It only took four years for the world to fall apart. Now the last member of my family has died, and I'm forced to travel across what's left of three states to find the only people I know left alive. To survive, I'll have to salvage food and supplies and try to avoid violent men who've learned they can take what they want by force. The only way I'm going to make it is by trusting Travis. Travis used to fix my car, and now he's all I have left in the world. He's gruff and stoic and unfriendly, and I don't really know or like him. But he's all I have left. He'll keep me safe. We'll take care of each other. Until we reach what's left of our town and can finally let go of one another. Last Light is a standalone post-apocalyptic romance set in the near future after a global catastrophe.

Neither day nor night, twilight has long exerted a fascination for Western artists, thinkers, and writers, while haunting the Romantics and intriguing philosophers and scientists. In The Last of the Light, Peter Davidson takes readers through our culture’s long engagement with the concept of twilight—from the melancholy of smoky English autumn evenings to the midnight sun of northern European summers and beyond. Taking in poets and painters, Victorians and Romans, city and countryside, and deftly combining memoir, literature, philosophy, and art history, Davidson shows how the atmospheric shadows and the in-between nature of twilight has fired the imagination and generated works of incredible beauty, mystery, and romance. Ambitious and brilliantly executed, this is the perfect book for the bedside table, richly rewarding and endlessly thought-provoking.

NOW A MAJOR TV SERIES A terrifying apocalyptic thriller from the one of the brightest stars of the genre... 'Chillingly plausible' DAILY TELEGRAPH It seems to be a very normal Monday morning. But in the space of only a few days, the world's oil supplies have been severed and at a horrifying pace things begin to unravel everywhere. And this is no natural disaster: someone is behind this. Jenny is stuck in Manchester, fighting desperately against the rising chaos to get back to London, where her children are marooned as events begin to spiral out of control: riots, raging fires, looting, rape and murder. In the space of a week, London is transformed into a lawless and anarchic vision of hell. Jenny's estranged husband, oil engineer Andy Sutherland, is stranded in Iraq with a company of British soldiers, desperate to find a way home to his family, trapped as transport links and the very infrastructure of daily life begin to collapse around him. And against all this, a mysterious man is tracking Andy's family. He'll silence anyone who might be able to reveal the identities of those behind this global disaster. It seems that the same people who now have a stranglehold on the future of civilisation have flexed their muscles before, at other significant tipping points in history, and they are prepared to do anything to keep their secret - and their power - safe.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing the greatest work of their long careers—and, in some cases, changing the course of art history. Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose; older ones because they have nothing to fear. With their legacies secure, they’re free to reinvent themselves…sometimes with revolutionary results. Titian’s late style offered a way for pigment itself—not just the things it depicted—to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya’s late work enlarged the psychological territory that artists could enter. Monet’s late waterlily paintings were eventually recognized as prophetic for the centerless, diaphanous space developed after World War II by abstract expressionists like Jackson Pollock and Phillip Guston. In his seventies, Matisse began to produce some of the most joyful art of the 20th century, especially his famous cutouts that brought an ancient craft into the realm of High Modernism. Hopper, the ultimate realist, used old age on occasion to depart into the surreal. And Nevelson, the patron saint of late bloomers, pioneered a new kind of sculpture: wall-sized wooden assemblages made from odds and ends she scavenged from the streets of Manhattan. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

To Fight What Others Can’t You Must See What Others Don’t After an accident left him temporarily blind, Drew Carter didn’t just regain his sight. He now sees what others can’t imagine–an entire spiritual realm of mighty beings at war. Forget the gift, Drew just wants his life back. Part of that involves Sydney Carlyle, a woman he is inexplicably drawn to. When he’s offered the chance to become a CIA agent, it seems the way to redeem his past. The only problem–his visions of the supernatural realm are increasing in frequency. It’s up to the warrior angel Validus and his hand-picked team of heavenly agents to protect the unbelieving Drew. Validus now knows that the young man is at the epicenter of a global spiritual war, and the angels must use a millennia of battle experience keep Drew alive, for the Fallen want him dead. Surrounded by spiritual warriors and targeted by demons, Drew’s faced with an impossible decision that will forever alter the destiny of America...and his own soul.

