This collection of true stories about grizzly and black bears in the greater southwest from the 1820s to present day demonstrates changing attitudes toward bears and the preservation of the animals and their habitats

The critically acclaimed author of The Rib King returns with an eagerly anticipated collection of interlocking short stories including the title story written exclusively for this volume, that explore relationships between friends, family and strangers in a Black neighborhood over fifteen years The thirteen gripping tales In The Last Suspicious Holdout, the new story collection by award-winning author Ladee Hubbard, deftly chronicle poignant moments in the lives of an African American community located in a “sliver of southern suburbia.” Spanning from 1992 to 2007, the stories represent a period during which the Black middle-class expanded while stories of "welfare Queens," "crack babies," and "super predators" abounded in the media. In “False Cognates,” a formerly incarcerated attorney struggles with raising the tuition to keep his troubled son in an elite private school. In “There He Go,” a young girl whose mother moves constantly clings to a picture of the grandfather she doesn’t know but invents stories of his greatness. Characters spotlighted in one story reappear in another, providing a stunning testament to the enduring resilience of Black people as they navigate the “post-racial” period The Last Suspicious Holdout so vividly portrays.

When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality—for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars—through the roaring twenties, the stock market crash, and the Depression—and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America's best novelists.

“Some of the pieces included here are important and some are curiosities, but all are absorbing . . . Recommended for casual and serious math enthusiasts.” —Library Journal From the archives of the world’s most famous newspaper comes a collection of its very best writing on mathematics. Big and informative, The New York Times Book of Mathematics gathers more than 110 articles written from 1892 to 2010 that cover statistics, coincidences, chaos theory, famous problems, cryptography, computers, and many other topics. Edited by Pulitzer Prize finalist and senior Times writer Gina Kolata, and featuring renowned contributors such as James Gleick, William L. Laurence, Malcolm W. Browne, George Johnson, and John Markoff, it’s a must-have for any math and science enthusiast. “Many fascinating problems are explained in language that the layperson will understand . . . This compilation of real-world applications will interest those with an inclination toward mathematics or problem-solving.” —Publishers Weekly

What Movies Teach About Race: Exceptionalism, Erasure, & Entitlement reveals the way that media frames in entertainment content persuade audiences to see themselves and others through a prescriptive lens that favors whiteness. These media representations threaten democracy as conglomeration and convergence concentrate the media’s global influence in the hands of a few corporations. By linking film’s political economy with the movie content in the most influential films, this critical discourse study uncovers the socially-shared cognitive structures that the movie industry passes down from one generation to another. Roslyn M. Satchel encourages media literacy and proposes an entertainment media cascading network activation theory that uncovers racialized rhetoric in media content that cyclically begins in historic ideologies, influences elite discourse, embeds in media systems, produces media frames and representations, shapes public opinion, and then is recycled and perpetuated generationally.

Will Rogers once wrote, "Charlie Russell is the only western artist a true cowboy can't find fault with." Rogers also considered Charlie America's best storyteller, cowboy humorist, and sagebrush philosopher. Though Charlie was under-schooled and semi-illiterate, his salty writings still delight readers eight decades after he crossed "the big divide." Richard Bird Baker has long strived to bring Russell's wit, humor, cynicism, and horse sense back to life, depicting Charlie writing letters about current events, trends, and issues in colorful cowboy lingo. This edition is a must for fans of cowboy humor, salty metaphors, and sagebrush philosophy.

Through a qualitative, comparative study of the diffusion of a single human rights norm--the abolition of the death penalty for child offenders--this book argues that the growth of state control over children contributed to the consolidation of the state and the creation of international order.

Human Rights Watch is increasingly recognized as the world’s leader in building a stronger awareness for human rights. Their annual World Report is the most probing review of human rights developments available anywhere. Written in straightforward, non-technical language, Human Rights Watch World Report prioritizes events in the most affected countries during the previous year. The backbone of the report consists of a series of concise overviews of the most pressing human rights issues in countries from Afghanistan to Zimbabwe, with particular focus on the role—positive or negative—played in each country by key domestic and international figures. Highly anticipated and widely publicized by the U.S. and international press every year, the World Report is an invaluable resource for journalists, diplomats, and all citizens of the world.

Parlor Whales: A City Hall Brawling Borderlander's Memoir of Drug Prohibition's Collateral Mayhem, and How to Use America's Most Powerful Weapon to Conquer Substance Abuse By: Chris Cauhapé “A unique plan for ending the drug overdose crisis and eliminating the black market in drugs… A must read for anyone suffering an addiction in the family.” An intriguing, very personal up-close account of local politics and the devastating unintended consequences of drug prohibition from the viewpoint of a lifelong resident of the US frontier with México. The author is genetically, culturally, linguistically, historically and geographically connected to America’s southern neighbor. Cauhapé came of age just as returning Vietnam vets taking advantage of the GI Bill’s educational benefits brought back a very relaxed view of cannabis use from the battlefields of Southeast Asia and introduced that viewpoint to baby boomer classmates on college campuses throughout the US. Cauhapé dubs the resultant 1960s drug explosion “The Big Bong”. Cauhapé, a self-described Anarchistic Constitutionalist, relates his experiences from harvesting lettuce and laboring at menial jobs to competing with laundered drug money and convict labor in the business world. He exposes how Corporate Socialism on the local level has bilked the taxpayer and how politicians’ obsession with incarceration has undermined societal tranquility and the very infrastructure of the entire nation while providing a world-class education in criminal activity for American jailbirds on the dime of law-abiding college students. Through more than a half-century of research and personal observation, Cauhapé indicts drug prohibition as the number one cause of drug abuse. He chronicles drug policy’s collateral damage in his own environment by citing crime in his barrio and the substance-abuse-related murders of friends, neighbors, and employees. Parlor Whales offers a solution to chemical dependance and its monstrous baggage by utilizing the same devastating weapon that vanquished America’s opponents in The Second World War and the Space Race. That same weapon was the knockout punch in mankind’s victories over many other diseases that have haunted our species since day one.