Young Gillom Rogers has just given the coup de grace to a famous gunfighter involved in a bloody saloon shootout in 1901 El Paso, Texas. After swiping J.B. Books's matched Remington pistols off his body, Gillom thinks he may be able to ride this spectacle to fame and glory as the last shootist. But Gillom is an eighteen-year-old with lots of growing up to do, and showing off his new pistols quickly gets him into a gunfight he didn't bargain for. Gillom sets out for adventure, determined to become a shootist like his hero, John Bernard Books. On his dangerous journey into manhood, he runs into yellow journalists, a New Mexican horse breaker, and a train robber. When he meets a Hispanic saloon dancer named Anel in the booming copper mining town of Bisbee, Arizona, Gillom Rogers is forced to reconsider what kind of man he really wants to be. Miles Swarthout's The Last Shootist is the sequel to one of the most famous Westerns ever written, and concludes the tale of a junior shootist's coming-of-age in a dazzling gunfight in a deadly pimp's whorehouse, as a trio of fiery teenagers ride hard into a new twentieth century. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Chosen by the Western Writers of America as one of the best western novels ever written, this novel was also the inspiration for John Wayne's last great starring role in the acclaimed 1976 film by the same name. This special commemorative edition includes a new Introduction by the author's son, Miles Swarthout, in which he talks about his father's work and the making of the legendary film.

Young Gillom Rogers has just given the coup de grace to a famous gunfighter involved in a bloody saloon shootout in 1901 El Paso, Texas. After swiping J.B. Books's matched Remington pistols off his body, Gillom thinks he may be able to ride this spectacle to fame and glory as the last shootist. But Gillom is an eighteen-year-old with lots of growing up to do, and showing off his new pistols quickly gets him into a gunfight he didn't bargain for. Gillom sets out for adventure, determined to become a shootist like his hero, John Bernard Books. On his dangerous journey into manhood, he runs into yellow journalists, a New Mexican horse breaker, and a train robber. When he meets a Hispanic saloon dancer named Anel in the booming copper mining town of Bisbee, Arizona, Gillom Rogers is forced to reconsider what kind of man he really wants to be. Miles Swarthout's The Last Shootist is the sequel to one of the most famous Westerns ever written, and concludes the tale of a junior shootist's coming-of-age in a dazzling gunfight in a deadly pimp's whorehouse, as a trio of fiery teenagers ride hard into a new twentieth century.

A stunning western historical romance from USA Today bestselling author Jo Goodman, one of today's “premier western romance writers.”* As the owner of the Pennyroyal Saloon and Hotel, Lorraine Berry is privy to almost everything that goes on in Bitter Springs, Wyoming—including the bloodshed plaguing its citizens. With all of the good men dying at the hands of a local rancher and his three sons, Raine hires a shootist to be the town’s protector. But her handsome new employee is more than a hired hand; he’s a man who keeps his guns close and his secrets closer. After a chance encounter on a train, Kellen Coltrane travels to the Pennyroyal to carry out a dying man’s last wish. But once he meets the hotel’s fiery-haired proprietor, Coltrane finds himself assuming the role of the shootist’s accomplice and agrees to protect Bitter Springs. And as he learns more about Raine’s own tragedy, Coltrane can’t deny his growing desire for the courageous widow, or the urge to protect her from the threat that draws near...

In his only collection of short fiction, Glendon Swarthout, author of The Shootist, Where the Boys Are, and Bless the Beasts and the Children, reveals in microcosm the heroic and gritty themes that characterized both his novels and films. Stories such as "Mulligans" and "A Glass of Blessings" explore the seedy underbelly of human desire, while "A Horse for Mrs. Custer" quietly celebrates the dedication of men and women who act above and beyond their capabilities during war and upheaval. Although these stories were written over a span of three decades, their themes of generational conflict, hypocrisy, loss, sacrifice, love, and war remain fresh and startling. Alternately funny and uncomfortable, Swarthout captures the postwar tensions of twentieth-century Americans. This collection reveals the versatility, range, and skill of one of America's great storytellers. Easterns and Westerns includes one unpublished novella and thirteen stories, some of which have appeared in national magazines such as Esquire, Cosmopolitan, Redbook, and the Saturday Evening Post. One of these, "A Glass of Blessings," was an O'Henry Prize Short Story in 1960. Another, "A Horse for Mrs. Custer," became a 1956 Western film for Columbia Pictures; 7th Cavalry, starring Randolph Scott and Barbara Hale. A third story, "Mulligans," has been made into a short comedy film.

Billy Gimp was a bladerunner . . . one of the shadowy procurers of illegal medical supplies for the rapidly expanding, nightmare world of the medical black market. Doc was a skilled surgeon at a government-operated hospital by day . . . and an underground physician by night, providing health care for the multitudes who could not - or would not - qualify for legal medical assistance. Trapped by Health Control Police, Billy Gimp knew he had to warn Doc that they were closing in on him. But something even more deadly than the law had already mad its first move . . . a new plague that Health Control could not handle!

Don Siegel was one of Hollywood's most controversial directors. Invasion of the Body Snatchers is one of the very few acknowledged science-fiction classics, and Magnum Force - with its catch-phrase 'Make my day' - has become part of our modern consciousness. Siegel's five-film collaboration with Clint Eastwood created a body of films that are as distinctive as they are different, and enriched the reputation of both of them. This autobiography has all the fun and energy one would expect from Don Siegel. From his first days as an assistant editor in the Warner Brothers cutting rooms, Siegel charts his rich and varied career. This is a wonderful book of reminiscences, told in a lively and vivid style, whose cast of characters includes John Wayne, Lee Marvin, Steve McQueen, Bogart and Bacall, studio head Jack Warner and other luminaries of the golden age of the Hollywood studios (including a fading film star called Ronald Reagan, whose last film, The Killers, was directed by Siegel). At the centre of the book is Siegel's relationship with Clint Eastwood, whose directing career was encouraged by Siegel, and who supplies an amusing and appreciative foreword to the book.

Fifteen-year-old Whichaway, son of a stone-faced Arizona rancher, legs broken in an accident atop a windmill, struggles to survive after cattle rustlers have left him to die.

Originally published in 1963, Monte Walsh continues to delight readers as a Western classic and popular favorite. The novel explores the cowboy lives of Monte Walsh and Chet Rollins as they carouse, ride, and work at the Slash Y with Cal Brennan. As the West changes and their cowboy antics are challenged, the two must part ways to pursue new ways of life. Chet marries and goes on to become a successful merchant and then a politician, while Monte can only find solace in continuing the cowboy’s way of life until the very end.

In this futuristic screenplay vision of a strife-and-disease-plagued America in 1999, Burroughs finds the cure for a decaying civilization in the medicine practiced by underground physicians and surgeons. These heroic healers, in turn, are aided by 'blade runners, ' teenagers who smuggle banned surgical instruments past the watchful eyes of fascistic police. The novel-cum-screenplay follows one of these runners during the course of a race riot and the transfer of instruments between embattled doctors. Above the drama in the streets of New York is a world 'taken over by hang-glider and autogyro gangs, mountaineers and steeplejacks. A sky boy steps off his penthouse into a parachute on guide wires that drop him to a street-level landing ... Meanwhile, released animals and reptiles from the zoo and freed fish from the aquarium have control of the rovers and subways. The prose flashes with Burrough's own brand of outrageousness and fantasy.