The Lariat tells the story of Fray Luis, a Franciscan monk, who comes to Northern California to convert the Native Americans to Christianity. This text includes other stories as well.

As Jim Bob sat there looking at his father he knew what had to be done. He would have to call his boss and request a leave of absence. His boss was a nice guy and would understand. He would stay on the ranch as long as he was needed, even if it meant losing his part-time job and not finishing college. His family and the ranch were that important to him. After his father suffers a debilitating stroke, Jim Bob Johnson returns to the Johnson family ranch, in the southwestern United States, which has been in the family for three generations. The ranch also has oil wells, and the management of these falls to Jim Bob. His father returns home and cannot do any work. He is still mad at Jim Bob for going off to college. Jim Bob stays, in spite of his father's anger towards him. Jim Bob is thrust into taking charge of both the ranching and oil business. Shortly after his return, Jim Bob runs into his old girlfriend, Lillian. Although they have a rough time getting reacquainted, they soon reconcile their differences and make plans to get married. But will Jim Bob and Lillian stay in Ochoa to raise the next generation of Johnsons? Can they keep up with the demanding pace required to operate a ranch?

One of the most colorful and captivating writers of the 20th century, Jaime de Angulo came to America to become a cowboy, not an author. And he did become a cowboy—and a doctor, and a psychologist, and a highly regarded anthropologist. However, it was as a writer that he ultimately found his true calling. His stories uniquely represented the bohemian sensibility of the time, and he was known for infusing intellectualism into his coyote tales and shamanic mysticism. So vivid were his tales that Ezra Pound called him "the American Ovid," and William Carlos Williams claimed that de Angulo was "one of the most outstanding writers that I have ever encountered." The Lariat, which may well be his most important piece of fiction, is highlighted in this prize collection, along with other writings that have long been unavailable.

The Lariat is a story told through myriad voices with frequently shifting verb tenses, ultimately dissolving into a patchwork collection of scenes and impressions. Sometimes, we hear the voice of an unknown historian/narrator attempting to piece together the life of protagonist Fray Luis through family records and Luis's own diary entries. At other times the story is told in the present tense, using the voices of talking animals.

In this "raucous, moving, and necessary" story by a Pulitzer Prize finalist (San Francisco Chronicle), the De La Cruzes, a family on the Mexican-American border, celebrate two of their most beloved relatives during a joyous and bittersweet weekend. "All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death." In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank. "Epic . . . Rambunctious . . . Highly entertaining." -- New York Times Book Review"Intimate and touching . . . the stuff of legend." -- San Francisco Chronicle"An immensely charming and moving tale." -- Boston GlobeNational Bestseller and National Book Critics Circle Award finalistA New York Times Notable BookOne of the Best Books of the Year from National Public Radio, American Library Association, San Francisco Chronicle, BookPage, Newsday, BuzzFeed, Kirkus, St. Louis Post-Dispatch, Literary Hub

No. 3 of each volume contains the annual report and minutes of the annual meeting.

This is the third and final book in the Finding Justus Series:Moving on is hard for some people, but for Layla Justus, it is impossible. Three years ago, she gave her soul away, and now there is no bottle deep enough to drown the voice of her daemon soul. Orrin said their love would last forever, but what if it wasn't supposed to? What if there is more than one man that could own a piece of her heart? And so, Samael, the devil himself,wants her for his very own. If only Layla could do the impossible- change her fate and bring peace to her warring soul..