The first installment in a thrilling series in which a global catastrophe puts a family’s survival at risk—and both reveals the darkness in human hearts and lights the way to restoration. Birmingham, Alabama, has lost all power. Its streets are jammed with cars that won’t start and its airport is engulfed in flames from burning planes. All communications—cell phones, computers, even radios—are silent. Every home and business is dark. Is it a natural disaster, a terrorist attack, or something far worse? In the face of a crisis that sweeps an entire high-tech planet back to a time before electricity, the Branning family faces a choice. Will they hoard their possessions in order to survive—or trust God to provide as they share their resources with those around them? Yesterday’s world is gone. Family and community are all that remain. And the outage is revealing the worst in some. Desperation can be dangerous—especially when a killer lives among them. Full-length suspense novel The exciting first book in the Restoration series: Book 1: Last Light Book 2: Night Light Book 3: True Light Book 4: Dawn’s Light Includes a note from the author and discussion questions for book clubs

An original novel set in the Halo Universe and based on the New York Times bestselling video game series! It is 2553, and the three-decade long Covenant War that defined a generation has suddenly drawn to a close. Yet, in the remotest parts of human space, tensions remain that threaten to overflow into another full-scale conflict. Beneath the surface of the planet Gao lies a vast cavern system renowned for its therapeutic effects and rumored miraculous cures. But now Gao natives are turning up brutally murdered down there—violent acts that happen to coincide with the recent arrival of a UNSC research battalion protected by Spartan Blue Team, led by the renowned Spartan-II Fred-104. Maverick detective Veta Lopis of the Gao Ministry of Protection is only trying to do her job as the Special Inspector assigned to catch a serial killer—one who is possibly hiding within the Spartan ranks—but she never anticipates the situation spiraling out of control into an all-out crisis. When Gao is revealed to harbor ancient Forerunner technology that could solidify the UNSC’s military supremacy for centuries to come, Insurrection loyalists within the planetary government will do anything—even align with a vicious faction of what remains of the Covenant—to ensure that never happens…

His jaw clenched and his eyes flash from Grey to Green. I feel my wolf come to the surface letting her eyes shine their lighter blue to my dark ones. She is not happy. His nostrils flared, It's considered a challenge. He lets off a low growl and my temper gets the better of me. I match it. I can see he is taken by surprise before he masks it. "It's a simple question," he says, "If you have nothing to hide." I still don't like his tone which only makes my smart mouth go off "I don't have anything to hide.'' I say, lifting my chin, "and I don't have to tell you anything about me." He narrows his eyes. I can tell he is having a hard time controlling his wolf. "You. Are. My. Mate." he says, making each word a point. "Everything about you is my business." Accalia is the last of her pack. Taken in by The Silver River Pack but never treated as part of it. She finally has decided to leave but what she doesn't realize is this is only the beginning. Her original pack was special; the Moon goddess has chosen her to continue what the pack cannot. Will she be able fill her destiny as the Moon Goddess had intended?

#1 NEW YORK TIMES BESTSELLER The magnificent conclusion to Rick Atkinson's acclaimed Liberation Trilogy about the Allied triumph in Europe during World War II It is the twentieth century's unrivaled epic: at a staggering price, the United States and its allies liberated Europe and vanquished Hitler. In the first two volumes of his bestselling Liberation Trilogy, Rick Atkinson recounted how the American-led coalition fought through North Africa and Italy to the threshold of victory. Now, in The Guns at Last Light, he tells the most dramatic story of all—the titanic battle for Western Europe. D-Day marked the commencement of the final campaign of the European war, and Atkinson's riveting account of that bold gamble sets the pace for the masterly narrative that follows. The brutal fight in Normandy, the liberation of Paris, the disaster that was Operation Market Garden, the horrific Battle of the Bulge, and finally the thrust to the heart of the Third Reich—all these historic events and more come alive with a wealth of new material and a mesmerizing cast of characters. Atkinson tells the tale from the perspective of participants at every level, from presidents and generals to war-weary lieutenants and terrified teenage riflemen. When Germany at last surrenders, we understand anew both the devastating cost of this global conflagration and the enormous effort required to win the Allied victory. With the stirring final volume of this monumental trilogy, Atkinson's accomplishment is manifest. He has produced the definitive chronicle of the war that unshackled a continent and preserved freedom in the West. One of The Washington Post's Top 10 Books of the Year A Kirkus Reviews Best Nonfiction Book of 2013

Rome has fallen into darkness.Its legacy remains alive in Constantinople, whose leaders struggle to retain control of a decaying land. Yet famine, war, and an encroaching night leave the Eastern Empire trending towards ruin.Faint hope arises as a new dynasty ascends to the throne of Caesar. Bearing witness to such events is Varus, a young Herulian slave to the aging yet powerful Justin, who unveils a bold plan held by two generations of Romans - to retake the West and reclaim their homeland.Following Justin's dream, Varus enlists with the Roman Army and discovers the carnage of 6th Century warfare. As a mysterious horde of black-shielded invaders devastates the Empire's northern provinces, Varus' unit is called upon to defend under the leadership of Belisarius, one of Justin's most promising commanders.As Varus prepares for the sacrifices to come, however, he begins to question Justin's secrets, seeking answers regarding his true identity and place as a pivotal figure in the Empire's survival.