In this fantastical finale to the Last Dragon Charmer series, a young prince from a fantasy realm finds himself trapped in the seemingly normal world of Asheville, North Carolina—and must defeat unexpected evil in order to find his way home. Asheville goes by another name in Prince Caden’s homeland of Razzon: the Land of Shadow, a place where the most vile villains are sent to live out their days disguised as ordinary middle school teachers. But the villains are no longer content to stay trapped in Asheville. They are plotting to go home, overthrow Caden’s father the King, and take over. Caden will do anything to protect his homeland and his family. But preventing the villains from completing a mysterious four-part spell and breaking the barrier between realms is no small task. He will need the help of his brave friends—and his special gift to charm a ravenous Elderdragon. And if Caden and his friends can save his home, he might finally be able to return to it. With its perfect blend of wit, action and heart, Laurie McKay’s The Last Dragon Charmer will remind readers young and old what it truly means to be a hero, and is perfect for fans of Soman Chainani’s The School for Good and Evil and Chris Colfer’s Land of Stories.

In this fantastical finale to the Last Dragon Charmer series, a young prince from a fantasy realm finds himself trapped in the seemingly normal world of Asheville, North Carolina—and must defeat unexpected evil in order to find his way home. Asheville goes by another name in Prince Caden’s homeland of Razzon: the Land of Shadow, a place where the most vile villains are sent to live out their days disguised as ordinary middle school teachers. But the villains are no longer content to stay trapped in Asheville. They are plotting to go home, overthrow Caden’s father the King, and take over. Caden will do anything to protect his homeland and his family. But preventing the villains from completing a mysterious four-part spell and breaking the barrier between realms is no small task. He will need the help of his brave friends—and his special gift to charm a ravenous Elderdragon. And if Caden and his friends can save his home, he might finally be able to return to it. With its perfect blend of wit, action and heart, Laurie McKay’s The Last Dragon Charmer will remind readers young and old what it truly means to be a hero, and is perfect for fans of Soman Chainani’s The School for Good and Evil and Chris Colfer’s Land of Stories.

This first book in the Last Dragon Charmer series is packed with adventure and wit, perfect for fans of Soman Chainani's School for Good and Evil series and Chris Colfer's Land of Stories series. All his life, Prince Caden has dreamed of slaying a dragon. But before he has the chance, he is ripped from his home in the Great Winterlands of Razzon and finds himself in Asheville, North Carolina—a land with no magic and no dragons. Or so he thinks. The longer Caden spends in Asheville, the more he comes to realize that there is unexpected and dangerous magic in this strange land. There just may be dragons here too. But what if Caden's destiny isn't to slay a dragon, after all?

This second book in the epic Last Dragon Charmer series is perfect for fans of Soman Chainani’s School for Good and Evil and Chris Colfer’s Land of Stories. When mysterious magic transported Prince Caden from the Greater Realm to seemingly normal Asheville, North Carolina, he was shocked to discover it was home to the most dangerous villains ever banished from his homeland. And that a great and powerful Elderdragon rules them all. Now Caden suspects that dark forces are conspiring on both sides of the magical divide between his world, and this one. The Elderdragon gives Caden a quest: uncover the dangerous plan and protect the Greater Realm from banished villains hungry for revenge. Because if they find a way home before Caden can, everyone he loves may be in danger. With its perfect blend of wit, action, and heart, Laurie McKay’s Last Dragon Charmer series will captivate readers young and old, and remind them what it truly means to be a hero. “A sometimes-amusing, sometimes-thrilling, and always entertaining sequel.” —Kirkus Reviews

Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest purchase, an item he discovered on the Internet: I will sell my stepfather's ghost to the highest bidder . . . For a thousand dollars, Jude has become the owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no metaphorical ghost, no benign conversation piece. Suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored Mustang . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one hand . . .

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

'High energy, highly unique, swashbuckling-cop-epic-noir story. Buy it. BUY IT NOW' Sam Sykes The Greatcoats are back - and this time it's personal. How do you kill a Saint? Falcio, Brasti and Kest are about to find out, as someone is doing just that, and they've started with a friend. The Dukes were already looking for ways to weasel out of their promise to put Aline on her father's throne - but with Saints turning up dead, and Church Inquistitors pushing for control - rumours are spreading that the Gods themselves oppose her ascension. The only way Falcio can stop the country turning into a vicious theocracy is to find and stop the Saint-killer - but his only clue is the iron mask encasing the head of the Saint of Mercy, which prevents her from speaking. And even if he can find the murderer, he will still have to face them in battle - and this may be a duel that no swordsman, no matter how skilled, can win.