"Miller is a name to watch."--The Independent "This is magical, lyrical, spellbinding writing."--Granta Adamine Bustamante is born in one of Jamaica's last leper colonies. When Adamine grows up, she discovers she has the gift of "warning": the power to protect, inspire, and terrify. But when she is sent to live in England, her prophecies of impending disaster are met with a different kind of fear--people think she is insane and lock her away in a mental hospital. Now an older woman, the spirited Adamine wants to tell her story. But she must wrestle for the truth with the mysterious "Mr. Writer Man," who has a tale of his own to share, one that will cast Adamine's life in an entirely new light. In a story about magic and migration, stories and storytelling, and the New and Old Worlds, we discover it is never one person who owns a story or has the right to tell it. Born in Kingston, Jamaica, in 1978, Kei Miller is the author of The Same Earth, winner of the Una Marson Prize for Literature; and Fear of Stones, which was shortlisted for the Commonwealth Writers' Prize for Best First Book. His most recent poetry collection has been shortlisted for the Jonathan Llewellyn Rhys Prize, the Bocas Prize for Caribbean Literature, and the Scottish Book of the Year Award. In 2008 he was an International Writing Fellow at the University of Iowa. Miller currently divides his time between Jamaica and Scotland.

11 April 1982: a smell is coming down John Golding Road right alongside the boy-child, something attached to him, like a spirit but not quite. Ma Taffy is growing worried. She knows that something is going to happen. Something terrible is going to pour out into the world. But if she can hold it off for just a little bit longer, she will. So she asks a question that surprises herself even as she asks it, "Kaia, I ever tell you bout the flying preacherman?" Set in the backlands of Jamaica, Augustown is a magical and haunting novel of one woman’s struggle to rise above the brutal vicissitudes of history, race, class, collective memory, violence, and myth.

New York Times bestselling author Karen White weaves a captivating story of friendship, love, and betrayal that moves between war-torn London during the Blitz and the present day. London, 1939. Beautiful and ambitious Eva Harlow and her American best friend, Precious Dubose, are trying to make their way as fashion models. When Eva falls in love with Graham St. John, an aristocrat and Royal Air Force pilot, she can’t believe her luck—she’s getting everything she ever wanted. Then the Blitz devastates her world, and Eva finds herself slipping into a web of intrigue, spies, and secrets. As Eva struggles to protect her friendship with Precious and everything she holds dear, all it takes is one unwary moment to change their lives forever… London, 2019. American journalist Maddie Warner, whose life has been marked by the tragic loss of her mother, travels to London to interview Precious about her life in pre-WWII London. Maddie has been careful to close herself off to others, but in Precious she recognizes someone whose grief rivals her own—but unlike Maddie, Precious hasn’t allowed it to crush her. Maddie finds herself drawn to both Precious and to Colin, her enigmatic surrogate nephew. As Maddie gets closer to her, she begins to unravel Precious’s haunting past—a story of friendship, betrayal, and the unremembered acts of kindness and of love.

Afraid for her life after spending ten years in an abusive marriage, Kate Finelli has to find the courage to get herself out. When she calls the sheriff’s office, she hears a familiar voice—Jack, the first man to show her love. Can Kate trust him to help her get away from the long-suffering abuse? Jack left Harper’s Glen for a career in the FBI. He’s returned to fill in for the sheriff, the man who mentored him his whole life. With strained family ties, Jack doesn’t plan on staying in this small town for long, until a panicked call comes in from Kate. He left when she chose his brother, but must stay to help her now. With the backdrop of a murder investigation and threatening notes, Kate and Jack find each other again. Will the tension within their family keep them apart? Or will their struggle for safety bring them together after all these years?

