A far-reaching story of an outcast and his bookstore: a home to forbidden books, political dissidents, and cultural smugglers all brought to vivid poetic life “Rivas is a master… His pages bloom like flowers, swerving in unpredictable arcs toward a light-source that is constantly moving.” —Bookforum The Last Days of Terranova tells of Vicenzo Fontana, the elderly owner of the long-standing Terranova Bookstore, on the day it's set to close due to the greed of real-estate speculators. On this final day, Vincenzo spends the night in his beloved store filled with more than seventy years of fugitive histories. Jumping from the present to various points in the past, the novel ferries us back to Vicenzo's childhood, when his father opened the store in 1935, to the years that the store was run by his Uncle Eliseo, and to the years in the lead-up to the democratic transition, which Vicenzo spent as far away from the bookstore as possible, in Madrid. Like the bookstore itself, The Last Days of Terranova is a space crammed with stories, histories, and literary references, and as many nooks, crannies, and complexities, brought to life in Rivas’s vital prose.

Evangeline is living the life of a normal teenager—going to school and hanging out with friends—until mysterious, severe symptoms begin appearing. After passing out in the middle of a party, life as she knows it spirals beyond her grasp. She is then diagnosed with a rare, genetic blood disorder that causes her body’s white blood cells to kill the red ones. In the delirium of her deteriorating health, a door to a parallel world opens before her; however, once she steps through it, the portal closes, and she is unable to return to Earth. The place Evangeline now finds herself in is called Terra Nova, a world wherein vampires rule supreme, with no traces of humanity left to speak of. Curious but afraid, she quickly learns that Terra Nova is not the shadow-side of Earth, but rather the tragic result of government experimentation. In order to survive, she must keep her mind open and accept the changes her body is undergoing; soon enough, those who she initially thinks are murderers become her trainers, whose help she must enlist if she ever hopes to return home—and soon enough, a romantic bond begins to bloom. Meanwhile, Evangeline’s brother and friends back on Earth try to figure out what happened to her, and how the government is involved, and how to bring her home. Unbeknownst to any of them is the mysterious outcast Bambi, whose secrecy disguises her power in making a devastating choice: save one world at the risk of destroying the other.

This “stunning” (USA Today) debut novel brings to life World War II-era and modern-day Greece—and tells the story of a vibrant family and the tragic secret kept hidden for generations. Boston, 2000: Calliope Notaris Brown receives a shocking phone call. Her beloved uncle Nestor has passed away, and now Callie must fly to Patras, Greece, to claim her inheritance. Callie’s mother, Clio—with whom Callie has always had a difficult relationship—tries to convince her not to make the trip. Unsettled by her mother’s strange behavior, and uneasy about her own recent engagement, Callie decides to escape Boston for the city of her childhood summers. After arriving at the heady peak of Carnival, Callie begins to piece together what her mother has been trying to hide. Among Nestor’s belongings, she uncovers clues to a long-kept secret that will alter everything she knows about her mother’s past and about her own future. Greece, 1940: Growing up in Patras in a prosperous family, Clio Notaris and her siblings feel immune to the oncoming effects of World War II, yet the Italian occupation throws their privileged lives into turmoil. Summers in the country once spent idling in the clover fields are marked by air-raid drills; the celebration of Carnival, with its elaborate masquerade parties, is observed at home with costumes made from soldiers’ leftover silk parachutes. And as the war escalates, the events of one fateful evening will upend Clio’s future forever. A moving novel of the search for identity, the challenges of love, and the shared history that defines a family, The Clover House is a powerful debut from a distinctive and talented new writer.

A far-reaching story of an outcast and his bookstore: a home to forbidden books, political dissidents, and cultural smugglers all brought to vivid poetic life “Rivas is a master… His pages bloom like flowers, swerving in unpredictable arcs toward a light-source that is constantly moving.” —Bookforum The Last Days of Terranova tells of Vicenzo Fontana, the elderly owner of the long-standing Terranova Bookstore, on the day it's set to close due to the greed of real-estate speculators. On this final day, Vincenzo spends the night in his beloved store filled with more than seventy years of fugitive histories. Jumping from the present to various points in the past, the novel ferries us back to Vicenzo's childhood, when his father opened the store in 1935, to the years that the store was run by his Uncle Eliseo, and to the years in the lead-up to the democratic transition, which Vicenzo spent as far away from the bookstore as possible, in Madrid. Like the bookstore itself, The Last Days of Terranova is a space crammed with stories, histories, and literary references, and as many nooks, crannies, and complexities, brought to life in Rivas’s vital prose.

