinary nature of his work. Contributors draw back the curtain on some of McCarthy’s literary ancestors, revealing and analyzing some of the fiction’s key contemporary intertexts, and showing a complex and previously underestimated hinterland of influence. In addition, they look beyond the novel both to other genres in McCarthy’s oeuvre, and to the way these genres have influenced McCarthy’s writing.

This definitive assessment of Cormac McCarthy’s novels captures the interactions among the literary and mythic elements, the social dynamics of violence, and the natural world in The Orchard Keeper, Child of God, Outer Dark, Blood Meridian, and The Road. Elegantly written and deeply engaged with previous scholarship as well as interviews with the novelist, this study provides a comprehensive introduction to McCarthy’s work while offering an insightful new analysis. Drawing on René Girard’s mimetic theory, mythography, thermodynamics, and information science, Markus Wierschem identifies a literary apocalypse at the center of McCarthy’s work, one that unveils another buried deep within the history, religion, and myths of American and Western culture.

"No More Heroes" directly addresses the essential question about McCarthy's morally ambiguous and apocalyptic world, revealing poignant, new answers that will enlighten critics and general readers alike. Cooper evaluates all of McCarthy's work to date, carefully exploring the range of his narrative techniques to reveal rare but powerful moments of internal yearnings, and commitment to justice or compassion that separate McCarthy's work from absolute amorality. Cooper shows that there does exist a strain of heroism in the otherwise brutal universe of Cormac McCarthy's work.