If only "we the people" of America could understand that the American Revolution was only a mere political upheaval compared to the moral war we now face. We are divided in morals and ethics more than in culture, wherein truth is more an option than a necessity. Ever since time began, the most celebrated nations have been those that have abridged the exorbitant chasm between morality and secularism, between feelings and principles, righteousness and unrighteousness. America appears to have joined the infamous tradition of derelict and ungodly nations that have surrendered their integrity for power and wealth, like ancient Babylon. In this The Last Word to America, the intent is to paint a living portrait of the ways in which America has abandoned divine counsel-how Washington, significant events, and personalities have shaped personal experience. It explores music and the perverse arts, through which philosophers are damaging our young people and the families of America are sullied.

You may not have heard of Julian Hill, for example, but he revolutionized our lives as the inventor of nylon, and you'll learn more about him in The Last Word.

Originally published: Great Britain: Faber and Faber, 2014.

If there is such a thing as reason, it has to be universal. Reason must reflect objective principles whose validity is independent of our point of view--principles that anyone with enough intelligence ought to be able to recognize as correct. But this generality of reason is what relativists and subjectivists deny in ever-increasing numbers. And such subjectivism is not just an inconsequential intellectual flourish or badge of theoretical chic. It is exploited to deflect argument and to belittle the pretensions of the arguments of others. The continuing spread of this relativistic way of thinking threatens to make public discourse increasingly difficult and to exacerbate the deep divisions of our society. In The Last Word, Thomas Nagel, one of the most influential philosophers writing in English, presents a sustained defense of reason against the attacks of subjectivism, delivering systematic rebuttals of relativistic claims with respect to language, logic, science, and ethics. He shows that the last word in disputes about the objective validity of any form of thought must lie in some unqualified thoughts about how things are--thoughts that we cannot regard from outside as mere psychological dispositions.

"One Last Word is the work of a master poet." --Kwame Alexander, Newbery Medal-winning author of The Crossover From the New York Times bestselling and Coretta Scott King award-winning author Nikki Grimes comes an emotional, special new collection of poetry inspired by the Harlem Renaissance--paired with full-color, original art from today's most exciting African-American illustrators. Inspired by the writers of the Harlem Renaissance, bestselling author Nikki Grimes uses "The Golden Shovel" poetic method to create wholly original poems based on the works of master poets like Langston Hughes, Georgia Douglas Johnson, Jean Toomer, and others who enriched history during this era. Each poem is paired with one-of-a-kind art from today's most exciting African American illustrators--including Pat Cummings, Brian Pinkney, Sean Qualls, James Ransome, Javaka Steptoe, and many more--to create an emotional and thought-provoking book with timely themes for today's readers. A foreword, an introduction to the history of the Harlem Renaissance, author's note, poet biographies, and index makes this not only a book to cherish, but a wonderful resource and reference as well. A 2017 New York Public Library Best Kids Book of the Year A Kirkus Reviews Best Book of 2017, Middle Grade A School Library Journal Best Book of 2017, Nonfiction

The best-selling, no-holds-barred classic every lawyer, everyone involved in the media, & anyone interested in criminology must read if the failing justice system is to be saved.

“An insightful memoir that uncovers unique stories about matters of the heart.” —Essence The inspiring New York Times bestseller from Common—the Grammy Award, Academy Award, and Golden Globe–winning musician, actor, and activist—explores how love and mindfulness can build communities and allow you to take better control of your life through actions and words. Common believes that the phrase “let love have the last word” is not just a declaration; it is a statement of purpose, a daily promise. Love is the most powerful force on the planet, and ultimately the way you love determines who you are and how you experience life. Touching on God, self-love, partners, children, family, and community, Common explores the core tenets of love to help us understand what it means to receive and, most importantly, to give love. He moves from the personal—writing about his daughter, to whom he wants to be a better father—to the universal, where he observes that our society has become fractured under issues of race and politics. He knows there’s no quick remedy for all of the hurt in the world, but love—for yourself and for others—is where the healing begins. In his first public reveal, Common also shares a deeply personal experience of childhood molestation that he is now confronting…and forgiving. Courageous, insightful, brave, and characteristically authentic, Let Love Have the Last Word shares Common’s own unique and personal stories of the people and experiences that have led to a greater understanding of love and all it has to offer. It is a powerful call to action for a new generation of open hearts and minds, one that is sure to resonate for years to come.

THE LAST WORD of God takes one through the highlights of the Bible. Part I is on Bible History, Part II is on the Church Age, Part III is on prophecy.

Mark Lane tried the only U.S. court case in which the jurors concluded that the CIA plotted the murder of President Kennedy, but there was always a missing piece: How did the CIA control cops and secret service agents on the ground in Dealey Plaza? How did federal authorities prevent the House Select Committee on Assassinations from discovering the truth about the complicity of the CIA? Now, New York Times best-selling author Mark Lane tells all in this explosive new book—with exclusive new interviews, sworn testimony, and meticulous new research (including interviews with Oliver Stone, Dallas Police deputy sheriffs, Robert K. Tanenbaum, and Abraham Bolden) Lane finds out first hand exactly what went on the day JFK was assassinated. Lane includes sworn statements given to the Warren Commission by a police officer who confronted a man who he thought was the assassin. The officer testified that he drew his gun and pointed it at the suspect who showed Secret Service ID. Yet, the Secret Service later reported that there were no Secret Service agents on foot in Dealey Plaza. The Last Word proves that the CIA, operating through a secret small group, prepared all credentials for Secret Service agents in Dallas for the two days that Kennedy was going to be there—conclusive evidence of the CIA’s involvement in the assassination.

The dictionary as narrator? YES! Calvin's dictionary is proud to be carried everywhere Calvin goes--the breakfast table, school, baseball practice, and home again--because Calvin is determined to find the perfect word to attach to his annoying older brother. The word isn’t exactly revenge, mayhem, bewilderment, subterfuge, pulverize, or even retaliation, though all those words are so close and very tempting. When Calvin finally finds the right word for his rascally brother, his dictionary is surprised and delighted, and readers will enjoy celebrating the triumphant discovery of Calvin's perfect word along with his dictionary.