A haunting story of love, art, and betrayal, set against the heart-pounding backdrop of Antarctic exploration—from the Boston Globe-bestselling author of The Clover House. “Ingenious”—New York Times Book Review The year is 1910, and two Antarctic explorers, Watts and Heywoud, are racing to the South Pole. Back in London, Viola, a photo-journalist, harbors love for them both. In Terra Nova, Henriette Lazaridis seamlessly ushers the reader back and forth between the austere, forbidding, yet intoxicating polar landscape of Antarctica to the bustle of early twentieth century London. Though anxious for both men, Viola has little time to pine. She is photographing hunger strikers in the suffrage movement, capturing the female nude in challenging and politically powerful ways. As she comes into her own as an artist, she's eager for recognition and to fulfill her ambitions. And then the men return, eager to share news of their triumph. But in her darkroom, Viola discovers a lie. Watts and Heywoud have doctored their photos of the Pole to fake their success. Viola must now decide whether to betray her husband and her lover, or keep their secret and use their fame to help her pursue her artistic ambitions. Rich and moving, Terra Nova is a novel that challenges us to consider how love and lies, adventure and art, can intersect.

The acclaimed Galician author’s novel of the Spanish Civil War is “a sincere and beautiful portrait of a brutal, ugly period of Spanish history” (The Guardian). Novelist and El País journalist Manuel Rivas has been heralded as one of the brightest in a new wave of Spanish authors. Originally written in Galician, his native language, The Carpenter’s Pencil was a bestseller in Spain and has been published in nine countries. Set in the dark days of the Spanish Civil War, The Carpenter’s Pencil charts the linked destinies of Dr. Daniel Da Barca, a Republican who cheats death in General Franco’s prisons; Herbal, an illiterate Falangist and Da Barca’s shadow; and an unnamed painter with the carpenter’s pencil, the man who unites them in life and death. It is also the story of Marisa Mallo, loved by both Da Barca and Herbal; Pepe Sánchez, the bolero singer; “Genghis Khan,” the wrestler; and the legend of two estranged sisters, Life and Death. All of these and more are bound by the events of the war. And all are rendered, in Rivas’s skillful hand, with the power of the carpenter’s pencil, a pencil that draws both the measured line and the artist’s fanciful vision.

Look out for David Owen's next book, Where the Water Goes. A challenging, controversial, and highly readable look at our lives, our world, and our future. Most Americans think of crowded cities as ecological nightmares, as wastelands of concrete and garbage and diesel fumes and traffic jams. Yet residents of compact urban centers, Owen shows, individually consume less oil, electricity, and water than other Americans. They live in smaller spaces, discard less trash, and, most important of all, spend far less time in automobiles. Residents of Manhattan—the most densely populated place in North America—rank first in public-transit use and last in percapita greenhouse-gas production, and they consume gasoline at a rate that the country as a whole hasn’t matched since the mid-1920s, when the most widely owned car in the United States was the Ford Model T. They are also among the only people in the United States for whom walking is still an important means of daily transportation. These achievements are not accidents. Spreading people thinly across the countryside may make them feel green, but it doesn’t reduce the damage they do to the environment. In fact, it increases the damage, while also making the problems they cause harder to see and to address. Owen contends that the environmental problem we face, at the current stage of our assault on the world’s nonrenewable resources, is not how to make teeming cities more like the pristine countryside. The problem is how to make other settled places more like Manhattan, whose residents presently come closer than any other Americans to meeting environmental goals that all of us, eventually, will have to come to terms with.

Blending together natural history, architecture, chemistry, and politics, a senior conservation ecologist presents a roadmap for renewing economic growth, revitalizing communities, and creating a sustainable environment.

In the winter of 1911-1912, five Englishmen and five Norwegians raced each other to the bottom of the earth. Only the five Norwegians returned. This is the story of the Englishmen.

Soaring high into the sky, giants of glass, metal, steel, and mortar revolutionized urban architecture in the twentieth century. From classics (the Empire State Building) to more recent constructions such as the Petronas Towers in Kuala Lampur, nearly fifty world-class skyscrapers--including the World Trade Center--are celebrated in a vertical volume that emulates its subject matter. Led by an expert on architecture and urban development, travel around the world from Hong Kong to Moscow, and dozens of destinations in between to pay tribute to such imposing structures as San Francisco's Transamerica Pyramid, Riyadh's Kingdom Center, Tokyo's Town Hall, Paris's Tour de Montparnasse, and Frankfurt's Messe Turm. Photographed in crisp color, these architectural icons are captured from every angle: distant shots establish stature within a skyline; breathtaking views from the ground skyward emphasize the awesome height; and artistic close-up shots reveal an elegant, abstract, geometric beauty. Take your place on the observation deck of the Sears Tower. Marvel at the Rialto Towers in Melbourne. Watch as death-defying workers navigate beams high above the city to construct these modern wonders. Imagine what skyscrapers of the future might be like. From the comfort of your armchair, you'll enjoy an unsupassed view.