A fresh collection of cryptic crosswords, filled with all the irreverent wordplay--anagrams, reversals, homophones, charades, double definitions, and palindromes--for which Henry Hook is known.

In the turbulent decade which produced the Canadian Confederation of 1867, a group of seasoned veterans of the American Civil War turned their attention to the conquest of Canada. They were Irish-American revolutionaries — unique because they fought under their own flag. They were know as the Fenians and they believed that the first step on the road to the liberation of Ireland was to invade Canada. The Last Invasion of Canada vividly recaptures the drama of the decade. It recounts the fledgling nation's rag-tag, but patiotic, defence against an ememy committed to a glorious cause, but with only scatterered resources. It is a story of courage, espionage and petty crime, and of mismatched motivations and goals.

Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.

The 'Spanish' influenza of 1918 was the deadliest pandemic in history, killing as many as 50 million people worldwide. Canadian federal public health officials tried to prevent the disease from entering the country by implementing a maritime quarantine, as had been their standard practice since the cholera epidemics of 1832. But the 1918 flu was a different type of disease. In spite of the best efforts of both federal and local officials, up to fifty thousand Canadians died. In The Last Plague, Mark Osborne Humphries examines how federal epidemic disease management strategies developed before the First World War, arguing that the deadliest epidemic in Canadian history ultimately challenged traditional ideas about disease and public health governance. Using federal, provincial, and municipal archival sources, newspapers, and newly discovered military records – as well as original epidemiological studies – Humphries' sweeping national study situates the flu within a larger social, political, and military context for the first time. His provocative conclusion is that the 1918 flu crisis had important long-term consequences at the national level, ushering in the 'modern' era of public health in Canada.

NATIONAL BESTSELLER WINNER OF THE 2020 TORONTO BOOK AWARD A bracing, provocative, and perspective-shifting book from one of Canada's most celebrated and uncompromising writers, Desmond Cole. The Skin We're In will spark a national conversation, influence policy, and inspire activists. In his 2015 cover story for Toronto Life magazine, Desmond Cole exposed the racist actions of the Toronto police force, detailing the dozens of times he had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, shaking the country to its core and catapulting its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis. Both Cole’s activism and journalism find vibrant expression in his first book, The Skin We’re In. Puncturing the bubble of Canadian smugness and naive assumptions of a post-racial nation, Cole chronicles just one year—2017—in the struggle against racism in this country. It was a year that saw calls for tighter borders when Black refugees braved frigid temperatures to cross into Manitoba from the States, Indigenous land and water protectors resisting the celebration of Canada’s 150th birthday, police across the country rallying around an officer accused of murder, and more. The year also witnessed the profound personal and professional ramifications of Desmond Cole’s unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper’s opinions editor and informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another police board meeting, Cole challenged the board to respond to accusations of a police cover-up in the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking out of the meeting, handcuffed and flanked by officers, fortified the distrust between the city’s Black community and its police force. Month-by-month, Cole creates a comprehensive picture of entrenched, systemic inequality. Urgent, controversial, and unsparingly honest, The Skin We’re In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians.

The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.

A look at the history of a family beer business and how they’ve managed to maintain strength in an increasingly competitive industry. Featuring important insights from the company’s current executives and employees, Last Canadian Beer: The Moosehead Story is not only a fascinating company history, but also a candid look at how a small New Brunswick business remains competitive in a difficult global marketplace. While other Canadian beer brands long ago sold out to American and European interests, Moosehead has remained fiercely independent. Last Canadian Beer is the remarkable story of a time-honored business, a complex family, and a beloved beer.

Between the morning of Wednesday, November 4, and the morning of Thursday, November 5, 1981, a fateful drama unfolded that changed Canada forever. In one last attempt to renew the constitution with the consent of the provinces, Prime Minister Pierre Elliott Trudeau met behind closed doors in Ottawa with the ten premiers. It was the culmination of more than five decades of constitutional wrangling, and has been called the most important conference since the Fathers of Confederation got together in Quebec City in 1864. Faced with the threat of Quebec independence, the ambitions of Western Canada, and the provinces’ demands for more power, Trudeau was embattled. But he was fiercely determined to make Canadians fully independent and to entrench a Charter of Rights and Freedoms. What happened that day still reverberates. It severed the last important link to Canada’s colonial past. It guaranteed individual liberty and minority rights in the future. It weakened the grip of the elites and gave ownership of the constitution to Canadians. But it came at a price. Quebec alone refused to sign the final deal. René Lévesque, its separatist premier, claimed he had been betrayed by his allies in the Gang of Eight. The legend of the "Night of the Long Knives" took hold, precipitating a series of events that came close to destroying the country. Thirty years later, author Ron Graham delivers a gripping account of the fractious debates and secret negotiations. He uses newly uncovered documents and the candid recollections of many of the key participants to create a vivid record of that momentous twenty-four hours. Authoritative and engaging, The Last Act is a remarkable combination of scholarly research and historical narrative.