This is Randor; standard date March sixth 2304. It all started when I found Beldon on the floor— No, I suppose it started earlier than that. It started the way most days do, with breakfast. Randor is a mediocre scientist struggling to stand out on a planet where everyone is exceptional. But when a mystery illness sweeps through the Mars Colony, he’s finally special; he’s the last Martian. He battles loneliness and despair for almost a decade, until he receives a signal from Proxima Centauri. With nothing but a hand-made ship, a dog, and seven rats, he chooses to travel alone across the vast emptiness of space, in the hopes of finding someone, anyone. But space is deadly, and time is running out.

“Last Day on Mars is thrillingly ambitious and imaginative. Like a lovechild of Gravity and The Martian, it's a rousing space opera for any age, meticulously researched and relentlessly paced, that balances action, science, humor, and most importantly, two compelling main characters in Liam and Phoebe. A fantastic start to an epic new series.” —Soman Chainani, New York Times bestselling author of the School for Good and Evil series “Emerson's writing explodes off the page in this irresistible space adventure, filled with startling plot twists, diabolical aliens, and (my favorite!) courageous young heroes faced with an impossible task.” —Lisa McMann, New York Times bestselling author of the Unwanteds series It is Earth year 2213—but, of course, there is no Earth anymore. Not since it was burned to a cinder by the sun, which has mysteriously begun the process of going supernova. The human race has fled to Mars, but this was only a temporary solution while we have prepared for a second trip: a one-hundred-fifty-year journey to a distant star, our best guess at where we might find a new home. Liam Saunders-Chang is one of the last humans left on Mars. The son of two scientists who have been racing against time to create technology vital to humanity’s survival, Liam, along with his friend Phoebe, will be on the last starliner to depart before Mars, like Earth before it, is destroyed. Or so he thinks. Because before this day is over, Liam and Phoebe will make a series of profound discoveries about the nature of time and space and find out that the human race is just one of many in our universe locked in a dangerous struggle for survival.

The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old "human error" are much more likely to kill him first. But Mark isn't ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

Originally published in 1952, John Russell Fearn writes another classic pulp SF novel as Vargo Statten.

#1 NEW YORK TIMES BESTSELLER • From the author of The Martian, a lone astronaut must save the earth from disaster in this “propulsive” (Entertainment Weekly), cinematic thriller full of suspense, humor, and fascinating science—in development as a major motion picture starring Ryan Gosling. HUGO AWARD FINALIST • ONE OF THE YEAR’S BEST BOOKS: Bill Gates, GatesNotes, New York Public Library, Parade, Newsweek, Polygon, Shelf Awareness, She Reads, Kirkus Reviews, Library Journal • “An epic story of redemption, discovery and cool speculative sci-fi.”—USA Today “If you loved The Martian, you’ll go crazy for Weir’s latest.”—The Washington Post Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he? An irresistible interstellar adventure as only Andy Weir could deliver, Project Hail Mary is a tale of discovery, speculation, and survival to rival The Martian—while taking us to places it never dreamed of going.

Most books on film adaptation—the relation between films and their literary sources—focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation. Beginning with an examination of why adaptation study has so often supported the institution of literature rather than fostering the practice of literacy, Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. After examining the surprisingly divergent fidelity claims made by three different kinds of canonical adaptations, Leitch's analysis moves beyond literary sources to consider why a small number of adapters have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adapted to the screen. The range of films studied, from silent Shakespeare to Sherlock Holmes to The Lord of the Rings, is as broad as the problems that come under review.

Sister Ciara has a high powered hunting rifle, a lot of ammunition and a robust attitude problem towards Martians. With two trusted odd-ball accomplices, she will complete her task.Victorian London lies in ruins under the onslaught of the Martian fighting machines. In turn, the Martians begin to succumb to the many blights Mother Earth can offer. Soon, most of the diseased aliens are dead. The tripod fighting machines lay dormant in vast numbers amid the post-apocalyptic landscape. However, for the human survivors of the Sewer Sanctuary, the surface is still unsafe. The threat remains of a few Martian survivors. They are still hunting inside their colossal machines. They still need to feed while the humans still need to forage amid the ruins. It has become a game of cat and mouse. The surviving humans are becoming adaptable and more resourceful. Among them is a devoted lady of the cloth. A middle-aged nun from County Mayo, Ireland. Our Lady of Martian Slayers.

Feeling suffocated on an overcrowed Earth, Xan, a working-class young man, is about to make the biggest gamble of his life by emigrating to Mars. With the promise of a new life, it seems like a golden opportunity despite his family’s reservations. Fresh off the spacecraft and full of hopeful naivete, he soon finds himself in danger when he inadvertently offends a vindictive crowd of workers. Now, stuck on a new planet with hostile eyes upon him, he must strive to escape his hapless situation to achieve success not only for himself but also those he loves.

ThereÕs only one witness to the murder of the Addams family, and the disappearance of Ashley Addams. Good news: master detective John Jones has tracked the witness down! Bad news: the witness is... an iguana. Can even JohnÕs Martian telepathic mind withstand contact with a primitive animal? And in his past on Mars, the fiery plague of HÕronmeerÕs Curse is creating a desperate situation... how far will JÕonn JÕonnz go to keep his family safe?