From the WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2014, a 'humorous, bittersweet fiction, combin[ing] the fantastical realism of Marquez with the domestic comedy of Andrea Levy' INDEPENDENT It all begins with the theft of Tessa Walcott's panties... After the hurricane of 1974, Jamaica is devastated. Imelda Richardson is sent to England, without a place to stay or a plan of what to do. Luckily sheis taken in by Purletta Johnson, a member of the ex-pat bourgeoisie who has decided to become more Jamaican than any Jamaican: sucking her teeth, sporting a gold tooth, and growing ganja on her balcony. But when her mother dies Imelda returns to Jamaica. When Tessa Walcott's panties are stolen, she and Imelda set up a Neighbourhood Watch. But they haven't counted on Pastor Braithwaite who denounces them in Church. The church-goers turn on Imelda, and when the river suddenly floods her home it is seen as a punishment from God. A Pentecostal fervour sweeps through the village of Watersgate, fuelled by Evangelist Millie. In her last great crusade, Miss Millie organises 'fire to burn their sins away', equipping the villagers with kerosene as they set about burning everything. Now they are marching on the gay man's house and only Imelda can save him.

After a painful divorce, Savannah White wants nothing more than to find her happy place. So when she gets the chance to pack up her life -and her son - and move to the idyllic town where she spent childhood summers, she jumps at the opportunity. Last Chance is just as charming as she remembered. She's even invited to join the local book club, where talk soon turns to Savannah's plan to bring the ramshackle downtown movie theater back to life. A new challenge is just what Savannah needs to move forward.. . . Dash Randall wants to put his fortune to good use, but he remembers Savannah as the bratty "princess" who descended upon him each June, causing no end of trouble. But the teenager he remembered has grown into a gorgeous and generous woman, and it isn't long before Dash finds himself wanting to make brand new memories with Savannah. But first, Dash and Savannah will need to make peace with their pasts to find a new chance for love.

An apocalyptic thriller centered around a mysterious woman with extraordinary powers.

In revolutionary Paris, a disaffected Victorian wife becomes enraptured by her husband’s mistress—a “brilliantly entertaining” historical fiction novel that was “far ahead of its time” (Guardian). “One of the great under-read British novelists of the 20th century . . . my favorite of her novels.” —Sarah Waters, author of Fingersmith Sophia Willoughby, a young Englishwoman from an aristocratic family and a person of strong opinions and even stronger will, has packed her cheating husband off to Paris. He can have his tawdry mistress. She intends to devote herself to the serious business of raising her two children in proper Tory fashion. Then tragedy strikes: the children die, and Sophia, in despair, finds her way to Paris, arriving just in time for the revolution of 1848. Before long she has formed the unlikeliest of close relations with Minna, her husband’s sometime mistress, whose dramatic recitations, based on her hair-raising childhood in czarist Russia, electrify audiences in drawing rooms and on the street alike. Minna, “magnanimous and unscrupulous, fickle, ardent, and interfering,” leads Sophia on a wild adventure through bohemian and revolutionary Paris, in a story that reaches an unforgettable conclusion amidst the bullets, bloodshed, and hope of the barricades. Sylvia Townsend Warner was one of the most original and inventive of twentieth-century English novelists. At once an adventure story, a love story, and a novel of ideas, Summer Will Show is a brilliant reimagining of the possibilities of historical fiction.

No matter what you see, no matter what you've heard, assume nothing. Adam and Sophie Warner and their three-year-old daughter are vacationing in Washington State's Hood Canal for Memorial Day weekend. It's the perfect getaway to unplug--and to calm an uneasy marriage. But on Adam's first day out on the water, he sees Sophie abducted by a stranger. A hundred yards from shore, Adam can't save her. And Sophie disappears. In a nearby cabin is another couple, Kristen and Connor Moss. Unfortunately, beyond what they've heard in the news, they're in the dark when it comes to Sophie's disappearance. For Adam, at least there's comfort in knowing that Mason County detective Lee Husemann is an old friend of his. She'll do everything she can to help. She must. But as Adam's paranoia about his missing wife escalates, Lee puts together the pieces of a puzzle. The lives of the two couples are converging in unpredictable ways, and the picture is unsettling. Lee suspects that not everyone is telling the truth about what they know--or they have yet to reveal all the lies they've hidden from the strangers they married.

“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.